China 9, Liberty 37 Review (Scherpschutter): Difference between revisions

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* Monte Hellman
* Monte Hellman
Cast:
Cast:
 
* Warren Oates
* Fabio Testi
* Jenny Agutter
* SamPeckinpah
* Romano Puppo
* Carlos Bravo
* Franco Interlenghi
* Gianrico Tondinelli
* Natalie Kim
* Paco Benlloch
* Isabel Mestres
Cinematography:
* Giuseppe Rotunno
Music:
* Pino Donaggio
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|<center> '''[[Amore, piombo e furore|CHINA 9, LIBERTY 37]]''' </center>
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Revision as of 12:59, 24 December 2013

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Director:
  • Monte Hellman

Cast:

  • Warren Oates
  • Fabio Testi
  • Jenny Agutter
  • SamPeckinpah
  • Romano Puppo
  • Carlos Bravo
  • Franco Interlenghi
  • Gianrico Tondinelli
  • Natalie Kim
  • Paco Benlloch
  • Isabel Mestres

Cinematography:

  • Giuseppe Rotunno

Music:

  • Pino Donaggio
Trennlinie01.jpg
CHINA 9, LIBERTY 37


China 9, Liberty 37 (Amore Piombo e Furore)

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In 1978 the western genre was as good as dead on both sides of the Ocean, but some people just wouldn't accept it and thought it could be saved with a new impulse. Monte Hellman had both puzzled and fascinated audiences with his two acid westerns Ride in the Whirlwind and The Shooting (both starring Jack Nicholson and Warren Oates), and this movie originated in his wish to make a more traditional western.


A hired gun, Clayton Drumm, is saved from the gallows by Railroad Men, who ask him to kill a third person in return, a miner called Matthew Sebanek who refuses to sell his land to the Railroad Company. Clayton accepts the assignment, but upon making acquaintance with the intended victim, Matthew turns out to be a likable person. Matters are complicated when Matthew's young bride, Catherine, falls in love with Clayton; the two have sex on the morning of Clayton's departure, but Matthew finds out about his wife's adultery and wants to punish her and shoot the younger man. Catherine stabs Matthew in the back and joins Clayton under the idea that she has killed her husband, but Matthew has survived and asks his unhinged brothers to help him track down the couple ...


China 9, Liberty 37 (the title refers to a signpost shown in the opening scene of the movie) is a Italian-Spanish production and with the exception of the director and a couple of actors, the crew is entirely European, mainly Italian. The background story of the Railroad driving people off their land will no doubt be interpreted as a homage to Leone's C'era una Volta il West, but there's no real spaghetti western atmosphere, the film feels more like the revisionist American western. Sam Peckinpah has a small roll (as a writer of pulp fiction) and there are a few similarities to Ride the High Country (the runaway bride, the unstable brothers, Warren Oates); in spite of Hellman's statements about his wishes to make a more traditional western, there are also similarities to his experimental westerns (and Peter Fonda's similarly unconventional The Hired Hand); the atmosphere is often oppressive, dialogue is sparse and although the two protagonists are gunslingers, it's more a story about people who have secluded themselves from society.


China 9, Liberty 37 is an interesting post-western, but it's contemplative, studious, for most part moving at a snail's pace. The script is often meandering, with scenes set in a circus (clearly a homage to Fellini) and a brothel (probably a hint to McCabe & Mrs. Miller). The cinematography by Giovanni Rotunno (a regular Fellini collaborator) is likewise interesting, but often a bit foggy and artsy, with people moving through shadows against glowing backgrounds of silver linings, a sort of clair-obscur in reverse. The score by Pino Donaggio is different, to say the least. Some love it, others hate it, I didn't really know what to think of it. I do like the China 9, Liberty 37 Love Ballad sung by Ronee Blakley over the end credits. Oates turns in a very fine performance as the miner, a very complex character: we soon learn that he has been a hired gun for the railroad and was forced at one point to kill a whole family, "right down to the dogs, the cats, and the chickens." He gains our sympathy, loses it, and finally gets it back again. Oates followed his director and buddy to Europe, but the corresponding Nicholson role was filled in by Fabio Testi; he isn't bad but his lines weren't dubbed and he has a tendency to speak English as if it were Italian (that is: too fast) which makes it very hard to make out some of his lines.


The film has at least one aspect that will be appreciated by all male viewers: the presence of Jenny Agutter, the British actress who said about herself that the combination of her innocent looks and daring nature of her roles offered 'perfect fantasy fodder'. We're only five minutes underway and she's having a striptease - my oh my - and her assets are used on display throughout the movie, with a couple of love scenes that will certainly provide fodder for some peoples' fantasies. If Logan's Run is your favorite movie, wait until you've seen this one.


Notes:

  • According to some sources (among them Giusti) Hellman also asked Sergio Leone and Federico Fellini for a cameo in the movie. If they had agreed, he would have had his three favorite directors on the set (an written cinema history). I don't know anything about Fellini, but a photograph tells us that Leone at least visited the set. The photo was probably taken in Rome when the crew was filming in the Dear Studios, where the interiors were shot. The photo shows, from left to right: Sam Peckinpah, cinematographer Giuseppe Rotunno, Sergio Leone and Monte Hellman.
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