Essential Top 20 Films: Difference between revisions

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{{Lists}}
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These twenty films were voted by our community as the essential films of the genre. More information on our voting procedure, and where to find those that didn't make the top 50, you'll find at the bottom of the page. For an introduction to the genre, please visit our '''[[Introduction]]'''.
These films were voted by our community as the essential films of the genre. More info on our voting procedure and where to find those that didn't make the top 50, you'll find at the bottom of the page. For an introduction to the genre, please visit our '''[[Introduction]]'''. For an "annotated" article, check out Scherpschutter's [[The Top 20 Essential Spaghetti Westerns, Part 1]] and [[The Top 20 Essential Spaghetti Westerns, Part 2|Part 2]].


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<span style="font-size:300%;border-bottom:1px dashed gray;">1</span>
'''[[The Good, the Bad & the Ugly|THE GOOD, THE BAD AND THE UGLY]]''', [[Sergio Leone]] (1966)<br />
[[Ennio Morricone]]'s theme is world-known, even to people unaware of its origins. This lengthy, but beautifully balanced western is held by most to be THE spaghetti western. The three-way show down between [[Clint Eastwood]], [[Lee Van Cleef]] and [[Eli Wallach]] is legendary.


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''Community vote score: (3.900 points)''
  <div class="small-1 columns"><span style="font-size:400%;top:10px;">1</span></div>
  <div class="small-8 columns">'''[[The Good, the Bad & the Ugly|THE GOOD, THE BAD AND THE UGLY]]''', [[Sergio Leone]] (1966)
[[Ennio Morricone]]'s theme is world-known, even to people unaware of its origins. This lengthy, but beautifully balanced western is held by most to be THE spaghetti western. The three-way show down between [[Clint Eastwood]], [[Lee Van Cleef]] and [[Eli Wallach]] is legendary.


Community vote score: (3.116 points)</div>
[[File:Bluraylogo2.gif|40px|link=Buono,_il_brutto,_il_cattivo,_Il/BluRay]] [[File:Dvdlogo2.png|40px|link=Buono,_il_brutto,_il_cattivo,_Il/DVD]] [[File:Cdmusic.png|40px|link=Buono,_il_brutto,_il_cattivo,_Il/OST]]</div>
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<span style="font-size:300%;border-bottom:1px dashed gray;">2</span>
'''[[Once Upon a Time in the West|ONCE UPON A TIME IN THE WEST]]''', [[Sergio Leone]] (1968)<br />
Made to be the spaghetti western to end all spaghetti westerns, Leone's opus is both a hommage to the American western and as through and through Italian as can be. He turned [[Henry Fonda]] into a badboy and let [[Ennio Morricone]] give themes to all the characters, played also by [[Charles Bronson]], the unforgettable [[Claudia Cardinale]] and [[Jason Robards]]. The harmonica is just as famous as the coyote howl of our No.1.
 
''Community vote score: (3.416 points)''


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[[File:Bluraylogo2.gif|40px|link=C'era_una_volta_il_West/BluRay]] [[File:Dvdlogo2.png|40px|link=C'era_una_volta_il_West/DVD]] [[File:Cdmusic.png|40px|link=C'era_una_volta_il_West/OST]]</div>
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| rowspan="3" | '''[[The Good, the Bad & the Ugly|THE GOOD, THE BAD AND THE UGLY]]''', [[Sergio Leone]] (1966)
[[Ennio Morricone]]'s theme is world-known, even to people unaware of its origins. This lengthy, but beautifully balanced western is held by most to be THE spaghetti western. The three-way show down between [[Clint Eastwood]], [[Lee Van Cleef]] and [[Eli Wallach]] is legendary.


