Essential Top 20 Films: Difference between revisions

From The Spaghetti Western Database
Jump to: navigation, search
No edit summary
mNo edit summary
(12 intermediate revisions by 4 users not shown)
Line 1: Line 1:
{{Lists}}
{{Lists}}
These films were voted by our community as the essential films of the genre. More info on our voting procedure and where to find those that didn't make the top 50, you'll find at the bottom of the page. For an introduction to the genre, please visit our '''[[Introduction]]'''.
These films were voted by our community as the essential films of the genre. More info on our voting procedure and where to find those that didn't make the top 50, you'll find at the bottom of the page. For an introduction to the genre, please visit our '''[[Introduction]]'''. For an "annotated" article, check out Scherpschutter's [[The Top 20 Essential Spaghetti Westerns, Part 1]] and [[The Top 20 Essential Spaghetti Westerns, Part 2|Part 2]].


<div class="row" style="border-bottom:1px dotted gray;margin-top:40px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:40px;padding-bottom:8px;">
Line 7: Line 7:
[[Ennio Morricone]]'s theme is world-known, even to people unaware of its origins. This lengthy, but beautifully balanced western is held by most to be THE spaghetti western. The three-way show down between [[Clint Eastwood]], [[Lee Van Cleef]] and [[Eli Wallach]] is legendary.
[[Ennio Morricone]]'s theme is world-known, even to people unaware of its origins. This lengthy, but beautifully balanced western is held by most to be THE spaghetti western. The three-way show down between [[Clint Eastwood]], [[Lee Van Cleef]] and [[Eli Wallach]] is legendary.


''Community vote score: (3.425 points)''</div>
''Community vote score: (3.328 points)''</div>
   <div class="small-3 columns">[[File:Buono.jpg|140px]]</div>
   <div class="small-3 columns">[[File:Buono.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
Line 21: Line 21:
Made to be the spaghetti western to end all spaghetti westerns, Leone's opus is both a hommage to the American western and as through and through Italian as can be. He turned [[Henry Fonda]] into a badboy and let [[Ennio Morricone]] give themes to all the characters, played also by [[Charles Bronson]], the unforgettable [[Claudia Cardinale]] and [[Jason Robards]]. The harmonica is just as famous as the coyote howl of our No.1.
Made to be the spaghetti western to end all spaghetti westerns, Leone's opus is both a hommage to the American western and as through and through Italian as can be. He turned [[Henry Fonda]] into a badboy and let [[Ennio Morricone]] give themes to all the characters, played also by [[Charles Bronson]], the unforgettable [[Claudia Cardinale]] and [[Jason Robards]]. The harmonica is just as famous as the coyote howl of our No.1.


''Community vote score: (2.976 points)''</div>
''Community vote score: (2.919 points)''</div>
   <div class="small-3 columns">[[File:West8.jpg|140px]]</div>
   <div class="small-3 columns">[[File:West8.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
Line 35: Line 35:
[[Clint Eastwood]] returns as the man with no name, in one of the most exciting representatives of the genre and the map that cemented [[Sergio Leone]] as the king of spaghetti western. [[Ennio Morricone]]'s score is amazing, as are stars [[Klaus Kinski]] and [[Lee Van Cleef]].
[[Clint Eastwood]] returns as the man with no name, in one of the most exciting representatives of the genre and the map that cemented [[Sergio Leone]] as the king of spaghetti western. [[Ennio Morricone]]'s score is amazing, as are stars [[Klaus Kinski]] and [[Lee Van Cleef]].


''Community vote score: (2.865 points)''</div>
''Community vote score: (2.788 points)''</div>
   <div class="small-3 columns">[[File:DollarsMore1.jpg|140px]]</div>
   <div class="small-3 columns">[[File:DollarsMore1.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
Line 49: Line 49:
Its wintery setting, gloomy score (by [[Ennio Morricone]]), and the grim violence add to the atmosphere of this famous western by the "other" Sergio, starring [[Klaus Kinski]] as the villain and [[Jean-Louis Trintignant]] as the mute anti-hero.
Its wintery setting, gloomy score (by [[Ennio Morricone]]), and the grim violence add to the atmosphere of this famous western by the "other" Sergio, starring [[Klaus Kinski]] as the villain and [[Jean-Louis Trintignant]] as the mute anti-hero.


''Community vote score: (2.251 points)''</div>
''Community vote score: (2.163 points)''</div>
   <div class="small-3 columns">[[File:Il_Grande_silenzio17885.gif|140px]]</div>
   <div class="small-3 columns">[[File:Il_Grande_silenzio17885.gif|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
Line 63: Line 63:
This is where it all started, the movie that got the ball rolling. Leone's remake of Akira Kurosawa's '''Yojimbo''' put the then unknown TV actor [[Clint Eastwood]] on the map and established his style and the use of extraordinary music by [[Ennio Morricone]].
This is where it all started, the movie that got the ball rolling. Leone's remake of Akira Kurosawa's '''Yojimbo''' put the then unknown TV actor [[Clint Eastwood]] on the map and established his style and the use of extraordinary music by [[Ennio Morricone]].


