Alternative Top 20: Difference between revisions

From The Spaghetti Western Database
Jump to: navigation, search
No edit summary
No edit summary
(10 intermediate revisions by 3 users not shown)
Line 1: Line 1:
{{Lists}}
{{Lists}}
== The Insider's Top 20 (Tip 20) ==
So you've been a fan for a while, you've seen most of the well known and more famous Spaghetti Westerns and you're looking for some recommendations for films that maybe fall outside the obvious canon.  Well, this list is for you.  Selected by our forum members, this Alternative Top 20 is derived from individual lists of favourite films which do not already sit in our [[Essential Top 20 Films|Official Top 20]].  The idea is to highlight some of the titles which often get crowded out of lists of favourites by the films of the 3 Sergios but which are excellent and worthy of note for anyone interested in delving a little deeper into what this genre has to offer. (That said, Mr Corbucci gets a few mentions here too). Besides, in a genre that boasts literally hundreds of films, and on a site full of people who love making lists, limiting our recommendations to only 20 just didn't seem right.  
So you've been a fan for a while, you've seen most of the well known and more famous Spaghetti Westerns and you're looking for some recommendations for films that maybe fall outside the obvious canon.  Well, this list is for you.  Selected by our forum members, this Alternative Top 20 is derived from individual lists of favourite films which do not already sit in our [[Essential Top 20 Films|Official Top 20]].  The idea is to highlight some of the titles which often get crowded out of lists of favourites by the films of the 3 Sergios but which are excellent and worthy of note for anyone interested in delving a little deeper into what this genre has to offer. (That said, Mr Corbucci gets a few mentions here too). Besides, in a genre that boasts literally hundreds of films, and on a site full of people who love making lists, limiting our recommendations to only 20 just didn't seem right.  


The criteria for compiling the list is simply that it must not contain any film already included in the official Top 20 as of 01 January 2015 and the rating is based on a purely one point per vote system. This list will be updated regularly to ensure that no film appears at any time of both lists but that a film which drops out of the Official list can be recognised here without a complete recount. Where films gain the same number of votes I will simply enter them alphabetically.
The criteria for compiling the list is simply that it must not contain any film already included in the official Top 20 as of 01 January 2019 and the rating is based on a purely one point per vote system. This list will be updated regularly to ensure that no film appears at any time of both lists but that a film which drops out of the Official list can be recognised here without a complete recount. Where films gain the same number of votes I will simply enter them alphabetically.


Finally, if you want to add your say to this list, just stroll over to our forum and add your own list.  We'll update this one as the votes build. (Here's the [https://forum.spaghetti-western.net/t/alternative-top-20/1671 link]).
Finally, if you want to add your say to this list, just stroll over to our forum and add your own list.  We'll update this one as the votes build. (Here's the [https://forum.spaghetti-western.net/t/alternative-top-20/1671 link]).
Line 9: Line 8:
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">1</span></div>
<div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">1</span></div>
   <div class="small-7 columns">'''[[10.000 dollari per un massacro|$10.000 BLOOD MONEY]]''', [[Category:Romolo Guerrieri|Romolo Guerrieri]] (1967)
   <div class="small-7 columns">'''[[10.000 dollari per un massacro|$10.000 BLOOD MONEY]]''', [[Romolo Guerrieri]] (1967)
Guerrieri's masterpiece and crammed full of more murder, sexual tension and eye make up than you can shake a stick at.
Guerrieri's masterpiece and crammed full of more murder, sexual tension and eye make up than you can shake a stick at.


Line 24: Line 23:
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
  <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">2</span></div>
  <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">2</span></div>
   <div class="small-7 columns">'''[[E Dio disse a Caino|AND GOD SAID TO CAIN]]''', [[Category:Antonio Margheriti|Antonio Margheriti]] (1969)
  <div class="small-7 columns">'''[[Blindman|BLINDMAN]]''', [[Ferdinando Baldi]] (1971)
A reworking of the Zatoichi character transplanted to the old west in which Tony Anthony goes in search of his 50 women.
 