Community vote score: (3.116 points)
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'''[[For a Few Dollars More|FOR A FEW DOLLARS MORE]]''', [[Sergio Leone]] (1965)<br />
| [[File:Dvdlogo2.png|40px|link=Buono,_il_brutto,_il_cattivo,_Il/DVD]]
[[Clint Eastwood]] returns as the man with no name, in one of the most exciting representatives of the genre and the map that cemented [[Sergio Leone]] as the king of spaghetti western. [[Ennio Morricone]]'s score is amazing, as are stars [[Klaus Kinski]] and [[Lee Van Cleef]].
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| [[File:Cdmusic.png|40px|link=Buono,_il_brutto,_il_cattivo,_Il/OST]]
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''Community vote score: (3.314 points)''
! rowspan="3" | <span style="font-size:400%;">2</span>
| rowspan="3" | '''[[Once Upon a Time in the West|ONCE UPON A TIME IN THE WEST]]''', [[Sergio Leone]] (1968)
Made to be the spaghetti western to end all spaghetti westerns, Leone's opus is both a hommage to the American western and as through and through Italian as can be. He turned [[Henry Fonda]] into a badboy and let [[Ennio Morricone]] give themes to all the characters, played also by [[Charles Bronson]], the unforgettable [[Claudia Cardinale]] and [[Jason Robards]]. The harmonica is just as famous as the coyote howl of our No.1.


Community vote score: (2.663 points)
[[File:Bluraylogo2.gif|40px|link=Per_qualche_dollaro_in_più/BluRay]] [[File:Dvdlogo2.png|40px|link=Per_qualche_dollaro_in_più/DVD]] [[File:Cdmusic.png|40px|link=Per_qualche_dollaro_in_più/OST]]</div>
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! rowspan="3" | <span style="font-size:400%;">3</span>
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| rowspan="3" | '''[[For a Few Dollars More|FOR A FEW DOLLARS MORE]]''', [[Sergio Leone]] (1965)
<span style="font-size:300%;border-bottom:1px dashed gray;">4</span>
[[Clint Eastwood]] returns as the man with no name, in one of the most exciting representatives of the genre and the map that cemented [[Sergio Leone]] as the king of spaghetti western. [[Ennio Morricone]]'s score is amazing, as are stars [[Klaus Kinski]] and [[Lee Van Cleef]].
'''[[The Great Silence|THE GREAT SILENCE]]''', [[Sergio Corbucci]] (1968)<br />
Its wintery setting, gloomy score (by [[Ennio Morricone]]), and the grim violence add to the atmosphere of this famous western by the "other" Sergio, starring [[Klaus Kinski]] as the villain and [[Jean-Louis Trintignant]] as the mute anti-hero.


Community vote score: (2.551 points)
''Community vote score: (2.553 points)''
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{| style="width:640px;border:1px solid #aaaaaa;padding:4px;margin:2px;"
[[File:Bluraylogo2.gif|40px|link=Grande silenzio, Il/BluRay]] [[File:Dvdlogo2.png|40px|link=Grande silenzio, Il/DVD]] [[File:Cdmusic.png|40px|link=Grande silenzio, Il/OST]]</div>
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| <span style="font-size:400%;">4</span>
| '''[[The Great Silence|THE GREAT SILENCE]]''', [[Sergio Corbucci]] (1968)
Its wintery setting, gloomy score (by [[Ennio Morricone]]), and the grim violence add to the atmosphere of this famous western by the "other" Sergio, starring [[Klaus Kinski]] as the villain and [[Jean-Louis Trintignant]] as the mute anti-hero.


Community vote score: (2.001 points)
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<span style="font-size:300%;border-bottom:1px dashed gray;">5</span>
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'''[[The Big Gundown|THE BIG GUNDOWN]]''', [[Sergio Sollima]] (1966)<br />
This is one of three spaghetti westerns of the third Sergio, pitting [[Lee Van Cleef]] against genre stalwart [[Tomas Milian]] in a cat and mouse hunt that ends as epic as could be, with one of the most remarkable opening credit theme songs ever recorded.


