Difference between revisions of "Essential Top 20 Films"

From The Spaghetti Western Database

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[[Ennio Morricone]]'s theme is world-known, even to people unaware of its origins. This lengthy, but beautifully balanced western is held by most to be THE spaghetti western. The three-way show down between [[Clint Eastwood]], [[Lee Van Cleef]] and [[Eli Wallach]] is legendary.
 
[[Ennio Morricone]]'s theme is world-known, even to people unaware of its origins. This lengthy, but beautifully balanced western is held by most to be THE spaghetti western. The three-way show down between [[Clint Eastwood]], [[Lee Van Cleef]] and [[Eli Wallach]] is legendary.
  
Community vote score: (2.809 points)
+
Community vote score: (2.926 points)
 
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Made to be the spaghetti western to end all spaghetti westerns, Leone's opus is both a hommage to the American western and as through and through Italian as can be. He turned [[Henry Fonda]] into a badboy and let [[Ennio Morricone]] give themes to all the characters, played also by [[Charles Bronson]], the unforgettable [[Claudia Cardinale]] and [[Jason Robards]]. The harmonica is just as famous as the coyote howl of our No.1.
 
Made to be the spaghetti western to end all spaghetti westerns, Leone's opus is both a hommage to the American western and as through and through Italian as can be. He turned [[Henry Fonda]] into a badboy and let [[Ennio Morricone]] give themes to all the characters, played also by [[Charles Bronson]], the unforgettable [[Claudia Cardinale]] and [[Jason Robards]]. The harmonica is just as famous as the coyote howl of our No.1.
  
Community vote score: (2.428 points)
+
Community vote score: (2.518 points)
 
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[[Clint Eastwood]] returns as the man with no name, in one of the most exciting representatives of the genre and the map that cemented [[Sergio Leone]] as the king of spaghetti western. [[Ennio Morricone]]'s score is amazing, as are stars [[Klaus Kinski]] and [[Lee Van Cleef]].
 
[[Clint Eastwood]] returns as the man with no name, in one of the most exciting representatives of the genre and the map that cemented [[Sergio Leone]] as the king of spaghetti western. [[Ennio Morricone]]'s score is amazing, as are stars [[Klaus Kinski]] and [[Lee Van Cleef]].
  
Community vote score: (2.266 points)
+
Community vote score: (2.396 points)
 
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Its wintery setting, gloomy score (by [[Ennio Morricone]]), and the grim violence add to the atmosphere of this famous western by the "other" Sergio, starring [[Klaus Kinski]] as the villain and [[Jean-Louis Trintignant]] as the mute anti-hero.
 
Its wintery setting, gloomy score (by [[Ennio Morricone]]), and the grim violence add to the atmosphere of this famous western by the "other" Sergio, starring [[Klaus Kinski]] as the villain and [[Jean-Louis Trintignant]] as the mute anti-hero.
  
Community vote score: (1.840 points)
+
Community vote score: (1.911 points)
 
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This is where it all started, the movie that got the ball rolling. Leone's remake of Akira Kurosawa's '''Yojimbo''' put the then unknown TV actor [[Clint Eastwood]] on the map and established his style and the use of extraordinary music by [[Ennio Morricone]].
 
This is where it all started, the movie that got the ball rolling. Leone's remake of Akira Kurosawa's '''Yojimbo''' put the then unknown TV actor [[Clint Eastwood]] on the map and established his style and the use of extraordinary music by [[Ennio Morricone]].
  
Community vote score: (1.551 points)
+
Community vote score: (1.613 points)
 
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Violence is a trademark of the genre. Corbucci upped the anti with ears bitten off priests and citizens slaughtered with a machine gun, but the skilled pistolero with the army coat and the coffin are what makes this a cult favorite.
 
Violence is a trademark of the genre. Corbucci upped the anti with ears bitten off priests and citizens slaughtered with a machine gun, but the skilled pistolero with the army coat and the coffin are what makes this a cult favorite.
  
Community vote score: (1.491 points)
+
Community vote score: (1.561 points)
 
| [[File:Django4.jpg|120px]]
 
| [[File:Django4.jpg|120px]]
 
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This is one of three spaghetti westerns of the third Sergio, pitting [[Lee Van Cleef]] against genre stalwart [[Tomas Milian]] in a cat and mouse hunt that ends as epic as could be, with one of the most remarkable opening credit theme songs ever recorded.
 