''Community vote score: (1.909 points)''</div>
''Community vote score: (1.798 points)''</div>
   <div class="small-3 columns">[[File:Fistful7.jpg|140px]]</div>
   <div class="small-3 columns">[[File:Fistful7.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
Line 77: Line 77:
Violence is a trademark of the genre. Corbucci upped the anti with ears bitten off priests and citizens slaughtered with a machine gun, but the skilled pistolero with the army coat and the coffin are what makes this a cult favorite.
Violence is a trademark of the genre. Corbucci upped the anti with ears bitten off priests and citizens slaughtered with a machine gun, but the skilled pistolero with the army coat and the coffin are what makes this a cult favorite.


''Community vote score: (1.841 points)''</div>
''Community vote score: (1.793 points)''</div>
   <div class="small-3 columns">[[File:Django4.jpg|140px]]</div>
   <div class="small-3 columns">[[File:Django4.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
Line 91: Line 91:
This is one of three spaghetti westerns of the third Sergio, pitting [[Lee Van Cleef]] against genre stalwart [[Tomas Milian]] in a cat and mouse hunt that ends as epic as could be, with one of the most remarkable opening credit theme songs ever recorded.
This is one of three spaghetti westerns of the third Sergio, pitting [[Lee Van Cleef]] against genre stalwart [[Tomas Milian]] in a cat and mouse hunt that ends as epic as could be, with one of the most remarkable opening credit theme songs ever recorded.


''Community vote score: (1.746 points)''</div>
''Community vote score: (1.785 points)''</div>
   <div class="small-3 columns">[[File:Bign itp2.jpg|140px]]</div>
   <div class="small-3 columns">[[File:Bign itp2.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
Line 103: Line 103:
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">8</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">8</span></div>
   <div class="small-7 columns">'''[[Mercenario, Il|THE MERCENARY]]''', [[Sergio Corbucci]] (1968)
   <div class="small-7 columns">'''[[Mercenario, Il|THE MERCENARY]]''', [[Sergio Corbucci]] (1968)
Some films are not only famous, they are also cult favorites and draw a crowd of followers (even though it has yet to reach a wider audience on proper home video releases in the US and the UK). This is one, with [[Franco Nero]] in one of his greatest roles, an unforgettable soundtrack by [[Ennio Morricone]] and the late [[Jack Palance]] at a particular best.  
Some films are not only famous, they are also cult favorites and draw a crowd of followers. This is one, with [[Franco Nero]] in one of his greatest roles, an unforgettable soundtrack by [[Ennio Morricone]] and the late [[Jack Palance]] at a particular best.  


''Community vote score: (1.247 points)''</div>
''Community vote score: (1.286 points)''</div>
   <div class="small-3 columns">[[File:Il mercenew.jpg|140px]]</div>
   <div class="small-3 columns">[[File:Il mercenew.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
Line 119: Line 119:
This is Corbucci's second revolutionary tale next to The Mercenary, and it is somewhat of a modification of it, again starring [[Franco Nero]] but this time with [[Tomas Milian]] in the role of the peasant.
This is Corbucci's second revolutionary tale next to The Mercenary, and it is somewhat of a modification of it, again starring [[Franco Nero]] but this time with [[Tomas Milian]] in the role of the peasant.


''Community vote score: (1.116 points)''</div>
''Community vote score: (1.108 points)''</div>
   <div class="small-3 columns">[[File:Companeros4 New.jpg|140px]]</div>
   <div class="small-3 columns">[[File:Companeros4 New.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
Line 130: Line 130:
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">10</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">10</span></div>
   <div class="small-7 columns">'''[[Death Rides a Horse|DEATH RIDES A HORSE]]''', [[Giulio Petroni]] (1967)
   <div class="small-7 columns">'''[[Faccia a faccia|FACE TO FACE]]''', [[Sergio Sollima]] (1967)
Gunslinger mentor and trainee, a very popular theme in the genre, here depicted by [[Lee Van Cleef]] and John Phillip Law, with a beautifully haunting score by [[Ennio Morricone]].
This is actually the second of his three westerns, and it is as much a metaphor of violence as it is a showcase for actors [[Tomas Milian]] and [[Gian Maria Volonte]] trying to top each other.