{| style="width:640px;border:1px solid #aaaaaa;padding:4px;margin:2px;"
''Community vote score: (2.191 points)''
|-
| <span style="font-size:400%;">5</span>
| '''[[A Fistful of Dollars|A FISTFUL OF DOLLARS]]''', [[Sergio Leone]] (1964)
This is where it all started, the movie that got the ball rolling. Leone's remake of Akira Kurosawa's '''Yojimbo''' put the then unknown TV actor [[Clint Eastwood]] on the map and established his style and the use of extraordinary music by [[Ennio Morricone]].


Community vote score: (1.727 points)
[[File:Bluraylogo2.gif|40px|link=Resa dei conti, La/BR]] [[File:Dvdlogo2.png|40px|link=Resa dei conti, La/DVD]] [[File:Cdmusic.png|40px|link=Resa dei conti, La/OST]]</div>
| [[File:Fistful7.jpg|120px]]
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| <span style="font-size:400%;">6</span>
<span style="font-size:300%;border-bottom:1px dashed gray;">6</span>
| '''[[Django|DJANGO]]''', [[Sergio Corbucci]] (1966)
'''[[Django|DJANGO]]''', [[Sergio Corbucci]] (1966)<br />
Violence is a trademark of the genre. Corbucci upped the anti with ears bitten off priests and citizens slaughtered with a machine gun, but the skilled pistolero with the army coat and the coffin are what makes this a cult favorite.
Violence is a trademark of the genre. Corbucci upped the anti with ears bitten off priests and citizens slaughtered with a machine gun, but the skilled pistolero with the army coat and the coffin are what makes this a cult favorite.


Community vote score: (1.650 points)
''Community vote score: (2.048 points)''
| [[File:Django4.jpg|120px]]
 
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[[File:Bluraylogo2.gif|40px|link=Django/BluRay]] [[File:Dvdlogo2.png|40px|link=Django/DVD]] [[File:Cdmusic.png|40px|link=Django/OST]]</div>
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<div class="col-lg-4 col-md-6 col-sm-12">[[File:Django HiRes2.jpg|class=img-fluid|link=Django]]</div></div>
 
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<span style="font-size:300%;border-bottom:1px dashed gray;">7</span>
'''[[A Fistful of Dollars|A FISTFUL OF DOLLARS]]''', [[Sergio Leone]] (1964)<br />
This is where it all started, the movie that got the ball rolling. Leone's remake of Akira Kurosawa's '''Yojimbo''' put the then unknown TV actor [[Clint Eastwood]] on the map and established his style and the use of extraordinary music by [[Ennio Morricone]].
 
''Community vote score: (2045 points)''


{| style="width:640px;border:1px solid #aaaaaa;padding:4px;margin:2px;"
[[File:Bluraylogo2.gif|40px|link=Per un pugno di dollari/BluRay]] [[File:Dvdlogo2.png|40px|link=Per un pugno di dollari/DVD]] [[File:Cdmusic.png|40px|link=Per un pugno di dollari/OST]]</div>
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<div class="col-lg-4 col-md-6 col-sm-12">[[File:Per un pugno di dollari ItPoster04.jpg|class=img-fluid|link=A Fistful of Dollars]]</div></div>
| <span style="font-size:400%;">7</span>
| '''[[The Big Gundown|THE BIG GUNDOWN]]''', [[Sergio Sollima]] (1966)
This is one of three spaghetti westerns of the third Sergio, pitting [[Lee Van Cleef]] against genre stalwart [[Tomas Milian]] in a cat and mouse hunt that ends as epic as could be, with one of the most remarkable opening credit theme songs ever recorded.


Community vote score: (1.542 points)
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<span style="font-size:300%;border-bottom:1px dashed gray;">8</span>
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'''[[Mercenario, Il|THE MERCENARY]]''', [[Sergio Corbucci]] (1968)<br />
Some films are not only famous, they are also cult favorites and draw a crowd of followers. This is one, with [[Franco Nero]] in one of his greatest roles, an unforgettable soundtrack by [[Ennio Morricone]] and the late [[Jack Palance]] at a particular best.


