Doc, Hands of Steel Review
From The Spaghetti Western Database
Revision as of 13:51, 20 July 2018 by Tiratore Scelto (Created page with "The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of t...")
The third western by Alfonso Balcazar, according to some his best. Made in 1965, it is still tributary to the American style of film making, but the more violent approach of the Italian western is definitely breaking through, notably in the scene in which the hero is tortured by the villains. Romolo (Guerrieri) Girolami - director of classics like Johnny Yuma and 10.000 dollari per un massacro - is listed as assistent-director and one wonders if he was responsible for this more violent ('more italian') nature of the movie.
Carl Möhner is Doc, a former surgeon turned drunkard and gambler with a price on his head. A bounty hunter called Slade is on his trail, but Slade has never seen his face. To confuse Slade, Doc adopts the name of a dead man who went by the name of Kitschner and was known for his golden guns. In a small western town Doc is now taken for a famous gunslinger and offered the job of sheriff. He accepts the offer, mainly because he has an eye on a local beauty, but now the bandits who have killed Kitschner, think the man with the golden gun is still alive ...
A bit slow and predictable at first, the story picks up in the second half with a few plot twists and a flamboyant performance by Fernando Sancho as a sadistic Mexican bandit who enjoys shooting unarmed people, including women and children. The script is a nice variation on the doppelgänger motiv, with Mohner as the man who eventually starts identifying himself with the person whose name and fame he has stolen, becoming a better person in the process: the swindler really becomes the sheriff and the defender of the townspeople and also uses his neglected skills as a surgeon in the film's redemptive finale.
No less than four people contributed to the script and they all seemed to have pushed forward their own ideas. As a result the narrative is meandering, but at least the busy plot will have you guessing what will happen next. The part of the intellectual turned cardsharp turned sheriff suits Möhner well and Davila is solid as the man on his trail who eventually becomes his deputy in the border town. The idea of the golden guns was probably taken from Edward Dmytryk's Warlock, an immensely popular film in Mediterranean countries and released as L'homme aux colts d'or (The Man with the Golden Guns) in France and under similar titles in other countries. Even the idea of the duo of gunslingers coming to a western town to restore law and order might have been taken from Dmytryk's movie.