''Community vote score: (1.091 points)''</div>
''Community vote score: (1.060 points)''</div>
   <div class="small-3 columns">[[File:DaUomoAUomo Poster3.jpg|140px]]</div>
   <div class="small-3 columns">[[File:Facciaafacciabq5X.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Da uomo a uomo/BluRay]]</div>
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Faccia a faccia/BluRay]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Da uomo a uomo/DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Faccia a faccia/DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Da uomo a uomo/OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Faccia a faccia/OST]]</div>
</div>
</div>
</div>
</div>
Line 144: Line 144:
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">11</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">11</span></div>
   <div class="small-7 columns">'''[[Faccia a faccia|FACE TO FACE]]''', [[Sergio Sollima]] (1967)
   <div class="small-7 columns">'''[[Death Rides a Horse|DEATH RIDES A HORSE]]''', [[Giulio Petroni]] (1967)
This is actually the second of his three westerns, and it is as much a metaphor of violence as it is a showcase for actors [[Tomas Milian]] and [[Gian Maria Volonte]] trying to top each other.
Gunslinger mentor and trainee, a very popular theme in the genre, here depicted by [[Lee Van Cleef]] and John Phillip Law, with a beautifully haunting score by [[Ennio Morricone]].


''Community vote score: (1.085 points)''</div>
''Community vote score: (1.064 points)''</div>
   <div class="small-3 columns">[[File:Facciaafacciabq5X.jpg|140px]]</div>
   <div class="small-3 columns">[[File:DaUomoAUomo Poster3.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Faccia a faccia/DVD]]</div>
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Da uomo a uomo/BluRay]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Faccia a faccia/DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Da uomo a uomo/DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Faccia a faccia/OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Da uomo a uomo/OST]]</div>
</div>
</div>
</div>
</div>
Line 161: Line 161:
Leone's own revolutionary western pits Rod Steiger and [[James Coburn]] against armored tanks and the Mexican army, in a very explosive film.
Leone's own revolutionary western pits Rod Steiger and [[James Coburn]] against armored tanks and the Mexican army, in a very explosive film.


''Community vote score: (1.014 points)''</div>
''Community vote score: (1.057 points)''</div>
   <div class="small-3 columns">[[File:GiuLaTesta Poster2x HQ.jpg|140px]]</div>
   <div class="small-3 columns">[[File:GiuLaTesta Poster2x HQ.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Giù la testa/DVD]]</div>
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Giù la testa/BluRay]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Giù la testa/DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Giù la testa/DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Giù la testa/OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Giù la testa/OST]]</div>
Line 175: Line 175:
In another revolution-themed entry from the early years, [[Gian Maria Volonte]] as El Chuncho is played by a young American agent in order to kill a revolutionary leader. A great story of comraderie and betrayal, with brilliant acting and beautiful music.
In another revolution-themed entry from the early years, [[Gian Maria Volonte]] as El Chuncho is played by a young American agent in order to kill a revolutionary leader. A great story of comraderie and betrayal, with brilliant acting and beautiful music.


''Community vote score: (990 points)''</div>
''Community vote score: (989 points)''</div>
   <div class="small-3 columns">[[File:QuienSabe_Poster.jpg|140px]]</div>
   <div class="small-3 columns">[[File:QuienSabe_Poster.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Quien Sabe/DVD]]</div>
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Quien Sabe/BluRay]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Quien Sabe/DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Quien Sabe/DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Quien Sabe/OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Quien Sabe/OST]]</div>
Line 189: Line 189:
In this revered classic, [[Lee Van Cleef]] takes on a young protege played by [[Giuliano Gemma]] but must face him in the end...
In this revered classic, [[Lee Van Cleef]] takes on a young protege played by [[Giuliano Gemma]] but must face him in the end...


''Community vote score: (776 points)''</div>
''Community vote score: (793 points)''</div>
   <div class="small-3 columns">[[File:DayOfAnger USPoster1.jpg|140px]]</div>
   <div class="small-3 columns">[[File:DayOfAnger USPoster1.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
Line 203: Line 203:
In its late phase, only few directors have managed to churn out quality films on decent budgets. Veteran director Castellari teamed up with icon [[Franco Nero]] in what is a very gloomy but gripping western tale.
In its late phase, only few directors have managed to churn out quality films on decent budgets. Veteran director Castellari teamed up with icon [[Franco Nero]] in what is a very gloomy but gripping western tale.


''Community vote score: (700 points)''</div>
''Community vote score: (778 points)''</div>
   <div class="small-3 columns">[[File:Keoma GermanPoster1.jpg|140px]]</div>
   <div class="small-3 columns">[[File:Keoma GermanPoster1.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Keoma/DVD]]</div>
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Keoma/Bluray]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Keoma/DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Keoma/DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Keoma/OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Keoma/OST]]</div>
Line 217: Line 217:
The French director's singular endeavor into the genre is also one of the most revered. This sinister tale of revenge and death boasts with incredibly atmospheric scenes, great music and exceptional acting and directing. A small gem if you so will.
The French director's singular endeavor into the genre is also one of the most revered. This sinister tale of revenge and death boasts with incredibly atmospheric scenes, great music and exceptional acting and directing. A small gem if you so will.