Check out a full review of the film [[Blindman review|here]]
</div>
  <div class="small-3 columns">[[File: TA BlindmanReview Scherpschutter Poster.jpg |140px]]</div>
    <div class="small-1 columns" style="padding-top:30px;">
          <div class="row">[[File:Bluraylogo2.gif|40px|link= Blindman /BluRay]]</div>
          <div class="row">[[File:Dvdlogo2.png|40px|link= Blindman /DVD]]</div>
          <div class="row">[[File:Cdmusic.png|40px|link= Blindman /OST]]</div>
 
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
  <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">3</span></div>
   <div class="small-7 columns">'''[[E Dio disse a Caino|AND GOD SAID TO CAIN]]''', [[Antonio Margheriti]] (1969)
Margheriti uses all his horror expertise to create possibly the Spaghetti Western's most gothic example and a lead role for Klaus Kinski to boot.
Margheriti uses all his horror expertise to create possibly the Spaghetti Western's most gothic example and a lead role for Klaus Kinski to boot.
Check out a full review of the film [[And God said to Cain Review|here]].
Check out a full review of the film [[And God said to Cain Review|here]].
Line 37: Line 51:
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">3</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">4</span></div>
   <div class="small-7 columns">'''[[Navajo Joe|NAVAJO JOE]]''', [[Sergio Corbucci]] (1966)
   <div class="small-7 columns">'''[[Navajo Joe|NAVAJO JOE]]''', [[Sergio Corbucci]] (1966)
Not even Burt Reynolds' hair piece can spoil this action packed bonanza.  And worth seeing if only for an all too rare major role for Aldo Sanbrell and the stunning beauty of Nicoletta Machiaveli.
Not even Burt Reynolds' hair piece can spoil this action packed bonanza.  And worth seeing if only for an all too rare major role for Aldo Sanbrell and the stunning beauty of Nicoletta Machiaveli.
Check out a full review of the film [[Navajo Joe Review (Scherpschutter)|here]].
Check out a full review of the film [[Navajo Joe Review (Scherpschutter)|here]].
</div>
</div>
Line 49: Line 64:
</div>
</div>
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">4</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">5</span></div>
   <div class="small-7 columns">'''[[Quella sporca storia nel west|JOHNNY HAMLET]]''', [[Enzo G. Castellari]] (1967)
   <div class="small-7 columns">'''[[Quella sporca storia nel west|JOHNNY HAMLET]]''', [[Enzo G. Castellari]] (1967)
Less well known than [[Keoma]], this film is considered Castellari's best by many.  A retelling of Shakespeare's play which includes some genuinely beautiful images from a man better known for his bang crash kablooey approach to film making.
Less well known than [[Keoma]], this film is considered Castellari's best by many.  A retelling of Shakespeare's play which includes some genuinely beautiful images from a man better known for his bang crash kablooey approach to film making.
Line 59: Line 73:
   <div class="small-3 columns">[[File:Hamlet2.jpg |140px]]</div>
   <div class="small-3 columns">[[File:Hamlet2.jpg |140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
           <div class="row">[[File:Bluraylogo2.gif|40px|link= Quella sporca storia nel west/BluRay]]</div>
           <div class="row">[[File:Bluraylogo2.gif|40px|link= Quella sporca storia nel west /BluRay]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Quella sporca storia nel west/DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Quella sporca storia nel west /DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Quella sporca storia nel west/OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Quella sporca storia nel west /OST]]</div>
</div>
</div>


<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
  <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">5</span></div>
  <div class="small-7 columns">'''[[Blindman|BLINDMAN]]''', [[Ferdinando Baldi]] (1971)
A reworking of the Zatoichi character transplanted to the old west in which Tony Anthony goes in search of his 50 women.
Check out a full review of the film [[Blindman review|here]]
</div>
  <div class="small-3 columns">[[File: TA BlindmanReview Scherpschutter Poster.jpg |140px]]</div>
    <div class="small-1 columns" style="padding-top:30px;">
          <div class="row">[[File:Bluraylogo2.gif|40px|link= Blindman/BluRay]]</div>
          <div class="row">[[File:Dvdlogo2.png|40px|link= Blindman/DVD]]</div>
          <div class="row">[[File:Cdmusic.png|40px|link= Blindman/OST]]</div>
</div>
</div>
</div>
</div>
Line 94: Line 94:
</div>
</div>
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">7</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">7</span></div>
  <div class="small-7 columns">'''[[California|CALIFORNIA]]''', [[Category:Michele Lupo|Michele Lupo]] (1977)
  <div class="small-7 columns">'''[[Tempo di massacro|MASSACRE TIME]]''', [[Lucio Fulci]] (1966)
One of the latest entries into the Italian Western cycle but well worth waiting for.  This film is built on decay but affords Giuliano Gemma one of his very best performances.
 
