https://www.spaghetti-western.net/index.php?title=Doc,_Hands_of_Steel_Review&feed=atom&action=historyDoc, Hands of Steel Review - Revision history2024-03-29T07:58:36ZRevision history for this page on the wikiMediaWiki 1.38.2https://www.spaghetti-western.net/index.php?title=Doc,_Hands_of_Steel_Review&diff=110882&oldid=prevTiratore Scelto at 19:51, 20 July 20182018-07-20T19:51:16Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Director:''' Alfonso Balcazar - '''Cast:''' Carl Möhner, Luis Davila, Gloria Milland, Fernando Sancho, Umberto Raho, Loris Loddi - '''Screenplay:''' Alfonso Balcazar, Giovanni Simonelli, Miguel Cusso, Antonio de la Loma - '''Music:''' Angelo Francesco Lavagnino</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Director:''' Alfonso Balcazar - '''Cast:''' Carl Möhner, Luis Davila, Gloria Milland, Fernando Sancho, Umberto Raho, Loris Loddi - '''Screenplay:''' Alfonso Balcazar, Giovanni Simonelli, Miguel Cusso, Antonio de la Loma - '''Music:''' Angelo Francesco Lavagnino</div></td></tr>
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</table>Tiratore Sceltohttps://www.spaghetti-western.net/index.php?title=Doc,_Hands_of_Steel_Review&diff=110881&oldid=prevTiratore Scelto at 17:28, 20 July 20182018-07-20T17:28:05Z<p></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of the Italian western is definitely breaking through, notably in the scene in which the hero is tortured by the villains. Romolo (Guerrieri) Girolami - director of classics like [[Johnny Yuma]] and [[10.000 dollari per un massacro]] - is listed as assistent-director and one wonders if ''he'' was responsible for this more violent ('more italian') nature of the movie.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of the Italian western is definitely breaking through, notably in the scene in which the hero is tortured by the villains. Romolo (Guerrieri) Girolami - director of classics like [[Johnny Yuma]] and [[10.000 dollari per un massacro]] - is listed as assistent-director and one wonders if ''he'' was responsible for this more violent ('more italian') nature of the movie.</div></td></tr>
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</table>Tiratore Sceltohttps://www.spaghetti-western.net/index.php?title=Doc,_Hands_of_Steel_Review&diff=110880&oldid=prevTiratore Scelto at 17:27, 20 July 20182018-07-20T17:27:24Z<p></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>[[Uomo dalla pistola d'oro, L'|See Database Page]] - </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><center> '''Doc, Hands of Steel''' (''Doc, Manos de Plata / L'uomo dalla pistola d'oro'' - </ins>[[Uomo dalla pistola d'oro, L'|See Database Page]] - <ins style="font-weight: bold; text-decoration: none;">[[Uomo dalla pistola d'oro, L'/DVD|Available DVDs]] - [[Uomo dalla pistola d'oro, L'/VHS releases|VHS]]</center></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of the Italian western is definitely breaking through, notably in the scene in which the hero is tortured by the villains. Romolo (Guerrieri) Girolami - director of classics like [[Johnny Yuma]] and [[10.000 dollari per un massacro]] - is listed as assistent-director and one wonders if ''he'' was responsible for this more violent ('more italian') nature of the movie.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of the Italian western is definitely breaking through, notably in the scene in which the hero is tortured by the villains. Romolo (Guerrieri) Girolami - director of classics like [[Johnny Yuma]] and [[10.000 dollari per un massacro]] - is listed as assistent-director and one wonders if ''he'' was responsible for this more violent ('more italian') nature of the movie.</div></td></tr>
</table>Tiratore Sceltohttps://www.spaghetti-western.net/index.php?title=Doc,_Hands_of_Steel_Review&diff=110879&oldid=prevTiratore Scelto at 17:22, 20 July 20182018-07-20T17:22:41Z<p></p>
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<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"></ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of the Italian western is definitely breaking through, notably in the scene in which the hero is tortured by the villains. Romolo (Guerrieri) Girolami - director of classics like [[Johnny Yuma]] and [[10.000 dollari per un massacro]] - is listed as assistent-director and one wonders if ''he'' was responsible for this more violent ('more italian') nature of the movie.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of the Italian western is definitely breaking through, notably in the scene in which the hero is tortured by the villains. Romolo (Guerrieri) Girolami - director of classics like [[Johnny Yuma]] and [[10.000 dollari per un massacro]] - is listed as assistent-director and one wonders if ''he'' was responsible for this more violent ('more italian') nature of the movie.</div></td></tr>