''Community vote score: (686 points)''</div>
''Community vote score: (719 points)''</div>
   <div class="small-3 columns">[[File:Cimitero03_New.jpg|140px]]</div>
   <div class="small-3 columns">[[File:Cimitero03_New.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
Line 228: Line 228:
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">17</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">17</span></div>
   <div class="small-7 columns">'''[[Mio nome è Nessuno, Il|MY NAME IS NOBODY]]''', [[Sergio Leone]]/[[Tonino Valerii]] (1973)
   <div class="small-7 columns">'''[[Ritorno di Ringo, Il|RETURN OF RINGO]]''', [[Duccio Tessari]] (1965)
As the genre turned into its self-parody phase, Leone conceived a self reflective western pitting the established [[Terence Hill]] against acting titan [[Henry Fonda]]. Controversial in it's mixture of comedy and deeper meaning about the decline of the west it was not the last SW, but nonetheless a fitting end for an already dying genre.
Elegantly directed by Ducio Tessari this is one of the early classics and one of the early successes of the genre. Following the storyline of Homer's Odyssey, Gemma (in his best role) returns home after the civil war to win back his wife and house.


''Community vote score: (622 points)''</div>
''Community vote score: (614 points)''</div>
   <div class="small-3 columns">[[File:Il Mio nome è Nessuno18106.gif|140px]]</div>
   <div class="small-3 columns">[[File:ReturnOfRingo DatabsePage New.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Mio nome è Nessuno, Il/BluRay]]</div>
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Ritorno di Ringo, Il/BluRay]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Mio nome è Nessuno, Il/DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Ritorno di Ringo, Il/DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Mio nome è Nessuno, Il/OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Ritorno di Ringo, Il/OST]]</div>
</div>
</div>
</div>
</div>
Line 242: Line 242:
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
<div class="row" style="border-bottom:1px dotted gray;margin-top:20px;padding-bottom:8px;">
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">18</span></div>
   <div class="small-1 columns" style="padding-top:30px;"><span style="font-size:300%;border-bottom:1px dashed gray;">18</span></div>
   <div class="small-7 columns">'''[[Ritorno di Ringo, Il|RETURN OF RINGO]]''', [[Duccio Tessari]] (1965)
   <div class="small-7 columns">'''[[Mio nome è Nessuno, Il|MY NAME IS NOBODY]]''', [[Sergio Leone]]/[[Tonino Valerii]] (1973)
Elegantly directed by Ducio Tessari this is one of the early classics and one of the early successes of the genre. Following the storyline of Homer's Odyssey, Gemma (in his best role) returns home after the civil war to win back his wife and house.
As the genre turned into its self-parody phase, Leone conceived a self reflective western pitting the established [[Terence Hill]] against acting titan [[Henry Fonda]]. Controversial in it's mixture of comedy and deeper meaning about the decline of the west it was not the last SW, but nonetheless a fitting end for an already dying genre.


''Community vote score: (591 points)''</div>
''Community vote score: (604 points)''</div>
   <div class="small-3 columns">[[File:ReturnOfRingo DatabsePage New.jpg|140px]]</div>
   <div class="small-3 columns">[[File:Il Mio nome è Nessuno18106.gif|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Ritorno di Ringo, Il/BluRay]]</div>
           <div class="row">[[File:Bluraylogo2.gif|40px|link=Mio nome è Nessuno, Il/BluRay]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Ritorno di Ringo, Il/DVD]]</div>
           <div class="row">[[File:Dvdlogo2.png|40px|link=Mio nome è Nessuno, Il/DVD]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Ritorno di Ringo, Il/OST]]</div>
           <div class="row">[[File:Cdmusic.png|40px|link=Mio nome è Nessuno, Il/OST]]</div>
</div>
</div>
</div>
</div>
Line 259: Line 259:
Questi's very bizarre and only entry in the genre might not find too many friends but is a well-directed film with many memorable moments, as well as a great deal of elements found in exploitation cinema.
Questi's very bizarre and only entry in the genre might not find too many friends but is a well-directed film with many memorable moments, as well as a great deal of elements found in exploitation cinema.


''Community vote score: (517 points)''</div>
''Community vote score: (526 points)''</div>
   <div class="small-3 columns">[[File:SeSeiVivoSpara DatabasePage New.jpg|140px]]</div>
   <div class="small-3 columns">[[File:SeSeiVivoSpara DatabasePage New.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
Line 273: Line 273:
[[Tomas Milian]] runs for his life, this time not from a bounty hunter but for his honor, lots of gold and a promise. An adorable film but maybe the weakest of the three films Sollima made. But it has a scene in the snow!
[[Tomas Milian]] runs for his life, this time not from a bounty hunter but for his honor, lots of gold and a promise. An adorable film but maybe the weakest of the three films Sollima made. But it has a scene in the snow!