Check out a full review of the film [[California Film Review|here]].
</div>
  <div class="small-3 columns">[[File: California05.jpg |140px]]</div>
    <div class="small-1 columns" style="padding-top:30px;">
          <div class="row">[[File:Bluraylogo2.gif|40px|link= California/BR]]</div>
          <div class="row">[[File:Dvdlogo2.png|40px|link= California/DVD]]</div>
          <div class="row">[[File:Cdmusic.png|40px|link= California/OST]]</div>
</div>
</div>
 
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
  <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">8</span></div>
  <div class="small-7 columns">'''[[Tempo di massacro|MASSACRE TIME]]''', [[Category:Lucio Fulci|Lucio Fulci]] (1966)
Fulci wasn’t as active in the western genre as much as in some others but his contributions were significant and Massacre Time was his first, and many believe his best, effort in this area. With Franco Nero in the lead and with George Hilton and a whip wielding psychotic Nino Castelnuovo in support there is certainly plenty for any Spaghetti fan to enjoy.
Fulci wasn’t as active in the western genre as much as in some others but his contributions were significant and Massacre Time was his first, and many believe his best, effort in this area. With Franco Nero in the lead and with George Hilton and a whip wielding psychotic Nino Castelnuovo in support there is certainly plenty for any Spaghetti fan to enjoy.


Line 123: Line 107:
</div>
</div>
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">9</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">8</span></div>
   <div class="small-7 columns">'''[[Sentenza di morte|DEATH SENTENCE]]''', [[Mario Lanfranchi]] (1968)
   <div class="small-7 columns">'''[[Sentenza di morte|DEATH SENTENCE]]''', [[Mario Lanfranchi]] (1968)
Unique as a portmanteau film made up of four short stories this was Lanfranchi's only western but its visual style and intriguing stories make it a winner.  Fine performances from Enrico Maria Salerno and Adolfo Celi and a bizarre over the top turn from Tomas Milian as an albino epileptic just add to the fun.
Unique as a portmanteau film made up of four short stories this was Lanfranchi's only western but its visual style and intriguing stories make it a winner.  Fine performances from Enrico Maria Salerno and Adolfo Celi and a bizarre over the top turn from Tomas Milian as an albino epileptic just add to the fun.
Line 138: Line 121:
</div>
</div>
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
  <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">9</span></div>
  <div class="small-7 columns">'''[[California|CALIFORNIA]]''', [[Michele Lupo]] (1977)
One of the latest entries into the Italian Western cycle but well worth waiting for.  This film is built on decay but affords Giuliano Gemma one of his very best performances.


Check out a full review of the film [[California Film Review|here]].
</div>
  <div class="small-3 columns">[[File: California05.jpg |140px]]</div>
    <div class="small-1 columns" style="padding-top:30px;">
          <div class="row">[[File:Bluraylogo2.gif|40px|link= California /BR]]</div>
          <div class="row">[[File:Dvdlogo2.png|40px|link= California /DVD]]</div>
          <div class="row">[[File:Cdmusic.png|40px|link= California /OST]]</div>
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">10</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">10</span></div>
   <div class="small-7 columns">'''[[Dio perdona... Io no!|GOD FORGIVES, I DON'T!]]''', [[Category:Giuseppe Colizzi|Giuseppe Colizzi]] (1968)
   <div class="small-7 columns">'''[[Dio perdona... Io no!|GOD FORGIVES, I DON'T!]]''', [[Giuseppe Colizzi]] (1968)
The first pairing of Hill and Spencer in a western but don't be fooled, this is no Trinity film.  A much grittier dish indeed and one which was the first in what became the 'Cat Stevens' trilogy from director Colizzi.
The first pairing of Hill and Spencer in a western but don't be fooled, this is no Trinity film.  A much grittier dish indeed and one which was the first in what became the 'Cat Stevens' trilogy from director Colizzi.


Line 148: Line 145:
   <div class="small-3 columns">[[File: Gf 1.jpg |140px]]</div>
   <div class="small-3 columns">[[File: Gf 1.jpg |140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
<div class="row">[[File:Bluraylogo2.gif|40px|link= Dio perdona... Io no!/DVD]]</div>
<div class="row">[[File:Bluraylogo2.gif|40px|link= Dio perdona... Io no! /DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Dio perdona... Io no!/DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Dio perdona... Io no! /DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Dio perdona... Io no!/OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Dio perdona... Io no! /OST]]</div>
 
</div>
</div>
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">11</span></div>
  <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">11</span></div>
   <div class="small-7 columns">'''[[Per 100,000 dollari ti ammazzo|VENGEANCE IS MINE]]''', [[Category:Giovanni Fago|Giovanni Fago]] (1967)
   <div class="small-7 columns">'''[[Tepepa|TEPEPA]]''', [[Giulio Petroni]] (1968)
Gianni Garko and Claudio Camaso are feuding brothers in this terrific tale of family drama and revenge.
Possibly one of the most thought provoking of the Zapata Westerns, with its unreliable narrators and its morally ambiguous characters, this film certainly splits opinion. What is not in doubt is that Milian is in great form and that this is by far Petroni’s most serious Spaghetti. It’s a must see.


