From The Spaghetti Western Database
Cjamango - (See Database Page)
Cjamango wins two bags of gold at the card table, but he’s shot down in a hail of gunfire when bandits enter the saloon and start mowing down everybody in sight. Cjamango survives the incident and discovers that the bandits who have stolen the gold are members of two different gangs, one led by a Mexican called Don Pablo, the other led by an American knick-named El Tigre. The two have fallen out and are now entangled in a bloody war over the gold ...
Leaning heavily on the formula of the two warring factions and the man in the middle - immortalized by Sergio Leone’s A Fistful of Dollars - Cjamango is a rather derivative affair. Of course Cjamango starts playing off both factions against each other, stirring up the hate by suggesting to both gang leaders that the other has the gold, in the hope that they will wipe out each other. There’s also a voluptuous beauty and an abandoned kid, both clear references to the Holy Family subplot of Leone’s ground-breaking movie. And yes, at one point our anti-hero is exposed as an imposter and seriously beaten up, first by Don Pablo’s men, then by El Tigre’s men (in other words: two beatings for the price of one). But as derivative as it might be, the movie is definitely stylish and has all the things fans of the genre are familiar with: a brooding atmosphere, quick shootouts and Mexican bandits who are laughing out loud, often for no discernable reason ...
Mulargia handles the action scenes (especially the quick shootouts) with flair and also comes up with a few clever variations in relation to character and plot. Cjamango is not a pitiless anti-hero but a man able to show mercy and affection, even to an unsupportable kid. There’s also a mysterious man in black, who becomes Cjamango’s guardian angel (but whose true motivations and identity are revealed during the film’s final moments). But if the script has its assets, it also has a few liabilities: It lacks fluency and there are a few continuity problems. The cute little kid quickly becomes annoying and the epilogue, with the revelation of the black-clad salesman’s true identity, feels tacked-on, creating a “What-the-hell -is-this?” feeling. The script is credited to Vincenzo Musolino who also produced. Some sources list him as a supporting actor, but no one has been able to trace him. Was a subplot featuring Musolino entirely cut? This could explain some awkward transitions and a running-time of a mere 83 minutes, but why would a producer cut his own scenes? (*1).
Cjamango isn’t great, but it works thanks to Mulargia’s feeling for the genre and a couple of good performances, notably by Helène Chanel as Perla (Pearl in the English language version). She’s quite a complex character: she’s manipulative and deceptive, running errands for El Tigre while giving Don Pablo (who's madly in love with her) false hopes. She is cold to her father but buys him liquor and she finally redeems herself - and the movie - when it’s almost too late, by influencing the final shootout between Tiger and Cjamango. A hellova woman.
Director: Edoardo Mulargia - Cast: Ivan Rassimov, Helène Chanel, Piero Lulli, Mickey Hargitay, Livio Lorenzon, Pedro Sanchez, Federico Boido, Fred Coplan, Giusva Fioravanti, Dino Strano, Remo Capitani - Music: Felice Di Stefano
- (1) According to Marco Giusti he plays a character called Bill Jackson, but that is a pseudonym he used on several occasions. Giusti also mentions a running-time of 90 minutes
- The artist of the poster (see above) made a mistake: on it Helène Chanel handles the rifle with her right hand while the movie clearly shows that she is left-handed
- In retrospect, a scene with the cute little kid holding a few cylinders of dynamite seems to hold a prophecy: in real life the actor playing the kid, Giusva Fioravanti, grew up to become a neo-nazi terrorist; he was involved in the bombing of the Bologna train station in 1980