''Community vote score: (398 points)''</div>
''Community vote score: (385 points)''</div>
   <div class="small-3 columns">[[File:Corriuomocorri.jpg|140px]]</div>
   <div class="small-3 columns">[[File:Corriuomocorri.jpg|140px]]</div>
     <div class="small-1 columns" style="padding-top:30px;">
     <div class="small-1 columns" style="padding-top:30px;">
Line 287: Line 287:




21. [[Se incontri Sartana prega per la tua morte|If You Meet Sartana, Pray for Your Death]] G. Parolini, 1968 ''(384 points)'';
21. [[Se incontri Sartana prega per la tua morte|If You Meet Sartana, Pray for Your Death]] G. Parolini, 1968 ''(381 points)'';
 
22. [[Blindman|Blindman]] F. Baldi, 1971 ''(334 points)'';
 
23. [[Sabata]] G. Parolini, 1969 ''(314 points)'';
 
24. [[10.000 dollari per un massacro|$10,000 Blood Money]] R. Guerrieri, 1967 ''(279 points)'';


25. [[Mannaja]] S. Martino, 1977 ''(276 points)'';
22. [[Blindman|Blindman]] F. Baldi, 1971 ''(354 points)'';


26. [[E Dio disse a Caino|And God Said to Cain]] A. Margheriti, 1969 ''(272 points)'';
23. [[10.000 dollari per un massacro|$10,000 Blood Money]] R. Guerrieri, 1967 ''(303 points)'';


27. [[Navajo Joe]] S. Corbucci, 1966 ''(270 points)'';
24. [[Sabata]] G. Parolini, 1969 ''(300 points)'';  


28. [[Pistola per Ringo, Una|A Pistol for Ringo]] D.Tessari, 1965 ''(246 points)'';
25. [[Navajo Joe]] S. Corbucci, 1966 ''(273 points)'';


29. [[Tepepa]] G. Petroni, 1968 ''(231 points)'';
26. [[E Dio disse a Caino|And God Said to Cain]] A. Margheriti, 1969 ''(271 points)'';


30. [[Nuvola di polvere... un grido di morte... arriva Sartana, Una|Light the Fuse ... Sartana is Coming]] G. Carnimeo, 1970 ''(205 points)'';
27. [[Tepepa]] G. Petroni, 1968 ''(265 points)'';


28. [[Mannaja]] S. Martino, 1977 ''(256 points)'';


29. [[Pistola per Ringo, Una|A Pistol for Ringo]] D.Tessari, 1965 ''(250 points)'';


31. [[Tempo di massacro|Massacre Time]] L. Fulci, 1966 ''(196 points)'';
30. [[Nuvola di polvere... un grido di morte... arriva Sartana, Una|Light the Fuse ... Sartana is Coming]] G. Carnimeo, 1970 ''(201 points)'';


32. [[Dio perdona... Io no!|God Forgives, I Don't]] G. Colizzi, 1967 ''(184 points)'';


33. [[California]] M. Lupo, 1977 ''(165 points)'';


34. [[Bandidos]] M. Dallamano, 1967 ''(163 points)'';
31. [[Tempo di massacro|Massacre Time]] L. Fulci, 1966 ''(195 points)'';


35. [[Grande duello, Il|The Grand Duel]] G. Santi, 1972 ''(163 points)'';
32. [[California]] M. Lupo, 1977 ''(190 points)'';


36. [[Requiescant|Kill and Pray]] C. Lizzani, 1967 ''(151 points)'';
33. [[Dio perdona... Io no!|God Forgives, I Don't]] G. Colizzi, 1967 ''(185 points)'';


37. [[Johnny Hamlet]] E.G. Castellari, 1968 ''(148 points)'';
34. [[Requiescant|Kill and Pray]] C. Lizzani, 1967 ''(176 points)'';


38. [[Taglia è tua... l'uomo l'ammazzo io, La|El Puro]] E. Mulargia, 1969 ''(142 points)''
35. [[Bandidos]] M. Dallamano, 1967 ''(166 points)'';


39. [[Four of the Apocalypse]] L. Fulci, 1975 ''(139 points)'';
36. [[Johnny Hamlet]] E.G. Castellari, 1968 ''(164 points)'';


40. [[Pistolero dell'Ave Maria, Il|The Forgotten Pistolero]] F. Baldi, 1969 ''(137 points)'';
37. [[Taglia è tua... l'uomo l'ammazzo io, La|El Puro]] E. Mulargia, 1969 ''(162 points)''


38. [[Four of the Apocalypse]] L. Fulci, 1975 ''(157 points)'';


39. [[Joko invoca Dio... e muori|Vengeance]] A. Margheriti, 1968 ''(150 points)'';


41. [[Sentenza di morte|Death Sentence]] M. Lanfranchi 68 ''(136 points)'';  
40. [[Grande duello, Il|The Grand Duel]] G. Santi, 1972 ''(142 points)'';


