Actions

Django Shoots First Review

From The Spaghetti Western Database


Djangosparaprimo.jpg

In the background we spot a lone rider, in the foreground the barrel of a gun. Having seen For a Few Dollars More, we expect to hear a shot. But what looked like a barrel, turns out to be a piece of wood. The lone rider we spotted in the background, is invited by Django (Saxson) to sit down at his camp fire. He is a bounty killer and his victim is a man called Garvin. In this film Django's real name is Garvin too, and the dead man is his father. So Django shoots the bounty killer, takes his father's body into town, and collects the bounty himself! In town he is told by the local weirdo Gordon (who likes the smell of money so much he preferably hangs around in the local bank) that he has become the co-owner of both the bank and the saloon. It soon becomes clear that his father was framed by his business partner Kluster, who now wants to get rid of the son ...

The opening scene, with the lone rider and the barrel of a gun that turns out to be a piece of wood, is the first in a series of references to Sergio Leone, most of them with an added comical twist. The luckiest strike is a Colonel Mortimer-like character, who seeks revenge on his own wife (!) No, this movie doesn't take itself too seriously (we even see the main character in women's clothes!), but it's not a real comedy : made during the heydays of the genre, the violence is quite potent and from time to time the behaviour of the protagonist behaviour is downright amoral. The film was clearly retitled to cash in on Corbucci's landmark movie Django, but the character played by Saxson (in real life Dutch producer/actor Roel Bos) has little in common with the legendary avenger with a machine gun hidden in his coffin. Django Garvin is a rather cheerful guy with a keen eye for the ladies, closer to Gemma's Ringo than Nero's Django. Although his father's death sets things in motion, he can hardly be called an avenger. In fact he must defend himself almost constantly, first in a series of rumbustious fistfights with Kluster's henchmen, later in protracted shoot out in which he is severely wounded (if only for a few hours).


Vlcsnap-2016-03-05-17h24m00s356.png

De Martino's movie is more in line with the so-called 'populist' spaghetti westerns, in which the protagonist takes on one or more corrupt dignitaries, reflecting the popular Italian belief that no dignitary can ever be trusted (tutti ladri = all thieves). Those type of westerns also reflect the opposition between the relatively backward, rural South and the more sophisticated, urbanized North. This idea is cleverly symbolized by the film's magnificent costume design: Django wears the worn-out outfit of the countryman, while in town people wear the most impressive costumes ever seen in a spaghetti western: not only Kluster and his wife look ultra-chic, even Kluster's henchman is well-dressed and Fernando Sancho looks as if he's preparing for the catwalks of Milan.

Saxson may lack the charisma of a Nero of a Gemma, but makes things up with a laconic acting style that comes close to self parody. Excellent support is given by Sancho, in a rare performance as the hero's comical side-kick, and Galli/Stewart, as the evil woman who seduces (and nearly ruins) every man she meets. The script is quite elaborate, but also rather inconsistent, juxtaposing violent scenes with comedy scenes that flirt with slapstick. De Martino makes excellent use of the widescreen, especially during the film's best scene, set among grass-grown rocks, the four main characters approaching the camera from different angles. Enzo Girolami (Castellari) was assistent-director, and it wouldn't surprise me if he was responsable for those rumbustious fistfights. Django spara per primo is not one of the Great Spaghettis but it's quite entertaining and most certainly worth a look, especially for those who can appreciate a more light-hearted approach. And don't miss that hilarious last scene, in which George Eastman arrives in town and - mirrorring Saxson's arrival - introduces himself as ... well, see for yourself.



Dir: Alberto Di Martino - Cast: Glenn Saxson, Fernando Sancho, Evelyn Stewart (Ida Galli), Guido Lollobrigida, Nando Gazzolo, Alberto Lupo, Erika Blanc - Music: Bruno Nicolai

See Database Page


--By Scherpschutter

Donate