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</table>Tiratore Sceltohttps://www.spaghetti-western.net/index.php?title=Doc,_Hands_of_Steel_Review&diff=110878&oldid=prevTiratore Scelto at 17:07, 20 July 20182018-07-20T17:07:37Z<p></p>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>No less than four people contributed to the script and they all seem to have pushed forward their own ideas. As a result the narrative is meandering, with some story elements developed better than others, but at least the busy plot will have you guessing what will happen next. The part of the intellectual turned cardsharp turned sheriff suits Möhner well and Davila is solid as the man on his trail who eventually becomes his deputy in the border town. The Italian title, ''L'uomo dalla pistola d'oro''/<del style="font-weight: bold; text-decoration: none;">T</del>''<del style="font-weight: bold; text-decoration: none;">he </del>man with the golden gun'', might have been a reference to Edward Dmytryk's '''''Warlock''''', an very popular film in Mediterranean countries and released as ''L'homme aux colts d'or'' (''The Man with the Golden Gun'''s''''') in France and under similar titles in other countries. Even the idea of the duo of gunslingers coming to a western town to restore law and order might have been taken from Dmytryk's movie.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>No less than four people contributed to the script and they all seem to have pushed forward their own ideas. As a result the narrative is meandering, with some story elements developed better than others, but at least the busy plot will have you guessing what will happen next<ins style="font-weight: bold; text-decoration: none;">. The movie is by no means great, but it's one of those minor genre entries that are easy to enjoy</ins>. The part of the intellectual turned cardsharp turned sheriff suits Möhner well and Davila is solid as the man on his trail who eventually becomes his deputy in the border town. The Italian title, ''L'uomo dalla pistola d'oro''/''<ins style="font-weight: bold; text-decoration: none;">The </ins>man with the golden gun'', might have been a reference to Edward Dmytryk's '''''Warlock''''', an very popular film in Mediterranean countries and released as ''L'homme aux colts d'or'' (''The Man with the Golden Gun'''s''''') in France and under similar titles in other countries. Even the idea of the duo of gunslingers coming to a western town to restore law and order might have been taken from Dmytryk's movie.</div></td></tr>
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</table>Tiratore Sceltohttps://www.spaghetti-western.net/index.php?title=Doc,_Hands_of_Steel_Review&diff=110877&oldid=prevTiratore Scelto at 17:05, 20 July 20182018-07-20T17:05:08Z<p></p>
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<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of the Italian western is definitely breaking through, notably in the scene in which the hero is tortured by the villains. Romolo (Guerrieri) Girolami - director of classics like [[Johnny Yuma]] and 10.000 dollari per un massacro - is listed as assistent-director and one wonders if ''he'' was responsible for this more violent ('more italian') nature of the movie.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of the Italian western is definitely breaking through, notably in the scene in which the hero is tortured by the villains. Romolo (Guerrieri) Girolami - director of classics like [[Johnny Yuma]] and <ins style="font-weight: bold; text-decoration: none;">[[</ins>10.000 dollari per un massacro<ins style="font-weight: bold; text-decoration: none;">]] </ins>- is listed as assistent-director and one wonders if ''he'' was responsible for this more violent ('more italian') nature of the movie.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
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</table>Tiratore Sceltohttps://www.spaghetti-western.net/index.php?title=Doc,_Hands_of_Steel_Review&diff=110876&oldid=prevTiratore Scelto at 17:03, 20 July 20182018-07-20T17:03:23Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 17:03, 20 July 2018</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Carl Möhner is Doc, a former surgeon turned drunkard and gambler with a price on his head. A bounty hunter called Slade is on his trail, but Slade has never seen his face. To confuse Slade, Doc adopts the name of a dead man who went by the name of Kitschner and was known for his golden guns. In a small western town Doc is now taken for a famous gunslinger and offered the job of sheriff. He accepts the offer, mainly because he has an eye on a local beauty, but now the bandits who have killed Kitschner, think the man with the golden gun is still alive ...</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Carl Möhner is Doc, a former surgeon turned drunkard and gambler with a price on his head. A bounty hunter called Slade is on his trail, but Slade has never seen his face. To confuse Slade, Doc adopts the name of a dead man who went by the name of Kitschner and was known for his golden guns. In a small western town Doc is now taken for a famous gunslinger and offered the job of sheriff. He accepts the offer, mainly because he has an eye on a local beauty, but now the bandits who have killed Kitschner, think the man with the golden gun is still alive ...