Check out a full review of the film [[Vengeance is Mine Review|here]]
Check out a full review of the film [[Tepepa film review by Phil H|here]].
</div>
</div>
   <div class="small-3 columns">[[File:1000000perkilling1.jpg|140px]]</div>
   <div class="small-3 columns">[[File: Tepepa Poster.jpg |140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
           <div class="row">[[File:Bluraylogo2.gif|40px|link= Per 100,000 dollari ti ammazzo /BR]]</div>
           <div class="row">[[File:Bluraylogo2.gif|40px|link= Tepepa/BluRay]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Per 100,000 dollari ti ammazzo /DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Tepepa/DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Per 100,000 dollari ti ammazzo /OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Tepepa/OST]]</div>
</div>
</div>
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">12</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">12</span></div>
   <div class="small-7 columns">'''[[Tepepa|TEPEPA]]''', [[Category: Giulio Petroni|Giulio Petroni]] (1968)
   <div class="small-7 columns">'''[[Prega il morto e ammazza il vivo|SHOOT THE LIVING AND PRAY FOR THE DEAD]]''', [[Giuseppe Vari]] (1971)
Possibly one of the most thought provoking of the Zapata Westerns, with its unreliable narrators and its morally ambiguous characters, this film certainly splits opinion. What is not in doubt is that Milian is in great form and that this is by far Petroni’s most serious SpaghettiA complete English language version has never been available but don’t let that put you off.  It’s a must see.
A slow paced, house bound story doesn’t sound so good on paper but Kinski’s tight wound performance and the slow release nature of the narrative make for a film high in tension and well worth the patience of the viewerVari’s westerns are on the whole less celebrated than some others but they seldom disappoint.  


Check out a full review of the film [[Tepepa film review by Phil H|here]].  
Check out a full review of the film [[Shoot the Living, Pray for the Dead Review|here]].
</div>
</div>
   <div class="small-3 columns">[[File: Tepepa Poster.jpg |140px]]</div>
   <div class="small-3 columns">[[File: ShootTheLiving DatabasePage.jpg |140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
           <div class="row">[[File:Bluraylogo2.gif|40px|link= Tepepa /BluRay]]</div>
           <div class="row">[[File:Bluraylogo2.gif|40px|link= Prega il morto e ammazza il vivo /BR]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Tepepa /DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Prega il morto e ammazza il vivo /DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Tepepa /OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Prega il morto e ammazza il vivo /OST]]</div>
 
</div>
</div>
</div>
</div>


<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">13</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">13</span></div>
   <div class="small-7 columns">'''[[Ehi amico... c'è Sabata, hai chiuso!|SABATA]]''', [[Category:Gianfranco Parolini|Gianfranco Parolini]] (1969)
   <div class="small-7 columns">'''[[Ehi amico... c'è Sabata, hai chiuso!|SABATA]]''', [[Gianfranco Parolini]] (1969)
A rifle in a banjo, a multi-barreled pistol, a comb over the size of a small family car and a theme tune as catchy as a bag full of velcro.  Throw in Lee Van Cleef, William Berger and Franco Ressel and you have all the ingredients you need for a session of pure Spaghetti fun.  Carnimeo handles this light hearted stuff perfectly and Sabata remains one of the most enjoyable Italian westerns of all.
A rifle in a banjo, a multi-barreled pistol, a comb over the size of a small family car and a theme tune as catchy as a bag full of velcro.  Throw in Lee Van Cleef, William Berger and Franco Ressel and you have all the ingredients you need for a session of pure Spaghetti fun.  Carnimeo handles this light hearted stuff perfectly and Sabata remains one of the most enjoyable Italian westerns of all.


Line 196: Line 193:
           <div class="row">[[File:Dvdlogo2.png|40px|link= Ehi amico... c'è Sabata, hai chiuso!|/DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Ehi amico... c'è Sabata, hai chiuso!|/DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Ehi amico... c'è Sabata, hai chiuso!|/OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Ehi amico... c'è Sabata, hai chiuso!|/OST]]</div>
</div>
</div>
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">14</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">14</span></div>
   <div class="small-7 columns">'''[[Prega il morto e ammazza il vivo|SHOOT THE LIVING AND PRAY FOR THE DEAD]]''', [[Category: Giuseppe Vari|Giuseppe Vari]] (1971)
   <div class="small-7 columns">'''[[Bandidos|BANDIDOS]]''', [[Massimo Dallamano]] (1967)
A slow paced, house bound story doesn’t sound so good on paper but Kinski’s tight wound performance and the slow release nature of the narrative make for a film high in tension and well worth the patience of the viewer. Vari’s westerns are on the whole less celebrated than some others but they seldom disappoint.  
Enrico Maria Salerno stars in this excellent tale of sharpshooting and revenge.  A great opening scene sets the tone for what was sadly to be Massimo Dallamano's only western.  A film definitely overdue for a U.S or European BluRay release.  