42. [[Sentenza di morte|Death Sentence]] M. Lanfranchi, 1968 ''(134 points)'';


43. [[Django il bastardo|Django the Bastard]] S. Garrone, 1969 ''(132 points)'';


44. [[Mátalo|Matalo!]] C. Canevari, 1970 ''(131 points)'';
41. [[Pistolero dell'Ave Maria, Il|The Forgotten Pistolero]] F. Baldi, 1969 ''(134 points)'';


45. [[Crudeli, I|The Hellbenders]] S. Corbucci 66 ''(124 points);
42. [[Mátalo|Matalo!]] C. Canevari, 1970 ''(131 points)'';


46. [[Continuavano a chiamarlo Trinità |Trinity is Still my Name]] E. B. Clucher, 1971 ''(123 points)'';
43. [[Crudeli, I|The Hellbenders]] S. Corbucci 66 ''(126 points);


47. [[Precio de un hombre, El|The Bounty Killer]] E. Marti­n 66 ''(120 points)'';
44. [[Django il bastardo|Django the Bastard]] S. Garrone, 1969 ''(124 points)'';


48. [[Specialisti, Gli|The Specialists]] S. Corbucci, 1970 ''(116 points)'';
45. [[Sentenza di morte|Death Sentence]] M. Lanfranchi, 1968 ''(123 points)'';


49. [[Prega il morto e ammazza il vivo|Shoot the Living and Pray for the Dead]] G. Vari, 1971 ''(115 points)'';
46. [[Prega il morto e ammazza il vivo|Shoot the Living and Pray for the Dead]] G. Vari, 1971 ''(122 points)'';


50. [[Quattro dell'Ave Maria, I|Ace High]] G. Colizzi, 1968 ''112 points)'';
47. [[Quattro dell'Ave Maria, I|Ace High]] G. Colizzi, 1968 ''122 points)'';


48. [[Precio de un hombre, El|The Bounty Killer]] E. Marti­n 66 ''(117 points)'';


49. [[Specialisti, Gli|The Specialists]] S. Corbucci, 1970 ''(115 points)'';


* '''These 3 have left the top 50 for now:'''
50. [[Continuavano a chiamarlo Trinità |Trinity is Still my Name]] E. B. Clucher, 1971 ''(110 points)'';


[[Gli fumavano le Colt... lo chiamavano Camposanto|They Call Him Cemetery]] G. Carnimeo 71 ''(95 points)'';


[[Lo chiamavano Trinità|They Call Me Trinity]] E. Barboni 71 ''(91 points)'';


[[Dollaro tra i denti, Un|A Stranger in Town]] L. Vanzi 67 ''(95 points)'';




Line 366: Line 359:


* About the points system: The top 20 films from each list were scored using the following formula: #1=25 points; #2=21 points; #3=19 points; #4= 17 points and then down to #20=1 point   
* About the points system: The top 20 films from each list were scored using the following formula: #1=25 points; #2=21 points; #3=19 points; #4= 17 points and then down to #20=1 point   
* The complete list (last update May 2017): https://forum.spaghetti-western.net/t/vote-for-our-official-top-20/190/2585
* The complete list (last update March 2019): https://forum.spaghetti-western.net/t/vote-for-our-official-top-20/190/2765
* Compiled from meanwhile [https://forum.spaghetti-western.net/t/vote-for-our-official-top-20/190 175 Top-20-lists] (post yours!), this is a dynamically changing list of the most important Spaghetti Westerns as rated by our community.
* Compiled from meanwhile [https://forum.spaghetti-western.net/t/vote-for-our-official-top-20/190 174 Top-20-lists] (post yours!), this is a dynamically changing list of the most important Spaghetti Westerns as rated by our community.
* Related: [http://www.amazon.com/gp/redirect.html?ie=UTF8&location=http%3A%2F%2Fwww.amazon.com%2Fgp%2Frichpub%2Flistmania%2Ffullview%2FRKQGTY21BOZOU%3Fie%3DUTF8%26lm%5Fbb%3D&tag=spaghetti-western-20&linkCode=ur2&camp=1789&creative=9325 This list on Amazon.com]
* Related: [http://www.amazon.com/gp/redirect.html?ie=UTF8&location=http%3A%2F%2Fwww.amazon.com%2Fgp%2Frichpub%2Flistmania%2Ffullview%2FRKQGTY21BOZOU%3Fie%3DUTF8%26lm%5Fbb%3D&tag=spaghetti-western-20&linkCode=ur2&camp=1789&creative=9325 This list on Amazon.com]
* Related: [http://www.youtube.com/view_play_list?p=C5A481ADA375621C This list on YouTube]
* Related: [http://www.youtube.com/view_play_list?p=C5A481ADA375621C This list on YouTube]
* Related: This list is also [http://www.icheckmovies.com/list/spaghetti+westerns on iCheckmovies.com]
* Related: This list is also on [https://www.themoviedb.org/list/122898 TheMovieDB]




[[Category:Articles]]
[[Category:Articles]]

Revision as of 14:23, 29 September 2019

These films were voted by our community as the essential films of the genre. More info on our voting procedure and where to find those that didn't make the top 50, you'll find at the bottom of the page. For an introduction to the genre, please visit our Introduction. For an "annotated" article, check out Scherpschutter's The Top 20 Essential Spaghetti Westerns, Part 1 and Part 2.