</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>A bit slow and predictable at first, the story picks up in the second half with a few plot twists and a flamboyant performance by Fernando Sancho as a sadistic <del style="font-weight: bold; text-decoration: none;"> </del>Mexican bandit who enjoys shooting unarmed people, including women and children. The script is a nice variation on the doppelgänger motiv, with Mohner as the man who eventually starts identifying himself with the person whose name and fame he has stolen, becoming a better person in the process: the swindler really becomes the sheriff and the defender of the townspeople and also uses his neglected skills as a surgeon in the film's redemptive finale. </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>A bit slow and predictable at first, the story picks up in the second half with a few plot twists and a flamboyant performance by Fernando Sancho as a sadistic Mexican bandit who enjoys shooting unarmed people, including women and children. The script is a nice variation on the doppelgänger motiv, with Mohner as the man who eventually starts identifying himself with the person whose name and fame he has stolen, becoming a better person in the process: the swindler really becomes the sheriff and the defender of the townspeople and also uses his neglected skills as a surgeon in the film's redemptive finale. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>No less than four people contributed to the script and they all <del style="font-weight: bold; text-decoration: none;">seemed </del>to have pushed forward their own ideas. As a result the narrative is meandering, but at least the busy plot will have <del style="font-weight: bold; text-decoration: none;"> </del>you guessing what will happen next. The part of the intellectual turned cardsharp turned sheriff suits Möhner well and Davila is solid as the man on his trail who eventually becomes his deputy in the border town. The Italian title, ''L'uomo dalla pistola d'oro''/T''he man with the golden gun'', might have been a reference to Edward Dmytryk's '''''Warlock''''', an very popular film in Mediterranean countries and released as ''L'homme aux colts d'or'' (''The Man with the Golden Gun'''s''''') in France and under similar titles in other countries. Even the idea of the duo of gunslingers coming to a western town to restore law and order might have been taken from Dmytryk's movie.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>No less than four people contributed to the script and they all <ins style="font-weight: bold; text-decoration: none;">seem </ins>to have pushed forward their own ideas. As a result the narrative is meandering<ins style="font-weight: bold; text-decoration: none;">, with some story elements developed better than others</ins>, but at least the busy plot will have you guessing what will happen next. The part of the intellectual turned cardsharp turned sheriff suits Möhner well and Davila is solid as the man on his trail who eventually becomes his deputy in the border town. The Italian title, ''L'uomo dalla pistola d'oro''/T''he man with the golden gun'', might have been a reference to Edward Dmytryk's '''''Warlock''''', an very popular film in Mediterranean countries and released as ''L'homme aux colts d'or'' (''The Man with the Golden Gun'''s''''') in France and under similar titles in other countries. Even the idea of the duo of gunslingers coming to a western town to restore law and order might have been taken from Dmytryk's movie.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Director:''' Alfonso Balcazar - '''Cast:''' Carl Möhner, Luis Davila, Gloria Milland, Fernando Sancho, Umberto Raho, Loris Loddi - '''Screenplay:''' Alfonso Balcazar, Giovanni Simonelli, Miguel Cusso, Antonio de la Loma - '''Music:''' Angelo Francesco Lavagnino</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Director:''' Alfonso Balcazar - '''Cast:''' Carl Möhner, Luis Davila, Gloria Milland, Fernando Sancho, Umberto Raho, Loris Loddi - '''Screenplay:''' Alfonso Balcazar, Giovanni Simonelli, Miguel Cusso, Antonio de la Loma - '''Music:''' Angelo Francesco Lavagnino</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></small></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></small></div></td></tr>
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</table>Tiratore Sceltohttps://www.spaghetti-western.net/index.php?title=Doc,_Hands_of_Steel_Review&diff=110875&oldid=prevTiratore Scelto at 15:57, 20 July 20182018-07-20T15:57:13Z<p></p>
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<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:57, 20 July 2018</td>
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<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><center> [[File:Dorototob3.jpg|400px]] [[File:Dorofotob2.jpg|400px]] </center></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><center> [[File:Dorototob3.jpg|400px]] [[File:Dorofotob2.jpg|400px]] </center></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>No less than four people contributed to the script and they all seemed to have pushed forward their own ideas. As a result the narrative is meandering, but at least the busy plot will have you guessing what will happen next. The part of the intellectual turned cardsharp turned sheriff suits Möhner well and Davila is solid as the man on his trail who eventually becomes his deputy in the border town. The <del style="font-weight: bold; text-decoration: none;">idea of </del>the golden <del style="font-weight: bold; text-decoration: none;">guns was probably taken from </del>Edward Dmytryk's Warlock, an <del style="font-weight: bold; text-decoration: none;">immensely </del>popular film in Mediterranean countries and released as L'homme aux colts d'or (The Man with the Golden <del style="font-weight: bold; text-decoration: none;">Guns</del>) in France and under similar titles in other countries. Even the idea of the duo of gunslingers coming to a western town to restore law and order might have been taken from Dmytryk's movie.