Check out a full review of the film [[Shoot the Living, Pray for the Dead Review|here]].
Check out a full review of the film [[Bandidos Review|here]].
</div>
</div>
   <div class="small-3 columns">[[File: ShootTheLiving DatabasePage.jpg |140px]]</div>
   <div class="small-3 columns">[[File: Bandidos DatabasePage.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
          <div class="row">[[File:Bluraylogo2.gif|40px|link= Prega il morto e ammazza il vivo /BR]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Bandidos/DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Prega il morto e ammazza il vivo /DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Bandidos/OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Prega il morto e ammazza il vivo /OST]]</div>
</div>
</div>
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">15</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">15</span></div>
  <div class="small-7 columns">'''[[Nuvola di polvere... un grido di morte... arriva Sartana, Una|LIGHT THE FUSE...SARTANA IS COMING]]''', [[Category:Giuliano Carnimeo|Giuliano Carnimeo]] (1970)
  <div class="small-7 columns">'''[[Per 100,000 dollari ti ammazzo|VENGEANCE IS MINE]]''', [[Giovanni Fago]] (1967)
The last of Garko's outings as Sartana.  And despite, or maybe because of the heightened outrageousness of the gadgetry, this is often cited as the most popular of the series.
Gianni Garko and Claudio Camaso are feuding brothers in this terrific tale of family drama and revenge.


Check out a full review of the film [[Light the Fuse... Sartana is coming Review|here]].
Check out a full review of the film [[Vengeance is Mine Review|here]]
</div>
</div>
   <div class="small-3 columns">[[ File:Locandina Una nuvola di polvere... un grido di morte... arriva Sartana2.PNG|140px]]</div>
   <div class="small-3 columns">[[File: 1000000perkilling1.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
           <div class="row">[[File:Dvdlogo2.png|40px|link= Nuvola di polvere... un grido di morte... arriva Sartana, Una /DVD]]</div>
          <div class="row">[[File:Bluraylogo2.gif|40px|link= Per 100,000 dollari ti ammazzo /BR]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Nuvola di polvere... un grido di morte... arriva Sartana, Una /OST]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Per 100,000 dollari ti ammazzo /DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Per 100,000 dollari ti ammazzo /OST]]</div>
 
</div>
</div>
</div>
</div>


<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">16</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">16</span></div>
   <div class="small-7 columns">'''[[Se incontri Sartana prega per la tua morte|IF YOU MEET SARTANA PRAY FOR YOUR DEATH]]''', [[Category:Gianfranco Parolini|Gianfranco Parolini]] (1968)
   <div class="small-7 columns">'''[[Se incontri Sartana prega per la tua morte|IF YOU MEET SARTANA PRAY FOR YOUR DEATH]]''', [[Gianfranco Parolini]] (1968)
The first, and some say best, of the Sartanas.  Parolini creates a franchise with a mix of detective mystery, gadgetry and almost impossible to follow plotline. Garko plays the eponymous lead which came to define him in Spaghettiland and you Klaus Kinski, William Berger and Fernando Sancho along for good measure.  What more could you ask for?
The first, and some say best, of the Sartanas.  Parolini creates a franchise with a mix of detective mystery, gadgetry and almost impossible to follow plotline. Garko plays the eponymous lead which came to define him in Spaghettiland and you have Klaus Kinski, William Berger and Fernando Sancho along for good measure.  What more could you ask for?


Check out a review of the film [[If you meet Sartana, pray for your Death Review|here]].  
Check out a review of the film [[If you meet Sartana, pray for your Death Review|here]].  
Line 244: Line 238:
</div>
</div>
</div>
</div>


<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">17</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">17</span></div>
   <div class="small-7 columns">'''[[Dollaro tra i denti, Un|A STRANGER IN TOWN]]''', [[Category:Luigi Vanzi|Luigi Vanzi]] (1966)
   <div class="small-7 columns">'''[[Taglia è tua... l'uomo l'ammazzo io, La|EL PURO]]''', [[Edoardo Mulargia]] (1969)
Opinion is often split as to which is the better of Tony Anthony's 'Stranger' films but according to our poll this, the first of the series, is the one most recommended.
 
The first (and probably only) full on gay kiss in a spaghetti western, a savage beating of poor Rosalba Neri and a banging whistled theme tune from Alessandro Alessandroni.  How this film was so obscure for so long is beyond me but thankfully it has refound its audience over the past decade and is now a firm fan favourite.  Not easily found on an official release but this one is well worth seeking out.


