Category: Pascale Petit: Difference between revisions

Revision as of 16:16, 6 August 2022

Pascale Petit, born in Paris on February 27, 1938, started her movie career playing a small part in Raymond Rouleau’s remarkable Les Sorcières de Salem (1957); based on Arthur Miller’s drama The Crucible (1953), the film’s screenplay was written by none other than Jean-Paul Sartre. The following year, her portrayal of a wayward young woman moving in Parisian existentialist-nihilist circles—alongside Pierre Brice and Jean-Paul Belmondo—in Marcel Carné’s Les Tricheurs made her a star. From 1957 to 1975, she had major roles in more than thirty motion pictures, among them two Westerns.

Between a rock and a hard place: Petit holds her ground in Joe … cercati un posto per morire! (Giuliano Carnimeo, 1968, literally “Joe … Find Yourself a Place to Die!”) and in Yumurcak Küçük Kovboy (Guido Zurli, 1973, literally translated “Brat, the Little Cowboy”).

Her career highlights include leadings parts in movies directed by luminaries such as Carné, Henri Verneuil (L’Affaire d’une nuit, 1960), Alberto Lattuada (Lettere di una novizia, 1960), and Mario Bava (Quante volte … quella notte, 1971). Lowlights: two flicks by Austrian schlockmeister Franz Antel (Die Wirtin von der Lahn, 1967, Frau Wirtin hat auch einen Grafen, 1968), and Mario Imperoli’s Le dolci zie (1975), an in(s)ane comedia (un)sexy all’italiana, after which Petit wisely said adieu to the silver screen (at least for the remainder of the seventies).

Petit’s IMDb filmography

Pages in category "Pascale Petit"

The following 2 pages are in this category, out of 2 total.

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Joe... cercati un posto per morire!

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Küçük kovboy

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-Pascale Petit, born in Paris on February 27, 1938, started her movie career playing a small part in Raymond Rouleau’s remarkable ''Les Sorcières de Salem'' (1957); based on Arthur Miller’s drama ''The Crucible'' (1953), the film’s screenplay was written by none other than Jean-Paul Sartre. The following year, her portrayal of a wayward young woman moving in Parisian existentialist-nihilist circles—alongside Pierre Brice and Jean-Paul Belmondo—in Marcel Carné’s ''Les Tricheurs'' made her a star. From 1957 to 1975, she had major roles in more than thirty motion pictures, among them two Westerns.
+Pascale Petit, born in Paris on February 27, 1938, started her movie career playing a small part in Raymond Rouleau’s remarkable ''Les Sorcières de Salem'' (1957); based on Arthur Miller’s drama ''The Crucible'' (1953), the film’s screenplay was written by none other than Jean-Paul Sartre. The following year, her portrayal of a wayward young woman moving in Parisian existentialist-nihilist circles—alongside [https://www.spaghetti-western.net/index.php/Category:Pierre%20Brice Pierre Brice] and Jean-Paul Belmondo—in Marcel Carné’s ''Les Tricheurs'' made her a star. From 1957 to 1975, she had major roles in more than thirty motion pictures, among them two Westerns.
 [[File:PP J.jpg|400px]] [[File:PP C.jpg|400px]]
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 ''Between a rock and a hard place: Petit holds her ground in'' '''Joe … cercati un posto per morire!''' ''(Giuliano Carnimeo, 1968, literally “Joe … Find Yourself a Place to Die!”) and in'' '''Yumurcak Küçük Kovboy''' ''(Guido Zurli, 1973, literally translated “Brat, the Little Cowboy”).''
-Her career highlights include leadings parts in movies directed by luminaries such as Carné, Henri Verneuil (''L’Affaire d’une nuit'', 1960), Alberto Lattuada (''Lettere di una novizia'', 1960), and Mario Bava (''Quante volte … quella notte'', 1971). Lowlights: two flicks by Austrian schlockmeister Franz Antel (''Die Wirtin von der Lahn'', 1967, ''Frau Wirtin hat auch einen Grafen'', 1968), and Mario Imperoli’s ''Le dolci zie'' (1975), an in(s)ane ''comedia (un)sexy all’italiana'', after which Petit wisely said adieu to the silver screen (at least for the remainder of the seventies).
+Her career highlights include leadings parts in movies directed by luminaries such as Carné, [https://www.spaghetti-western.net/index.php/Bataille_de_San_Sebastian,_La Henri Verneuil] (''L’Affaire d’une nuit'', 1960), Alberto Lattuada (''Lettere di una novizia'', 1960), and [https://www.spaghetti-western.net/index.php/Category:Mario_Bava Mario Bava] (''Quante volte … quella notte'', 1971). Lowlights: two flicks by Austrian schlockmeister [https://www.spaghetti-western.net/index.php/Prima_ti_suono_e_poi_ti_sparo Franz Antel] (''Die Wirtin von der Lahn'', 1967, ''Frau Wirtin hat auch einen Grafen'', 1968), and Mario Imperoli’s ''Le dolci zie'' (1975), an in(s)ane ''comedia (un)sexy all’italiana'', after which Petit wisely said adieu to the silver screen (at least for the remainder of the seventies).
 [https://www.imdb.com/filmosearch/?explore=genres&role=nm0677595&ref%20=filmo%20ref%20typ&mode=detail&page=1&job%20type=actress&title%20type=movie&job_type=actress&title_type=movie&ref_=filmo_ref_typ&sort=release_date,asc Petit’s IMDb filmography]
 [[Category:Actors]]