This is one of three spaghetti westerns of the third Sergio, pitting [[Lee Van Cleef]] against genre stalwart [[Tomas Milian]] in a cat and mouse hunt that ends as epic as could be, with one of the most remarkable opening credit theme songs ever recorded.
  
Community vote score: (1.351 points)
+
Community vote score: (1.422 points)
 
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Some films are not only famous, they are also cult favorites and draw a crowd of followers (even though it has yet to reach a wider audience on proper home video releases in the US and the UK). This is one, with [[Franco Nero]] in one of his greatest roles, an unforgettable soundtrack by [[Ennio Morricone]] and the late [[Jack Palance]] at a particular best.  
 
Some films are not only famous, they are also cult favorites and draw a crowd of followers (even though it has yet to reach a wider audience on proper home video releases in the US and the UK). This is one, with [[Franco Nero]] in one of his greatest roles, an unforgettable soundtrack by [[Ennio Morricone]] and the late [[Jack Palance]] at a particular best.  
  
Community vote score: (1.027 points)
+
Community vote score: (1.093 points)
 
| [[File:Il mercenew.jpg|120px]]
 
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Gunslinger mentor and trainee, a very popular theme in the genre, here depicted by [[Lee Van Cleef]] and John Phillip Law, with a beautifully haunting score by [[Ennio Morricone]].
 
Gunslinger mentor and trainee, a very popular theme in the genre, here depicted by [[Lee Van Cleef]] and John Phillip Law, with a beautifully haunting score by [[Ennio Morricone]].
  
Community vote score: (922 points)
+
Community vote score: (964 points)
 
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| '''[[Faccia a faccia|FACE TO FACE]]''', [[Sergio Sollima]] (1967)
 
| '''[[Faccia a faccia|FACE TO FACE]]''', [[Sergio Sollima]] (1967)
 
This is actually the second of his three westerns, and it is as much a metaphor of violence as it is a showcase for actors [[Tomas Milian]] and [[Gian Maria Volonte]] trying to top each other.
 
This is actually the second of his three westerns, and it is as much a metaphor of violence as it is a showcase for actors [[Tomas Milian]] and [[Gian Maria Volonte]] trying to top each other.
Community vote score: (920 points)
+
Community vote score: (960 points)
 
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| '''[[Companeros|COMPANEROS]]''', [[Sergio Corbucci]] (1970)
 
| '''[[Companeros|COMPANEROS]]''', [[Sergio Corbucci]] (1970)
 
This is Corbucci's second revolutionary tale next to The Mercenary, and it is somewhat of a modification of it, again starring [[Franco Nero]] but this time with [[Tomas Milian]] in the role of the peasant.
 
This is Corbucci's second revolutionary tale next to The Mercenary, and it is somewhat of a modification of it, again starring [[Franco Nero]] but this time with [[Tomas Milian]] in the role of the peasant.
Community vote score: (899 points)
+
Community vote score: (921 points)
 
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Leone's own revolutionary western pits Rod Steiger and [[James Coburn]] against armored tanks and the Mexican army, in a very explosive film.
 
Leone's own revolutionary western pits Rod Steiger and [[James Coburn]] against armored tanks and the Mexican army, in a very explosive film.
  
Community vote score: (847 points)
+
Community vote score: (880 points)
 
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In another revolution-themed entry from the early years, [[Gian Maria Volonte]] as El Chuncho is played by a young American agent in order to kill a revolutionary leader. A great story of comraderie and betrayal, with brilliant acting and beautiful music.
 
In another revolution-themed entry from the early years, [[Gian Maria Volonte]] as El Chuncho is played by a young American agent in order to kill a revolutionary leader. A great story of comraderie and betrayal, with brilliant acting and beautiful music.
  
Community vote score: (769 points)
+
Community vote score: (818 points)
 
| [[File:QuienSabe_Poster.jpg|120px]]
 
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In this revered classic, [[Lee Van Cleef]] takes on a young protege played by [[Giuliano Gemma]] but must face him in the end...
 
In this revered classic, [[Lee Van Cleef]] takes on a young protege played by [[Giuliano Gemma]] but must face him in the end...
  
Community vote score: (589 points)
+
Community vote score: (642 points)
 
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In its late phase, only few directors have managed to churn out quality films on decent budgets. Veteran director Castellari teamed up with icon [[Franco Nero]] in what is a very gloomy but gripping western tale.
 