Check out a full review of the film [[A Stranger in Town Review (Scherpschutter)|here]].  
Check out a full review of the film [[El Puro review|here]].  
</div>
</div>
   <div class="small-3 columns">[[File:Tony2.jpg |140px]]</div>
   <div class="small-3 columns">[[File: El puro.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
          <div class="row">[[File:Bluraylogo2.gif|40px|link= Dollaro tra i denti, Un /BluRay]]</div>
    <div class="row">[[File:Dvdlogo2.png|40px|link= Taglia è tua... l'uomo l'ammazzo io, La/DVD]]</div>
          <div class="row">[[File:Dvdlogo2.png|40px|link= Dollaro tra i denti, Un /DVD]]</div>
 
          <div class="row">[[File:Cdmusic.png|40px|link= Dollaro tra i denti, Un /OST]]</div>
</div>
</div>
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">18</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">18</span></div>
   <div class="small-7 columns">'''[[Oggi a me... domani a te!|TODAY IT'S ME, TOMORROW IT'S YOU!]]''', [[Tonino Cervi|Tonino Cervi]] (1968)
   <div class="small-7 columns">'''[[Precio de un hombre, El|THE BOUNTY KILLER]]''', [[Eugenio Martin]] (1966)
An excellent nuts and bolts revenge western mixed with a 'Five Man Army' element and shot in a distinctively 'unspaghetti' locationThe forest of Silver Birch trees and gloomy light conditions make this a stark, memorable and highly enjoyable cinematic ride.
Tomas Milian's first western and one in which he exhibits one of his most understated performances along with one of the all time great dust eating death scenesEugenio Martin only made one great western and this is it.


Check out a full review of the film [[Today It's Me... Tomorrow It's You Review|here]].  
Check out a full review of the film [[Precio de un hombre, El/Film Review|here]].
</div>
</div>
   <div class="small-3 columns">[[File: Today We Kill Tomorrow We Die22.JPG |140px]]</div>
   <div class="small-3 columns">[[File: Jpbountykillerhh5.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
           <div class="row">[[File:Bluraylogo2.gif|40px|link= Oggi a me... domani a te!/BR]]</div>
           <div class="row">[[File:Bluraylogo2.gif|40px|link= Precio de un hombre, El /BluRay]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Oggi a me... domani a te!/ DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Precio de un hombre, El /DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Oggi a me... domani a te!/OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Precio de un hombre, El /OST]]</div>
 
</div>
</div>
</div>
</div>
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
  <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">19</span></div>
<div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">19</span></div>
  <div class="small-7 columns">'''[[Precio de un hombre, El|THE BOUNTY KILLER]]''', [[Category:Eugenio Martin|Eugenio Martin]] (1966)
<div class="small-7 columns">'''[[Pistola per Ringo, Una|A PISTOL FOR RINGO]]''', [[Duccio Tessari]] (1965)
Tomas Milian's first western and one in which he exhibits one of his most understated performances along with one of the all time great dust eating death scenesEugenio Martin only made one great western and this is it.
The film that made a star of Giuliano Gemma and gave Italy their very own western heroThis is everyone’s favourite Christmas Spaghetti (or at least should be) and features a beautiful theme song from maestro Morricone just in case everything else wasn’t quite enough.


Check out a full review of the film [[Precio de un hombre, El/Film Review|here]].
Check out a full review of the film [[A Pistol for Ringo Review|here]].
</div>
</div>
  <div class="small-3 columns">[[File: Jpbountykillerhh5.jpg|140px]]</div>
<div class="small-3 columns">[[ File: Pistol-Ringo1.jpg|
140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
          <div class="row">[[File:Bluraylogo2.gif|40px|link= Precio de un hombre, El/BluRay]]</div>
  <div class="row">[[File:Dvdlogo2.png|40px|link= Pistola per Ringo, Una/DVD]]</div>
          <div class="row">[[File:Dvdlogo2.png|40px|link= Precio de un hombre, El/DVD]]</div>
<div class="row">[[File:Bluraylogo2.gif|40px|link= Pistola per Ringo, Una /BluRay]]</div>
          <div class="row">[[File:Cdmusic.png|40px|link= Precio de un hombre, El/OST]]</div>
    <div class="row">[[File:Cdmusic.png|40px|link= Pistola per Ringo, Una/OST]]</div>
</div>
</div>
</div>
</div>
Line 294: Line 286:
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">20</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">20</span></div>
   <div class="small-7 columns">'''[[Taglia è tua... l'uomo l'ammazzo io, La|EL PURO]]''', [[Category:Edoardo Mulargia|Edoardo Mulargia]] (1969)
   <div class="small-7 columns">'''[[Anda muchacho, spara!|DEAD MEN RIDE]]''', Aldo Florio (1971)
A film which the term 'hidden gem' could have been created for. A drunken hero, a gay snog and Mario Brega doing a kamikaze death sceneWhat more could you want from an existential western?
One of the best of the seventies spaghettis this film often feels like a greatest hits compilation of the genre and benefits from a great Nicolai scoreIt’s Testi not Eastwood but that’s alright by us.


