Che c'entriamo noi con la rivoluzione: Difference between revisions

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'''Che c'entriamo noi con la rivoluzione?''' (Italy, Spain 1972 / Director: Sergio Corbucci)
'''Che c'entriamo noi con la rivoluzione?''' (Italy, Spain 1972 / Director: Sergio Corbucci)
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'''Contents:'''
|'''Contents:'''
* [[/DVD|Available DVDs]]
* [[/DVD|Available DVDs]]
* [[/OST|Soundtrack]]
* [[/OST|Soundtrack]]
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* [[What am I doing in the Middle of the Revolution? Review (Scherpschutter)|Film Review 2]]
* [[What am I doing in the Middle of the Revolution? Review (Scherpschutter)|Film Review 2]]
* [http://www.spaghetti-western.net/forum/index.php/topic,1173.0.html Forum topic]
* [http://www.spaghetti-western.net/forum/index.php/topic,1173.0.html Forum topic]
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*'''Runtime:''' 101 min
*'''Runtime:''' 101 min
*'''Release Date:''' 19.12.72
*'''Release Date:''' 19.12.72

Revision as of 02:13, 25 June 2015

Che c'entriamo noi con la rivoluzione? (Italy, Spain 1972 / Director: Sergio Corbucci)

Also known as

Bete, Amigo (Germany) | ¿Qué nos importa la revolución? (Spain) | Mais qu'est ce que je viens foutre au milieu de cette revolution? (France) | What Am I Doing in the Middle of the Revolution? (U.S.A.)

Cast and crew

  • Cast: Vittorio Gassman (Guido Guidi), Paolo Villaggio (Don Albino Moncalieri), Riccardo Garrone (Peppino), Eduardo Fajardo (General Herrero), Leo Anchoriz (Carrasco), Rosanna Yanni (Rosanna), Vi­ctor Israel (actor), Jose Canalejas, Simon Arriaga, Carmen Pericolo, Diana Sorel, Lorenzo Robledo
  • Screenplay: Sergio Corbucci, Massimo Franciosa, Sabatino Ciuffini (idea by Sergio Corbucci)
  • Cinematography: Alejandro Ulloa [Eastmancolor, Panoramico 1,66:1]
  • Music: Ennio Morricone
  • Producer: Mario Cecchi Gori

Synopsis

The third-class actor Guido Guidi and the Padre Albino get caught in the turmoil of the revolution, mainly due to Giudi's impertinent behaviour. Despite being often at odds, they become friends and unintentionally foil the plans of General Herrero.

Comment

Corbucci's third revolution western (after The Mercenary (1968) and Companeros (1970) ) uses a flashback style similar to its predecessors, but is otherwise quite different. The gringos here are two average Italians who are hardly good for typical SW heroes.

The many interesting ideas of the plot are realised without any greater enthusiasm, so that the film plods along quite unexcitingly, as does Morricone's lazy soundtrack, which varies only a few well-known simple guitar motifs. Still worth a look for being uncommon.

by Stanton

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