In its late phase, only few directors have managed to churn out quality films on decent budgets. Veteran director Castellari teamed up with icon [[Franco Nero]] in what is a very gloomy but gripping western tale.
  
Community vote score: (552 points)
+
Community vote score: (563 points)
 
| [[File:Keoma GermanPoster1.jpg|120px]]
 
| [[File:Keoma GermanPoster1.jpg|120px]]
 
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The French director's singular endeavor into the genre is also one of the most revered. This sinister tale of revenge and death boasts with incredibly atmospheric scenes, great music and exceptional acting and directing. A small gem if you so will.
 
The French director's singular endeavor into the genre is also one of the most revered. This sinister tale of revenge and death boasts with incredibly atmospheric scenes, great music and exceptional acting and directing. A small gem if you so will.
  
Community vote score: (518 points)
+
Community vote score: (557 points)
 
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As the genre turned into its self-parody phase, Leone conceived a self reflective western pitting the established [[Terence Hill]] against acting titan [[Henry Fonda]]. Controversial in it's mixture of comedy and deeper meaning about the decline of the west it was not the last SW, but nonetheless a fitting end for an already dying genre.
 
As the genre turned into its self-parody phase, Leone conceived a self reflective western pitting the established [[Terence Hill]] against acting titan [[Henry Fonda]]. Controversial in it's mixture of comedy and deeper meaning about the decline of the west it was not the last SW, but nonetheless a fitting end for an already dying genre.
  
Community vote score: (513 points)
+
Community vote score: (528 points)
 
| [[File:Il Mio nome è Nessuno18106.gif|120px]]
 
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| <span style="font-size:400%;">18</span>
 
| <span style="font-size:400%;">18</span>
| '''[[Se sei vivo spara|DJANGO KILL, IF YOU LIVE, SHOOT!]]''', [[Giulio Questi]] (1967)
+
| '''[[Ritorno di Ringo, Il|RETURN OF RINGO]]''', [[Duccio Tessari]] (1965)
Questi's very bizarre and only entry in the genre might not find too many friends but is a well-directed film with many memorable moments, as well as a great deal of elements found in exploitation cinema.
+
Elegantly directed by Ducio Teassari this is one of the early classics and one of the early successes of the genre. Following the storyline of Homer's Odyssey, Gemma (in his best role) returns home after the civil war to win back his wife and house.
  
Community vote score: 425 points)
+
Community vote score: (451 points)
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| <span style="font-size:400%;">19</span>
 
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| '''[[Ritorno di Ringo, Il|RETURN OF RINGO]]''', [[Duccio Tessari]] (1965)
+
| '''[[Se sei vivo spara|DJANGO KILL, IF YOU LIVE, SHOOT!]]''', [[Giulio Questi]] (1967)
Elegantly directed by Ducio Teassari this is one of the early classics and one of the early successes of the genre. Following the storyline of Homer's Odyssey, Gemma (in his best role) returns home after the civil war to win back his wife and house.
+
Questi's very bizarre and only entry in the genre might not find too many friends but is a well-directed film with many memorable moments, as well as a great deal of elements found in exploitation cinema.
  
Community vote score: (390 points)
+
Community vote score: 439 points)
| [[File:ReturnOfRingo DatabsePage New.jpg|120px]]
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[[Tomas Milian]] runs for his life, this time not from a bounty hunter but for his honor, lots of gold and a promise. An adorable film but maybe the weakest of the three films Sollima made. But it has a scene in the snow!
 
[[Tomas Milian]] runs for his life, this time not from a bounty hunter but for his honor, lots of gold and a promise. An adorable film but maybe the weakest of the three films Sollima made. But it has a scene in the snow!
  
Community vote score: (385 points)
+
Community vote score: (382 points)
 
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Revision as of 09:51, 12 January 2014

These twenty films were voted by our community as the essential films of the genre. More information on our voting procedure, and where to find those that didn't make the top 50, you'll find at the bottom of the page. For an introduction to the genre, please visit our Introduction.

1 THE GOOD, THE BAD AND THE UGLY, Sergio Leone (1966)

Ennio Morricone's theme is world-known, even to people unaware of its origins. This lengthy, but beautifully balanced western is held by most to be THE spaghetti western. The three-way show down between Clint Eastwood, Lee Van Cleef and Eli Wallach is legendary.