</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>No less than four people contributed to the script and they all seemed to have pushed forward their own ideas. As a result the narrative is meandering, but at least the busy plot will have you guessing what will happen next. The part of the intellectual turned cardsharp turned sheriff suits Möhner well and Davila is solid as the man on his trail who eventually becomes his deputy in the border town. The <ins style="font-weight: bold; text-decoration: none;">Italian title, ''L'uomo dalla pistola d'oro''/T''he man with </ins>the golden <ins style="font-weight: bold; text-decoration: none;">gun'', might have been a reference to </ins>Edward Dmytryk's <ins style="font-weight: bold; text-decoration: none;">'''''</ins>Warlock<ins style="font-weight: bold; text-decoration: none;">'''''</ins>, an <ins style="font-weight: bold; text-decoration: none;">very </ins>popular film in Mediterranean countries and released as <ins style="font-weight: bold; text-decoration: none;">''</ins>L'homme aux colts d'or<ins style="font-weight: bold; text-decoration: none;">'' </ins>(<ins style="font-weight: bold; text-decoration: none;">''</ins>The Man with the Golden <ins style="font-weight: bold; text-decoration: none;">Gun'''s'''''</ins>) in France and under similar titles in other countries. Even the idea of the duo of gunslingers coming to a western town to restore law and order might have been taken from Dmytryk's movie.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
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</table>Tiratore Sceltohttps://www.spaghetti-western.net/index.php?title=Doc,_Hands_of_Steel_Review&diff=110874&oldid=prevTiratore Scelto at 15:53, 20 July 20182018-07-20T15:53:07Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:53, 20 July 2018</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l2">Line 2:</td>
<td colspan="2" class="diff-lineno">Line 2:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of the Italian western is definitely breaking through, notably in the scene in which the hero is tortured by the villains. Romolo (Guerrieri) Girolami - director of classics like [[Johnny Yuma]] and 10.000 dollari per un massacro - is listed as assistent-director and one wonders if ''he'' was responsible for this more violent ('more italian') nature of the movie.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of the Italian western is definitely breaking through, notably in the scene in which the hero is tortured by the villains. Romolo (Guerrieri) Girolami - director of classics like [[Johnny Yuma]] and 10.000 dollari per un massacro - is listed as assistent-director and one wonders if ''he'' was responsible for this more violent ('more italian') nature of the movie.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><center> [[File:<del style="font-weight: bold; text-decoration: none;">Dorototob3</del>.jpg|500px]]</center></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><center> <ins style="font-weight: bold; text-decoration: none;"> </ins>[[File:<ins style="font-weight: bold; text-decoration: none;">Dorofotob6</ins>.jpg|500px]] </center></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Carl Möhner is Doc, a former surgeon turned drunkard and gambler with a price on his head. A bounty hunter called Slade is on his trail, but Slade has never seen his face. To confuse Slade, Doc adopts the name of a dead man who went by the name of Kitschner and was known for his golden guns. In a small western town Doc is now taken for a famous gunslinger and offered the job of sheriff. He accepts the offer, mainly because he has an eye on a local beauty, but now the bandits who have killed Kitschner, think the man with the golden gun is still alive ...</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Carl Möhner is Doc, a former surgeon turned drunkard and gambler with a price on his head. A bounty hunter called Slade is on his trail, but Slade has never seen his face. To confuse Slade, Doc adopts the name of a dead man who went by the name of Kitschner and was known for his golden guns. In a small western town Doc is now taken for a famous gunslinger and offered the job of sheriff. He accepts the offer, mainly because he has an eye on a local beauty, but now the bandits who have killed Kitschner, think the man with the golden gun is still alive ...</div></td></tr>
<tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l8">Line 8:</td>
<td colspan="2" class="diff-lineno">Line 8:</td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A bit slow and predictable at first, the story picks up in the second half with a few plot twists and a flamboyant performance by Fernando Sancho as a sadistic Mexican bandit who enjoys shooting unarmed people, including women and children. The script is a nice variation on the doppelgänger motiv, with Mohner as the man who eventually starts identifying himself with the person whose name and fame he has stolen, becoming a better person in the process: the swindler really becomes the sheriff and the defender of the townspeople and also uses his neglected skills as a surgeon in the film's redemptive finale. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A bit slow and predictable at first, the story picks up in the second half with a few plot twists and a flamboyant performance by Fernando Sancho as a sadistic Mexican bandit who enjoys shooting unarmed people, including women and children. The script is a nice variation on the doppelgänger motiv, with Mohner as the man who eventually starts identifying himself with the person whose name and fame he has stolen, becoming a better person in the process: the swindler really becomes the sheriff and the defender of the townspeople and also uses his neglected skills as a surgeon in the film's redemptive finale. </div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><center> [[File:<del style="font-weight: bold; text-decoration: none;">Dorofotob6</del>.jpg|400px]] [[File:Dorofotob2.jpg|400px]] </center></div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><center> [[File:<ins style="font-weight: bold; text-decoration: none;">Dorototob3</ins>.jpg|400px]] [[File:Dorofotob2.jpg|400px]] </center></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>No less than four people contributed to the script and they all seemed to have pushed forward their own ideas. As a result the narrative is meandering, but at least the busy plot will have you guessing what will happen next. The part of the intellectual turned cardsharp turned sheriff suits Möhner well and Davila is solid as the man on his trail who eventually becomes his deputy in the border town. The idea of the golden guns was probably taken from Edward Dmytryk's Warlock, an immensely popular film in Mediterranean countries and released as L'homme aux colts d'or (The Man with the Golden Guns) in France and under similar titles in other countries. Even the idea of the duo of gunslingers coming to a western town to restore law and order might have been taken from Dmytryk's movie.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>No less than four people contributed to the script and they all seemed to have pushed forward their own ideas. As a result the narrative is meandering, but at least the busy plot will have you guessing what will happen next. The part of the intellectual turned cardsharp turned sheriff suits Möhner well and Davila is solid as the man on his trail who eventually becomes his deputy in the border town. The idea of the golden guns was probably taken from Edward Dmytryk's Warlock, an immensely popular film in Mediterranean countries and released as L'homme aux colts d'or (The Man with the Golden Guns) in France and under similar titles in other countries. Even the idea of the duo of gunslingers coming to a western town to restore law and order might have been taken from Dmytryk's movie.</div></td></tr>
</table>Tiratore Sceltohttps://www.spaghetti-western.net/index.php?title=Doc,_Hands_of_Steel_Review&diff=110873&oldid=prevTiratore Scelto at 15:50, 20 July 20182018-07-20T15:50:55Z<p></p>
<table style="background-color: #fff; color: #202122;" data-mw="interface">
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<tr class="diff-title" lang="en">
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">← Older revision</td>
<td colspan="2" style="background-color: #fff; color: #202122; text-align: center;">Revision as of 15:50, 20 July 2018</td>
</tr><tr><td colspan="2" class="diff-lineno" id="mw-diff-left-l1">Line 1:</td>
<td colspan="2" class="diff-lineno">Line 1:</td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">----</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of the Italian western is definitely breaking through, notably in the scene in which the hero is tortured by the villains. Romolo (Guerrieri) Girolami - director of classics like [[Johnny Yuma]] and 10.000 dollari per un massacro - is listed as assistent-director and one wonders if ''he'' was responsible for this more violent ('more italian') nature of the movie.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of the Italian western is definitely breaking through, notably in the scene in which the hero is tortured by the villains. Romolo (Guerrieri) Girolami - director of classics like [[Johnny Yuma]] and 10.000 dollari per un massacro - is listed as assistent-director and one wonders if ''he'' was responsible for this more violent ('more italian') nature of the movie.</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><center> [[File:Dorototob3.jpg|500px]]</center></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><center> [[File:Dorototob3.jpg|500px]]</center></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>----</div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div><del style="font-weight: bold; text-decoration: none;"></del></div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Carl Möhner is Doc, a former surgeon turned drunkard and gambler with a price on his head. A bounty hunter called Slade is on his trail, but Slade has never seen his face. To confuse Slade, Doc adopts the name of a dead man who went by the name of Kitschner and was known for his golden guns. In a small western town Doc is now taken for a famous gunslinger and offered the job of sheriff. He accepts the offer, mainly because he has an eye on a local beauty, but now the bandits who have killed Kitschner, think the man with the golden gun is still alive ...