{| style="width:640px;border:1px solid #aaaaaa;padding:4px;margin:2px;"
''Community vote score: (1.488 points)''
|-
| <span style="font-size:400%;">8</span>
| '''[[Mercenario, Il|THE MERCENARY]]''', [[Sergio Corbucci]] (1968)
Some films are not only famous, they are also cult favorites and draw a crowd of followers (even though it has yet to reach a wider audience on proper home video releases in the US and the UK). This is one, with [[Franco Nero]] in one of his greatest roles, an unforgettable soundtrack by [[Ennio Morricone]] and the late [[Jack Palance]] at a particular best.


Community vote score: (1.156 points)
[[File:Bluraylogo2.gif|40px|link=Mercenario, Il/BR]] [[File:Dvdlogo2.png|40px|link=Mercenario, Il/DVD]] [[File:Cdmusic.png|40px|link=Mercenario, Il/OST]]</div>
| [[File:Il mercenew.jpg|120px]]
<div class="col-lg-4 col-md-6 col-sm-12">[[File:Mercenario - Der Gefürchtete Poster.jpg|class=img-fluid|link=Mercenario, Il]]</div></div>
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| <span style="font-size:400%;">9</span>
<span style="font-size:300%;border-bottom:1px dashed gray;">9</span>
| '''[[Death Rides a Horse|DEATH RIDES A HORSE]]''', [[Giulio Petroni]] (1967)
'''[[Death Rides a Horse|DEATH RIDES A HORSE]]''', [[Giulio Petroni]] (1967)<br />
Gunslinger mentor and trainee, a very popular theme in the genre, here depicted by [[Lee Van Cleef]] and John Phillip Law, with a beautifully haunting score by [[Ennio Morricone]].
Gunslinger mentor and trainee, a very popular theme in the genre, here depicted by [[Lee Van Cleef]] and John Phillip Law, with a beautifully haunting score by [[Ennio Morricone]].


Community vote score: (1.022 points)
''Community vote score: (1.338 points)''
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<div class="col-lg-4 col-md-6 col-sm-12">[[File:Da uomo a uomo ItPoster02.jpg|class=img-fluid|link=Death Rides a Horse]]</div></div>
| <span style="font-size:400%;">10</span>
| '''[[Faccia a faccia|FACE TO FACE]]''', [[Sergio Sollima]] (1967)
This is actually the second of his three westerns, and it is as much a metaphor of violence as it is a showcase for actors [[Tomas Milian]] and [[Gian Maria Volonte]] trying to top each other.
Community vote score: (1.011 points)
| [[File:Facciaafacciabq5X.jpg|120px]]
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| <span style="font-size:400%;">11</span>
<span style="font-size:300%;border-bottom:1px dashed gray;">10</span>
| '''[[Companeros|COMPANEROS]]''', [[Sergio Corbucci]] (1970)
'''[[Companeros|COMPANEROS]]''', [[Sergio Corbucci]] (1970)<br />
This is Corbucci's second revolutionary tale next to The Mercenary, and it is somewhat of a modification of it, again starring [[Franco Nero]] but this time with [[Tomas Milian]] in the role of the peasant.
This is Corbucci's second revolutionary tale next to The Mercenary, and it is somewhat of a modification of it, again starring [[Franco Nero]] but this time with [[Tomas Milian]] in the role of the peasant.
Community vote score: (978 points)
| [[File:Companeros4 New.jpg|120px]]
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''Community vote score: (1.241 points)''
|-
 
| <span style="font-size:400%;">12</span>
[[File:Bluraylogo2.gif|40px|link=Vamos a matar, compañeros/BluRay]] [[File:Dvdlogo2.png|40px|link=Vamos a matar, compañeros/DVD]] [[File:Cdmusic.png|40px|link=Vamos a matar, compañeros/OST]]</div>
| '''[[A Fistful of Dynamite|DUCK, YOU SUCKER!]]''', [[Sergio Leone]] (1971)
<div class="col-lg-4 col-md-6 col-sm-12">[[File:Companeros ItPoster02.jpg|class=img-fluid|link=Companeros]]</div></div>
 
