Spaghetti Western Podcast

Alternative Top 20

From The Spaghetti Western Database

Revision as of 10:37, 12 December 2013 by Stanton (talk | contribs) (The Insider's Top 20 (Tip 20))

The Insider's Top 20 (Tip 20)

So you've been a fan for a while, you've seen most of the well known and more famous Spaghetti Westerns and you're looking for some recommendations for films that maybe fall outside the obvious canon. Well, this list is for you. Selected by our forum members, this Alternative Top 20 is derived from individual lists of favourite films which do not already sit in our Official Top 20. The idea is to highlight some of the titles which often get crowded out of lists of favourites by the films of the 3 Sergios but which are excellent and worthy of note for anyone interested in delving a little deeper into what this genre has to offer. (That said, Mr Corbucci gets a few mentions here too). Besides, in a genre that boasts literally hundreds of films, and on a site full of people who love making lists, limiting our recommendations to only 20 just didn't seem right.

The criteria for compiling the list is simply that it must not contain any film already included in the official Top 20 as of 02 February 2013 and the rating is based on a purely one point per vote system. This list will be updated regularly to ensure that no film appears at any time of both lists but that a film which drops out of the Official list can be recognised here without a complete recount. Where films gain the same number of votes I will simply enter them alphabetically.

Finally, if you want to add your say to this list, just stroll over to our forum and add your own list. We'll update this one as the votes build. (Here's the link).

1 $10.000 BLOOD MONEY, Romolo Guerrieri (1967)

Guerrieri's masterpiece and crammed full of more murder, sexual tension and eye make up than you can shake a stick at.

Check out a full review of the film here.

$10.000 Blood Money
2 AND GOD SAID TO CAIN, Antonio Margheriti (1969)

Margheriti uses all his horror expertise to create possibly the Spaghetti Western's most gothic example and a lead role for Klaus Kinski to boot.

Check out a full review of the film here.

And God said to Cain
3 THE SPECIALISTS, Sergio Corbucci (1970)

It's Corbucci. And this time complete with hippies and an entire town's population stripped naked!

Check out a full review of the film here.

The Specialists
4 JOHNNY HAMLET, Enzo G. Castellari (1967)

Less well known than Keoma, this film is considered Castellari's best by many. A retelling of Shakespeare's play which includes some genuinely beautiful images from a man better known for his bang crash kablooey approach to film making.

Check out a full review of the film here.

Johnny Hamlet
5 BLINDMAN, Ferdinando Baldi (1971)

A reworking of the Zatoichi character transplanted to the old west in which Tony Anthony goes in search of his 50 women.

Check out a full review of the film here.

6 LIGHT THE FUSE...SARTANA IS COMING, Giuliano Carnimeo (1970)

The last of Garko's outings as Sartana. And despite, or maybe because of the heightened outrageousness of the gadgetry, this is often cited as the most popular of the series.

Check out a full review of the film here.

Light the Fuse...Sartana is Coming
7 NAVAJO JOE, Sergio Corbucci (1966)

Not even Burt Reynolds' hair piece can spoil this action packed bonanza. And worth seeing if only for an all too rare major role for Aldo Sanbrell and the stunning beauty of Nicoletta Machiaveli.

Check out a full review of the film here.

Navajo Joe
8 VENGEANCE IS MINE, Giovanni Fago (1967)

Gianni Garko and Claudio Camaso are feuding brothers in this terrific tale of family drama and revenge.

Check out a full review of the film here

Vengeance is Mine
9 GOD FORGIVES, I DON'T!, Giuseppe Colizzi (1968)

The first pairing of Hill and Spencer in a western but don't be fooled, this is no Trinity film. A much grittier dish indeed and one which was the first in what became the 'Cat Stevens' trilogy from director Colizzi.

Check out a full review of the film here

God forgives...I don't!
10 THEY CALL HIM CEMETERY, Giuliano Carnimeo (1971)

Question: When is a Sartana picture not a Sartana picture? Answer: When they call him Cemetery. In truth there are many who prefer this film to any of the actual Sartana flicks and Garko's screen chemistry with William Berger in one of his best performances could be the reason why.

Check out a full review of the film here.

They call him Cemetery

More Carnimeo! This time his second Sartana film, complete with all the trick shooting, double crossing and plot twists you'd expect from our black clad, James Bond-like hero. Opinion is split as to which is the best Sartana flick but this one gets plenty of support from the faithful.

Check out a couple of full reviews of the film here and here.

12 CALIFORNIA, Michele Lupo (1977)

One of the latest entries into the Italian Western cycle but well worth waiting for. This film is built on decay but affords Giuliano Gemma one of his very best performances.

Check out a full review of the film here.

13 TODAY IT'S ME, TOMORROW IT'S YOU!, Tonino Cervi (1968)

An excellent nuts and bolts revenge western mixed with a 'Five Man Army' element and shot in a distinctively 'unspaghetti' location. The forest of Silver Birch trees and gloomy light conditions make this a stark, memorable and highly enjoyable cinematic ride.

Check out a full review of the film here.

Today It's Me... Tomorrow It's You!
14 A STRANGER IN TOWN, Luigi Vanzi (1966)

Opinion is often split as to which is the better of Tony Anthony's 'Stranger' films but according to our poll this, the first of the series, is the one most recommended.

Check out a full review of the film here.

A Stranger in Town
15 THE BOUNTY KILLER, Eugenio Martin (1966)

Tomas Milian's first western and one in which he exhibits one of his most understated performances along with one of the all time great dust eating death scenes. Eugenio Martin only made one great western and this is it.

Check out a full review of the film here.

The Bounty Killer
16 SABATA, Gianfranco Parolini (1969)

A rifle in a banjo, a multi-barreled pistol, a comb over the size of a small family car and a theme tune as catchy as a bag full of velcro. Throw in Lee Van Cleef, William Berger and Franco Ressel and you have all the ingredients you need for a session of pure Spaghetti fun. Carnimeo handles this light hearted stuff perfectly and Sabata remains one of the most enjoyable Italian westerns of all.

Check out a full review of the film here.

Sab ItP.jpg
17 BANDIDOS, Massimo Dallamano (1967)

Leone's cinematographer for the first two Dollars films made only one western as director but it was a cracker and gives a clue as to just how much his visual input influenced Sergio. A stand out performance from the great Enrico Maria Salerno also adds to one of the great unsung films of the genre.

Check out a full review of the film here.

Bandidos DatabasePage.jpg
18 DEATH SENTENCE, Mario Lanfranchi (1968)

Unique as a portmanteau film made up of four short stories this was Lanfranchi's only western but its visual style and intriguing stories make it a winner. Fine performances from Enrico Maria Salerno and Adolfo Celi and a bizarre over the top turn from Tomas Milian as an albino epileptic just add to the fun.

Check out a full review of the film here.

SentenzaDiMorte DatabasePage.jpg
19 EL PURO, Edoardo Mulargia (1969)

A film which the term 'hidden gem' could have been created for. A drunken hero, a gay snog and Mario Brega doing a kamikaze death scene. What more could you want from an existential western?

Check out a full review of the film here.

El Puro
20 TRINITY IS STILL MY NAME, Enzo Barboni (1971)

The second and even more successful of the Trinity films. More tongue in cheek fun from Trinity and Bambino so, if you liked the first one, you are bound to dig this one too.

Check out a full review of the film here.

Trinity is Still My Name

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