1
THE GOOD, THE BAD AND THE UGLY, Sergio Leone (1966)

Ennio Morricone's theme is world-known, even to people unaware of its origins. This lengthy, but beautifully balanced western is held by most to be THE spaghetti western. The three-way show down between Clint Eastwood, Lee Van Cleef and Eli Wallach is legendary.

Community vote score: (3.328 points)
Buono.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
2
ONCE UPON A TIME IN THE WEST, Sergio Leone (1968)

Made to be the spaghetti western to end all spaghetti westerns, Leone's opus is both a hommage to the American western and as through and through Italian as can be. He turned Henry Fonda into a badboy and let Ennio Morricone give themes to all the characters, played also by Charles Bronson, the unforgettable Claudia Cardinale and Jason Robards. The harmonica is just as famous as the coyote howl of our No.1.

Community vote score: (2.919 points)
West8.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
3
FOR A FEW DOLLARS MORE, Sergio Leone (1965)

Clint Eastwood returns as the man with no name, in one of the most exciting representatives of the genre and the map that cemented Sergio Leone as the king of spaghetti western. Ennio Morricone's score is amazing, as are stars Klaus Kinski and Lee Van Cleef.

Community vote score: (2.788 points)
DollarsMore1.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
4
THE GREAT SILENCE, Sergio Corbucci (1968)

Its wintery setting, gloomy score (by Ennio Morricone), and the grim violence add to the atmosphere of this famous western by the "other" Sergio, starring Klaus Kinski as the villain and Jean-Louis Trintignant as the mute anti-hero.

Community vote score: (2.163 points)
Il Grande silenzio17885.gif
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
5
A FISTFUL OF DOLLARS, Sergio Leone (1964)

This is where it all started, the movie that got the ball rolling. Leone's remake of Akira Kurosawa's Yojimbo put the then unknown TV actor Clint Eastwood on the map and established his style and the use of extraordinary music by Ennio Morricone.

Community vote score: (1.798 points)
Fistful7.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
6
DJANGO, Sergio Corbucci (1966)

Violence is a trademark of the genre. Corbucci upped the anti with ears bitten off priests and citizens slaughtered with a machine gun, but the skilled pistolero with the army coat and the coffin are what makes this a cult favorite.

Community vote score: (1.793 points)
Django4.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
7
THE BIG GUNDOWN, Sergio Sollima (1966)

This is one of three spaghetti westerns of the third Sergio, pitting Lee Van Cleef against genre stalwart Tomas Milian in a cat and mouse hunt that ends as epic as could be, with one of the most remarkable opening credit theme songs ever recorded.

Community vote score: (1.785 points)
Bign itp2.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
8
THE MERCENARY, Sergio Corbucci (1968)

Some films are not only famous, they are also cult favorites and draw a crowd of followers. This is one, with Franco Nero in one of his greatest roles, an unforgettable soundtrack by Ennio Morricone and the late Jack Palance at a particular best.

Community vote score: (1.286 points)
Il mercenew.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
9
COMPANEROS, Sergio Corbucci (1970)

This is Corbucci's second revolutionary tale next to The Mercenary, and it is somewhat of a modification of it, again starring Franco Nero but this time with Tomas Milian in the role of the peasant.

Community vote score: (1.108 points)
Companeros4 New.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
10
FACE TO FACE, Sergio Sollima (1967)

This is actually the second of his three westerns, and it is as much a metaphor of violence as it is a showcase for actors Tomas Milian and Gian Maria Volonte trying to top each other.

Community vote score: (1.060 points)
Facciaafacciabq5X.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
11
DEATH RIDES A HORSE, Giulio Petroni (1967)

Gunslinger mentor and trainee, a very popular theme in the genre, here depicted by Lee Van Cleef and John Phillip Law, with a beautifully haunting score by Ennio Morricone.

Community vote score: (1.064 points)
DaUomoAUomo Poster3.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
12
DUCK, YOU SUCKER!, Sergio Leone (1971)

Leone's own revolutionary western pits Rod Steiger and James Coburn against armored tanks and the Mexican army, in a very explosive film.