Check out a full review of the film [[El Puro review|here]].  
Check out a full review of the film [[Dead Men Ride (Anda Muchacho, Spara!) Review|here]].  
</div>
</div>
   <div class="small-3 columns">[[File: ElPuro FrenchPoster.jpg |140px]]</div>
   <div class="small-3 columns">[[File: Anda muchacho spara1 New.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
          <div class="row">[[File:Bluraylogo2.gif|40px|link= Taglia è tua... l'uomo l'ammazzo io, La /BluRay]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Sol bajo la tierra, El/DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link= Taglia è tua... l'uomo l'ammazzo io, La /DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Sol bajo la tierra, El/OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link= Taglia è tua... l'uomo l'ammazzo io, La /OST]]</div>
 
</div>
</div>
</div>
</div>





Revision as of 23:01, 20 January 2019

So you've been a fan for a while, you've seen most of the well known and more famous Spaghetti Westerns and you're looking for some recommendations for films that maybe fall outside the obvious canon. Well, this list is for you. Selected by our forum members, this Alternative Top 20 is derived from individual lists of favourite films which do not already sit in our Official Top 20. The idea is to highlight some of the titles which often get crowded out of lists of favourites by the films of the 3 Sergios but which are excellent and worthy of note for anyone interested in delving a little deeper into what this genre has to offer. (That said, Mr Corbucci gets a few mentions here too). Besides, in a genre that boasts literally hundreds of films, and on a site full of people who love making lists, limiting our recommendations to only 20 just didn't seem right.

The criteria for compiling the list is simply that it must not contain any film already included in the official Top 20 as of 01 January 2019 and the rating is based on a purely one point per vote system. This list will be updated regularly to ensure that no film appears at any time of both lists but that a film which drops out of the Official list can be recognised here without a complete recount. Where films gain the same number of votes I will simply enter them alphabetically.

Finally, if you want to add your say to this list, just stroll over to our forum and add your own list. We'll update this one as the votes build. (Here's the link).

1
$10.000 BLOOD MONEY, Romolo Guerrieri (1967)

Guerrieri's masterpiece and crammed full of more murder, sexual tension and eye make up than you can shake a stick at.

Check out a full review of the film here.

G 10000 blutige Dollar01.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
2
BLINDMAN, Ferdinando Baldi (1971)

A reworking of the Zatoichi character transplanted to the old west in which Tony Anthony goes in search of his 50 women.

Check out a full review of the film here

TA BlindmanReview Scherpschutter Poster.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
3
AND GOD SAID TO CAIN, Antonio Margheriti (1969)

Margheriti uses all his horror expertise to create possibly the Spaghetti Western's most gothic example and a lead role for Klaus Kinski to boot. Check out a full review of the film here.

AndGodSaidToCain Poster6.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
4
NAVAJO JOE, Sergio Corbucci (1966)

Not even Burt Reynolds' hair piece can spoil this action packed bonanza. And worth seeing if only for an all too rare major role for Aldo Sanbrell and the stunning beauty of Nicoletta Machiaveli.

Check out a full review of the film here.

Navajo joe5.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
5
JOHNNY HAMLET, Enzo G. Castellari (1967)

Less well known than Keoma, this film is considered Castellari's best by many. A retelling of Shakespeare's play which includes some genuinely beautiful images from a man better known for his bang crash kablooey approach to film making.

Check out a full review of the film here.

Hamlet2.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
6
THE SPECIALISTS, Sergio Corbucci (1969)

It's Corbucci. And this time complete with hippies and an entire town's population stripped naked!

Check out a full review of the film here.

TheSpecialist FrenchPoster.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
7
MASSACRE TIME, Lucio Fulci (1966)

Fulci wasn’t as active in the western genre as much as in some others but his contributions were significant and Massacre Time was his first, and many believe his best, effort in this area. With Franco Nero in the lead and with George Hilton and a whip wielding psychotic Nino Castelnuovo in support there is certainly plenty for any Spaghetti fan to enjoy.

Check out a full review of the film here.

Massacre1.jpg
Dvdlogo2.png
Cdmusic.png
8
DEATH SENTENCE, Mario Lanfranchi (1968)

Unique as a portmanteau film made up of four short stories this was Lanfranchi's only western but its visual style and intriguing stories make it a winner. Fine performances from Enrico Maria Salerno and Adolfo Celi and a bizarre over the top turn from Tomas Milian as an albino epileptic just add to the fun.

Check out a full review of the film here.