Community vote score: (2.926 points)

Buono.jpg
2 ONCE UPON A TIME IN THE WEST, Sergio Leone (1968)

Made to be the spaghetti western to end all spaghetti westerns, Leone's opus is both a hommage to the American western and as through and through Italian as can be. He turned Henry Fonda into a badboy and let Ennio Morricone give themes to all the characters, played also by Charles Bronson, the unforgettable Claudia Cardinale and Jason Robards. The harmonica is just as famous as the coyote howl of our No.1.

Community vote score: (2.518 points)

West8.jpg
3 FOR A FEW DOLLARS MORE, Sergio Leone (1965)

Clint Eastwood returns as the man with no name, in one of the most exciting representatives of the genre and the map that cemented Sergio Leone as the king of spaghetti western. Ennio Morricone's score is amazing, as are stars Klaus Kinski and Lee Van Cleef.

Community vote score: (2.396 points)

DollarsMore1.jpg
4 THE GREAT SILENCE, Sergio Corbucci (1968)

Its wintery setting, gloomy score (by Ennio Morricone), and the grim violence add to the atmosphere of this famous western by the "other" Sergio, starring Klaus Kinski as the villain and Jean-Louis Trintignant as the mute anti-hero.

Community vote score: (1.911 points)

Il Grande silenzio17885.gif
5 A FISTFUL OF DOLLARS, Sergio Leone (1964)

This is where it all started, the movie that got the ball rolling. Leone's remake of Akira Kurosawa's Yojimbo put the then unknown TV actor Clint Eastwood on the map and established his style and the use of extraordinary music by Ennio Morricone.

Community vote score: (1.613 points)

Fistful7.jpg
6 DJANGO, Sergio Corbucci (1966)

Violence is a trademark of the genre. Corbucci upped the anti with ears bitten off priests and citizens slaughtered with a machine gun, but the skilled pistolero with the army coat and the coffin are what makes this a cult favorite.

Community vote score: (1.561 points)

Django4.jpg
7 THE BIG GUNDOWN, Sergio Sollima (1966)

This is one of three spaghetti westerns of the third Sergio, pitting Lee Van Cleef against genre stalwart Tomas Milian in a cat and mouse hunt that ends as epic as could be, with one of the most remarkable opening credit theme songs ever recorded.

Community vote score: (1.422 points)

Bign itp2.jpg
8 THE MERCENARY, Sergio Corbucci (1968)

Some films are not only famous, they are also cult favorites and draw a crowd of followers (even though it has yet to reach a wider audience on proper home video releases in the US and the UK). This is one, with Franco Nero in one of his greatest roles, an unforgettable soundtrack by Ennio Morricone and the late Jack Palance at a particular best.

Community vote score: (1.093 points)

Il mercenew.jpg
9 DEATH RIDES A HORSE, Giulio Petroni (1967)

Gunslinger mentor and trainee, a very popular theme in the genre, here depicted by Lee Van Cleef and John Phillip Law, with a beautifully haunting score by Ennio Morricone.

Community vote score: (964 points)

DaUomoAUomo Poster3.jpg
10 FACE TO FACE, Sergio Sollima (1967)

This is actually the second of his three westerns, and it is as much a metaphor of violence as it is a showcase for actors Tomas Milian and Gian Maria Volonte trying to top each other. Community vote score: (960 points)

Facciaafacciabq5X.jpg
11 COMPANEROS, Sergio Corbucci (1970)

This is Corbucci's second revolutionary tale next to The Mercenary, and it is somewhat of a modification of it, again starring Franco Nero but this time with Tomas Milian in the role of the peasant. Community vote score: (921 points)

Companeros4 New.jpg
12 DUCK, YOU SUCKER!, Sergio Leone (1971)

Leone's own revolutionary western pits Rod Steiger and James Coburn against armored tanks and the Mexican army, in a very explosive film.

Community vote score: (880 points)

GiuLaTesta Poster2x HQ.jpg
13 A BULLET FOR THE GENERAL, Damiano Damiani (1966)

In another revolution-themed entry from the early years, Gian Maria Volonte as El Chuncho is played by a young American agent in order to kill a revolutionary leader. A great story of comraderie and betrayal, with brilliant acting and beautiful music.

Community vote score: (818 points)

QuienSabe Poster.jpg
14 DAY OF ANGER, Tonino Valerii (1967)

In this revered classic, Lee Van Cleef takes on a young protege played by Giuliano Gemma but must face him in the end...