</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>Carl Möhner is Doc, a former surgeon turned drunkard and gambler with a price on his head. A bounty hunter called Slade is on his trail, but Slade has never seen his face. To confuse Slade, Doc adopts the name of a dead man who went by the name of Kitschner and was known for his golden guns. In a small western town Doc is now taken for a famous gunslinger and offered the job of sheriff. He accepts the offer, mainly because he has an eye on a local beauty, but now the bandits who have killed Kitschner, think the man with the golden gun is still alive ...</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A bit slow and predictable at first, the story picks up in the second half with a few plot twists and a flamboyant performance by Fernando Sancho as a sadistic Mexican bandit who enjoys shooting unarmed people, including women and children. The script is a nice variation on the doppelgänger motiv, with Mohner as the man who eventually starts identifying himself with the person whose name and fame he has stolen, becoming a better person in the process: the swindler really becomes the sheriff and the defender of the townspeople and also uses his neglected skills as a surgeon in the film's redemptive finale. </div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>A bit slow and predictable at first, the story picks up in the second half with a few plot twists and a flamboyant performance by Fernando Sancho as a sadistic Mexican bandit who enjoys shooting unarmed people, including women and children. The script is a nice variation on the doppelgänger motiv, with Mohner as the man who eventually starts identifying himself with the person whose name and fame he has stolen, becoming a better person in the process: the swindler really becomes the sheriff and the defender of the townspeople and also uses his neglected skills as a surgeon in the film's redemptive finale. </div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">----</ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;"><center> [[File:Dorofotob6.jpg|400px]] [[File:Dorofotob2.jpg|400px]] </center></ins></div></td></tr>
<tr><td colspan="2" class="diff-side-deleted"></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div><ins style="font-weight: bold; text-decoration: none;">----</ins></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>No less than four people contributed to the script and they all seemed to have pushed forward their own ideas. As a result the narrative is meandering, but at least the busy plot will have you guessing what will happen next. The part of the intellectual turned cardsharp turned sheriff suits Möhner well and Davila is solid as the man on his trail who eventually becomes his deputy in the border town. The idea of the golden guns was probably taken from Edward Dmytryk's Warlock, an immensely popular film in Mediterranean countries and released as L'homme aux colts d'or (The Man with the Golden Guns) in France and under similar titles in other countries. Even the idea of the duo of gunslingers coming to a western town to restore law and order might have been taken from Dmytryk's movie.</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>No less than four people contributed to the script and they all seemed to have pushed forward their own ideas. As a result the narrative is meandering, but at least the busy plot will have you guessing what will happen next. The part of the intellectual turned cardsharp turned sheriff suits Möhner well and Davila is solid as the man on his trail who eventually becomes his deputy in the border town. The idea of the golden guns was probably taken from Edward Dmytryk's Warlock, an immensely popular film in Mediterranean countries and released as L'homme aux colts d'or (The Man with the Golden Guns) in France and under similar titles in other countries. Even the idea of the duo of gunslingers coming to a western town to restore law and order might have been taken from Dmytryk's movie.</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><br/></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div>---</div></td><td class="diff-marker" data-marker="+"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;"><div>---<ins style="font-weight: bold; text-decoration: none;">-</ins></div></td></tr>
<tr><td class="diff-marker" data-marker="−"></td><td style="color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;"><div> </div></td><td colspan="2" class="diff-side-added"></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><small></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div><small></div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Director:''' Alfonso Balcazar - '''Cast:''' Carl Möhner, Luis Davila, Gloria Milland, Fernando Sancho, Umberto Raho, Loris Loddi - '''Screenplay:''' Alfonso Balcazar, Giovanni Simonelli, Miguel Cusso, Antonio de la Loma - '''Music:''' Angelo Francesco Lavagnino</div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div>'''Director:''' Alfonso Balcazar - '''Cast:''' Carl Möhner, Luis Davila, Gloria Milland, Fernando Sancho, Umberto Raho, Loris Loddi - '''Screenplay:''' Alfonso Balcazar, Giovanni Simonelli, Miguel Cusso, Antonio de la Loma - '''Music:''' Angelo Francesco Lavagnino</div></td></tr>
<tr><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></small></div></td><td class="diff-marker"></td><td style="background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;"><div></small></div></td></tr>
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</table>Tiratore Scelto