Community vote score: (1.057 points)
GiuLaTesta Poster2x HQ.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
13
A BULLET FOR THE GENERAL, Damiano Damiani (1966)

In another revolution-themed entry from the early years, Gian Maria Volonte as El Chuncho is played by a young American agent in order to kill a revolutionary leader. A great story of comraderie and betrayal, with brilliant acting and beautiful music.

Community vote score: (989 points)
QuienSabe Poster.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
14
DAY OF ANGER, Tonino Valerii (1967)

In this revered classic, Lee Van Cleef takes on a young protege played by Giuliano Gemma but must face him in the end...

Community vote score: (793 points)
DayOfAnger USPoster1.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
15
KEOMA, Enzo G. Castellari (1976)

In its late phase, only few directors have managed to churn out quality films on decent budgets. Veteran director Castellari teamed up with icon Franco Nero in what is a very gloomy but gripping western tale.

Community vote score: (778 points)
Keoma GermanPoster1.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
16
CEMETERY WITHOUT CROSSES, Robert Hossein (1968)

The French director's singular endeavor into the genre is also one of the most revered. This sinister tale of revenge and death boasts with incredibly atmospheric scenes, great music and exceptional acting and directing. A small gem if you so will.

Community vote score: (719 points)
Cimitero03 New.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
17
RETURN OF RINGO, Duccio Tessari (1965)

Elegantly directed by Ducio Tessari this is one of the early classics and one of the early successes of the genre. Following the storyline of Homer's Odyssey, Gemma (in his best role) returns home after the civil war to win back his wife and house.

Community vote score: (614 points)
ReturnOfRingo DatabsePage New.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
18
MY NAME IS NOBODY, Sergio Leone/Tonino Valerii (1973)

As the genre turned into its self-parody phase, Leone conceived a self reflective western pitting the established Terence Hill against acting titan Henry Fonda. Controversial in it's mixture of comedy and deeper meaning about the decline of the west it was not the last SW, but nonetheless a fitting end for an already dying genre.

Community vote score: (604 points)
Il Mio nome è Nessuno18106.gif
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
19
DJANGO KILL, IF YOU LIVE, SHOOT!, Giulio Questi (1967)

Questi's very bizarre and only entry in the genre might not find too many friends but is a well-directed film with many memorable moments, as well as a great deal of elements found in exploitation cinema.

Community vote score: (526 points)
SeSeiVivoSpara DatabasePage New.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png
20
RUN MAN RUN, Sergio Sollima (1968)

Tomas Milian runs for his life, this time not from a bounty hunter but for his honor, lots of gold and a promise. An adorable film but maybe the weakest of the three films Sollima made. But it has a scene in the snow!

Community vote score: (385 points)
Corriuomocorri.jpg
Bluraylogo2.gif
Dvdlogo2.png
Cdmusic.png


  • Followed by these:


21. If You Meet Sartana, Pray for Your Death G. Parolini, 1968 (381 points);

22. Blindman F. Baldi, 1971 (354 points);

23. $10,000 Blood Money R. Guerrieri, 1967 (303 points);

24. Sabata G. Parolini, 1969 (300 points);

25. Navajo Joe S. Corbucci, 1966 (273 points);

26. And God Said to Cain A. Margheriti, 1969 (271 points);

27. Tepepa G. Petroni, 1968 (265 points);

28. Mannaja S. Martino, 1977 (256 points);

29. A Pistol for Ringo D.Tessari, 1965 (250 points);

30. Light the Fuse ... Sartana is Coming G. Carnimeo, 1970 (201 points);


31. Massacre Time L. Fulci, 1966 (195 points);

32. California M. Lupo, 1977 (190 points);

33. God Forgives, I Don't G. Colizzi, 1967 (185 points);

34. Kill and Pray C. Lizzani, 1967 (176 points);

35. Bandidos M. Dallamano, 1967 (166 points);

36. Johnny Hamlet E.G. Castellari, 1968 (164 points);

37. El Puro E. Mulargia, 1969 (162 points)

38. Four of the Apocalypse L. Fulci, 1975 (157 points);

39. Vengeance A. Margheriti, 1968 (150 points);

40. The Grand Duel G. Santi, 1972 (142 points);


41. The Forgotten Pistolero F. Baldi, 1969 (134 points);

42. Matalo! C. Canevari, 1970 (131 points);

43. The Hellbenders S. Corbucci 66 (126 points);

44. Django the Bastard S. Garrone, 1969 (124 points);

45. Death Sentence M. Lanfranchi, 1968 (123 points);

46. Shoot the Living and Pray for the Dead G. Vari, 1971 (122 points);

47. Ace High G. Colizzi, 1968 122 points);

48. The Bounty Killer E. Marti­n 66 (117 points);

49. The Specialists S. Corbucci, 1970 (115 points);

50. Trinity is Still my Name E. B. Clucher, 1971 (110 points);




Information on this list:

Cookies help us deliver our services. By using our services, you agree to our use of cookies.