Community vote score: (642 points)

DayOfAnger USPoster1.jpg
15 KEOMA, Enzo G. Castellari (1976)

In its late phase, only few directors have managed to churn out quality films on decent budgets. Veteran director Castellari teamed up with icon Franco Nero in what is a very gloomy but gripping western tale.

Community vote score: (563 points)

Keoma GermanPoster1.jpg
16 CEMETERY WITHOUT CROSSES, Robert Hossein (1968)

The French director's singular endeavor into the genre is also one of the most revered. This sinister tale of revenge and death boasts with incredibly atmospheric scenes, great music and exceptional acting and directing. A small gem if you so will.

Community vote score: (557 points)

Cimitero03 New.jpg
17 MY NAME IS NOBODY, Sergio Leone/Tonino Valerii (1973)

As the genre turned into its self-parody phase, Leone conceived a self reflective western pitting the established Terence Hill against acting titan Henry Fonda. Controversial in it's mixture of comedy and deeper meaning about the decline of the west it was not the last SW, but nonetheless a fitting end for an already dying genre.

Community vote score: (528 points)

Il Mio nome è Nessuno18106.gif
18 RETURN OF RINGO, Duccio Tessari (1965)

Elegantly directed by Ducio Teassari this is one of the early classics and one of the early successes of the genre. Following the storyline of Homer's Odyssey, Gemma (in his best role) returns home after the civil war to win back his wife and house.

Community vote score: (451 points)

ReturnOfRingo DatabsePage New.jpg
19 DJANGO KILL, IF YOU LIVE, SHOOT!, Giulio Questi (1967)

Questi's very bizarre and only entry in the genre might not find too many friends but is a well-directed film with many memorable moments, as well as a great deal of elements found in exploitation cinema.

Community vote score: 439 points)

SeSeiVivoSpara DatabasePage New.jpg
20 RUN MAN RUN, Sergio Sollima (1968)

Tomas Milian runs for his life, this time not from a bounty hunter but for his honor, lots of gold and a promise. An adorable film but maybe the weakest of the three films Sollima made. But it has a scene in the snow!

Community vote score: (382 points)

Corriuomocorri.jpg


  • Followed by these:


21. If You Meet Sartana, Pray for Your Death G. Parolini, 1968 (326 points);

22. Blindman F. Baldi, 1971 (296 points);

23. Sabata G. Parolini, 1969 (257 points);

24. And God Said to Cain A. Margheriti, 1969 (226 points);

25. Mannaja S. Martino, 1977 (222 points);

26. Navajo Joe S. Corbucci, 1966 (213 points);

27. Tepepa G. Petroni, 1968 (202 points);

28. $10,000 Blood Money R. Guerrieri, 1967 (197 points);

29. Light the Fuse ... Sartana is Coming G. Carnimeo, 1970 (192 points);

30. A Pistol for Ringo D.Tessari, 1965 (163 points);


31. Massacre Time L. Fulci, 1966 (160 points);

32. God Forgives, I Don't G. Colizzi, 1967 (142 points);

33. Four of the Apocalypse L. Fulci, 1975 (137 points);

34. The Grand Duel G. Santi, 1972 (135 points);

35. Matalo! C. Canevari, 1970 (130 points);

36. El Puro E. Mulargia, 1969 (129 points)

37. Bandidos M. Dallamano, 1967 (127 points);

38. Ace High G. Colizzi, 1968 125 points);

39. California M. Lupo, 1977 (120 points);

40. Johnny Hamlet E.G. Castellari, 1968 (116 points);


41. Kill and Pray C. Lizzani, 1967 (115 points);

42. Trinity is Still my Name E. B. Clucher, 1971 (104 points);

43. The Forgotten Pistolero F. Baldi, 1969 (100 points);

44. A Bullet for Sandoval J. Buchs, 1969 (96 points);

45. Death Sentence M. Lanfranchi, 1968 (95 points);

46. Django the Bastard S. Garrone, 1969 (94 points);

47. The Specialists S. Corbucci, 1970 (92 points);

48. Vengeance A. Margheriti, 1968 (90 points);

49. Shoot the Living and Pray for the Dead G. Vari, 1971 (89 points);

50. Yankee T. Brass 66 (89 points);



Information on this list:

  • Newsletter
  • Giallo
  • Spaghetti Western books
  • Arrow Video