SentenzaDiMortePoster2.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
9
CALIFORNIA, Michele Lupo (1977)

One of the latest entries into the Italian Western cycle but well worth waiting for. This film is built on decay but affords Giuliano Gemma one of his very best performances.

Check out a full review of the film here.

California05.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
10
GOD FORGIVES, I DON'T!, Giuseppe Colizzi (1968)

The first pairing of Hill and Spencer in a western but don't be fooled, this is no Trinity film. A much grittier dish indeed and one which was the first in what became the 'Cat Stevens' trilogy from director Colizzi.

Check out a full review of the film here

Gf 1.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
11
TEPEPA, Giulio Petroni (1968)

Possibly one of the most thought provoking of the Zapata Westerns, with its unreliable narrators and its morally ambiguous characters, this film certainly splits opinion. What is not in doubt is that Milian is in great form and that this is by far Petroni’s most serious Spaghetti. It’s a must see.

Check out a full review of the film here.

Tepepa Poster.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
12
SHOOT THE LIVING AND PRAY FOR THE DEAD, Giuseppe Vari (1971)

A slow paced, house bound story doesn’t sound so good on paper but Kinski’s tight wound performance and the slow release nature of the narrative make for a film high in tension and well worth the patience of the viewer. Vari’s westerns are on the whole less celebrated than some others but they seldom disappoint.

Check out a full review of the film here.

ShootTheLiving DatabasePage.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
13
SABATA, Gianfranco Parolini (1969)

A rifle in a banjo, a multi-barreled pistol, a comb over the size of a small family car and a theme tune as catchy as a bag full of velcro. Throw in Lee Van Cleef, William Berger and Franco Ressel and you have all the ingredients you need for a session of pure Spaghetti fun. Carnimeo handles this light hearted stuff perfectly and Sabata remains one of the most enjoyable Italian westerns of all.

Check out a full review of the film here.

Sab ItP.jpg
/BluRay
/DVD
/OST
14
BANDIDOS, Massimo Dallamano (1967)

Enrico Maria Salerno stars in this excellent tale of sharpshooting and revenge. A great opening scene sets the tone for what was sadly to be Massimo Dallamano's only western. A film definitely overdue for a U.S or European BluRay release.

Check out a full review of the film here.

Bandidos DatabasePage.jpg
Dvdlogo2.png
Cdmusic.png
15
VENGEANCE IS MINE, Giovanni Fago (1967)

Gianni Garko and Claudio Camaso are feuding brothers in this terrific tale of family drama and revenge.

Check out a full review of the film here

1000000perkilling1.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
16
IF YOU MEET SARTANA PRAY FOR YOUR DEATH, Gianfranco Parolini (1968)

The first, and some say best, of the Sartanas. Parolini creates a franchise with a mix of detective mystery, gadgetry and almost impossible to follow plotline. Garko plays the eponymous lead which came to define him in Spaghettiland and you have Klaus Kinski, William Berger and Fernando Sancho along for good measure. What more could you ask for?

Check out a review of the film here.

SART 5.JPG
Dvdlogo2.png
Cdmusic.png
17
EL PURO, Edoardo Mulargia (1969)

The first (and probably only) full on gay kiss in a spaghetti western, a savage beating of poor Rosalba Neri and a banging whistled theme tune from Alessandro Alessandroni. How this film was so obscure for so long is beyond me but thankfully it has refound its audience over the past decade and is now a firm fan favourite. Not easily found on an official release but this one is well worth seeking out.

Check out a full review of the film here.

El puro.jpg
Dvdlogo2.png
18
THE BOUNTY KILLER, Eugenio Martin (1966)

Tomas Milian's first western and one in which he exhibits one of his most understated performances along with one of the all time great dust eating death scenes. Eugenio Martin only made one great western and this is it.

Check out a full review of the film here.

Jpbountykillerhh5.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
19
A PISTOL FOR RINGO, Duccio Tessari (1965)

The film that made a star of Giuliano Gemma and gave Italy their very own western hero. This is everyone’s favourite Christmas Spaghetti (or at least should be) and features a beautiful theme song from maestro Morricone just in case everything else wasn’t quite enough.

Check out a full review of the film here.

Pistol-Ringo1.jpg
Dvdlogo2.png
Bluraylogo2.gif
Cdmusic.png
20
DEAD MEN RIDE, Aldo Florio (1971)

One of the best of the seventies spaghettis this film often feels like a greatest hits compilation of the genre and benefits from a great Nicolai score. It’s Testi not Eastwood but that’s alright by us.

Check out a full review of the film here.

Anda muchacho spara1 New.jpg
Dvdlogo2.png
Cdmusic.png



Information on this list:

Cookies help us deliver our services. By using our services, you agree to our use of cookies.