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<span style="font-size:300%;border-bottom:1px dashed gray;">11</span>
'''[[A Fistful of Dynamite|DUCK, YOU SUCKER!]]''', [[Sergio Leone]] (1971)<br />
Leone's own revolutionary western pits Rod Steiger and [[James Coburn]] against armored tanks and the Mexican army, in a very explosive film.
Leone's own revolutionary western pits Rod Steiger and [[James Coburn]] against armored tanks and the Mexican army, in a very explosive film.


Community vote score: (935 points)
''Community vote score: (1.216 points)''
| [[File:GiuLaTesta Poster2x HQ.jpg|120px]]
 
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<div class="col-lg-4 col-md-6 col-sm-12">[[File:GiuLaTesta Poster2x HQ.jpg|class=img-fluid|link=A Fistful of Dynamite]]</div></div>
 
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<div class="col-sm-12 col-md-6 col-lg-8" style="">
<span style="font-size:300%;border-bottom:1px dashed gray;">12</span>
'''[[Faccia a faccia|FACE TO FACE]]''', [[Sergio Sollima]] (1967)<br />
This is actually the second of his three westerns, and it is as much a metaphor of violence as it is a showcase for actors [[Tomas Milian]] and [[Gian Maria Volonte]] trying to top each other.
 
''Community vote score: (1.160 points)''
 
[[File:Bluraylogo2.gif|40px|link=Faccia a faccia/BluRay]] [[File:Dvdlogo2.png|40px|link=Faccia a faccia/DVD]] [[File:Cdmusic.png|40px|link=Faccia a faccia/OST]]</div>
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|-
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| <span style="font-size:400%;">13</span>
<span style="font-size:300%;border-bottom:1px dashed gray;">13</span>
| '''[[A Bullet for the General|A BULLET FOR THE GENERAL]]''', [[Damiano Damiani]] (1966)
'''[[A Bullet for the General|A BULLET FOR THE GENERAL]]''', [[Damiano Damiani]] (1966)<br />
In another revolution-themed entry from the early years, [[Gian Maria Volonte]] as El Chuncho is played by a young American agent in order to kill a revolutionary leader. A great story of comraderie and betrayal, with brilliant acting and beautiful music.
In another revolution-themed entry from the early years, [[Gian Maria Volonte]] as El Chuncho is played by a young American agent in order to kill a revolutionary leader. A great story of comraderie and betrayal, with brilliant acting and beautiful music.


Community vote score: (882 points)
''Community vote score: (1.113 points)''
| [[File:QuienSabe_Poster.jpg|120px]]
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{| style="width:640px;border:1px solid #aaaaaa;padding:4px;margin:2px;"
[[File:Bluraylogo2.gif|40px|link=Quien Sabe/BluRay]] [[File:Dvdlogo2.png|40px|link=Quien Sabe/DVD]] [[File:Cdmusic.png|40px|link=Quien Sabe/OST]]</div>
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<div class="col-lg-4 col-md-6 col-sm-12">[[File:QuienSabe_Poster.jpg|class=img-fluid|link=A Bullet for the General]]</div></div>
| <span style="font-size:400%;">14</span>
 
| '''[[Day of Anger|DAY OF ANGER]]''', [[Tonino Valerii]] (1967)
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<div class="col-sm-12 col-md-6 col-lg-8" style="">
<span style="font-size:300%;border-bottom:1px dashed gray;">14</span>
'''[[Day of Anger|DAY OF ANGER]]''', [[Tonino Valerii]] (1967)<br />
In this revered classic, [[Lee Van Cleef]] takes on a young protege played by [[Giuliano Gemma]] but must face him in the end...
In this revered classic, [[Lee Van Cleef]] takes on a young protege played by [[Giuliano Gemma]] but must face him in the end...


Community vote score: (678 points)
''Community vote score: (937 points)''
| [[File:DayOfAnger USPoster1.jpg|120px]]
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[[File:Bluraylogo2.gif|40px|link=Giorni dell'ira, I/BluRay]] [[File:Dvdlogo2.png|40px|link=Giorni dell'ira, I/DVD]] [[File:Cdmusic.png|40px|link=Giorni dell'ira, I/OST]]</div>
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<div class="col-lg-4 col-md-6 col-sm-12">[[File:DayOfAnger USPoster1.jpg|class=img-fluid|link=Day of Anger]]</div></div>
| <span style="font-size:400%;">15</span>
 
| '''[[Keoma|KEOMA]]''', [[Enzo G. Castellari]] (1976)
<div class="row" style="border-bottom:1px dotted gray;margin-bottom:10px;">
In its late phase, only few directors have managed to churn out quality films on decent budgets. Veteran director Castellari teamed up with icon [[Franco Nero]] in what is a very gloomy but gripping western tale.
<div class="col-sm-12 col-md-6 col-lg-8" style="">
<span style="font-size:300%;border-bottom:1px dashed gray;">15</span>
'''[[Une corde, un Colt|CEMETERY WITHOUT CROSSES]]''', [[Robert Hossein]] (1968)<br />
The French director's endeavor into the genre is one of the most revered. This sinister tale of revenge and death boasts with incredibly atmospheric scenes, great music and exceptional acting and directing. A small gem if you so will.


Community vote score: (608 points)
''Community vote score: (852 points)''
| [[File:Keoma GermanPoster1.jpg|120px]]
|- /
|}


{| style="width:640px;border:1px solid #aaaaaa;padding:4px;margin:2px;"
[[File:Bluraylogo2.gif|40px|link=Une corde, un Colt/BluRay]] [[File:Dvdlogo2.png|40px|link=Une corde, un Colt/DVD]] [[File:Cdmusic.png|40px|link=Une corde, un Colt/OST]]</div>
|-
<div class="col-lg-4 col-md-6 col-sm-12">[[File:Cimitero03_New.jpg|class=img-fluid|link=Une corde un Colt]]</div></div>
| <span style="font-size:400%;">16</span>
| '''[[Une corde, un Colt|CEMETERY WITHOUT CROSSES]]''', [[Robert Hossein]] (1968)
The French director's singular endeavor into the genre is also one of the most revered. This sinister tale of revenge and death boasts with incredibly atmospheric scenes, great music and exceptional acting and directing. A small gem if you so will.


Community vote score: (599 points)
<div class="row" style="border-bottom:1px dotted gray;margin-bottom:10px;">
| [[File:Cimitero03_New.jpg|120px]]
<div class="col-sm-12 col-md-6 col-lg-8" style="">
|- /
<span style="font-size:300%;border-bottom:1px dashed gray;">16</span>
|}
'''[[Keoma|KEOMA]]''', [[Enzo G. Castellari]] (1976)<br />
In its late phase, only few directors have managed to churn out quality films on decent budgets. Veteran director Castellari teamed up with icon [[Franco Nero]] in what is a very gloomy but gripping western tale.


{| style="width:640px;border:1px solid #aaaaaa;padding:4px;margin:2px;"
''Community vote score: (849 points)''
|-
| <span style="font-size:400%;">17</span>
| '''[[Mio nome è Nessuno, Il|MY NAME IS NOBODY]]''', [[Sergio Leone]]/[[Tonino Valerii]] (1973)
As the genre turned into its self-parody phase, Leone conceived a self reflective western pitting the established [[Terence Hill]] against acting titan [[Henry Fonda]]. Controversial in it's mixture of comedy and deeper meaning about the decline of the west it was not the last SW, but nonetheless a fitting end for an already dying genre.


Community vote score: (538 points)
[[File:Bluraylogo2.gif|40px|link=Keoma/BluRay]] [[File:Dvdlogo2.png|40px|link=Keoma/DVD]] [[File:Cdmusic.png|40px|link=Keoma/OST]]</div>
| [[File:Il Mio nome è Nessuno18106.gif|120px]]
<div class="col-lg-4 col-md-6 col-sm-12">[[File:Keoma GermanPoster1.jpg|class=img-fluid|link=Keoma]]</div></div>
|- /
|}


{| style="width:640px;border:1px solid #aaaaaa;padding:4px;margin:2px;"
<div class="row" style="border-bottom:1px dotted gray;margin-bottom:10px;">
|-
<div class="col-sm-12 col-md-6 col-lg-8" style="">
| <span style="font-size:400%;">18</span>
<span style="font-size:300%;border-bottom:1px dashed gray;">17</span>
| '''[[Ritorno di Ringo, Il|RETURN OF RINGO]]''', [[Duccio Tessari]] (1965)
'''[[Ritorno di Ringo, Il|RETURN OF RINGO]]''', [[Duccio Tessari]] (1965)<br />
Elegantly directed by Ducio Tessari this is one of the early classics and one of the early successes of the genre. Following the storyline of Homer's Odyssey, Gemma (in his best role) returns home after the civil war to win back his wife and house.
Elegantly directed by Ducio Tessari this is one of the early classics and one of the early successes of the genre. Following the storyline of Homer's Odyssey, Gemma (in his best role) returns home after the civil war to win back his wife and house.


Community vote score: (480 points)
''Community vote score: (754 points)''
| [[File:ReturnOfRingo DatabsePage New.jpg|120px]]
|- /
|}


{| style="width:640px;border:1px solid #aaaaaa;padding:4px;margin:2px;"
[[File:Bluraylogo2.gif|40px|link=Ritorno di Ringo, Il/BluRay]] [[File:Dvdlogo2.png|40px|link=Ritorno di Ringo, Il/DVD]] [[File:Cdmusic.png|40px|link=Ritorno di Ringo, Il/OST]]</div>
|-
<div class="col-lg-4 col-md-6 col-sm-12">[[File:Il ritorno di Ringo ItPoster03.jpg|class=img-fluid|link=Ritorno di Ringo, Il]]</div></div>
| <span style="font-size:400%;">19</span>
| '''[[Se sei vivo spara|DJANGO KILL, IF YOU LIVE, SHOOT!]]''', [[Giulio Questi]] (1967)
Questi's very bizarre and only entry in the genre might not find too many friends but is a well-directed film with many memorable moments, as well as a great deal of elements found in exploitation cinema.


Community vote score: 463 points)
<div class="row" style="border-bottom:1px dotted gray;margin-bottom:10px;">
| [[File:SeSeiVivoSpara DatabasePage New.jpg|120px]]
<div class="col-sm-12 col-md-6 col-lg-8" style="">
|- /
<span style="font-size:300%;border-bottom:1px dashed gray;">18</span>
|}
'''[[Mio nome è Nessuno, Il|MY NAME IS NOBODY]]''', [[Sergio Leone]]/[[Tonino Valerii]] (1973)<br />
As the genre turned into its self-parody phase, Leone conceived a self reflective western pitting the established [[Terence Hill]] against acting titan [[Henry Fonda]]. Controversial in it's mixture of comedy and deeper meaning about the decline of the west it was not the last SW, but nonetheless a fitting end for an already dying genre.


{| style="width:640px;border:1px solid #aaaaaa;padding:4px;margin:2px;"
''Community vote score: (745 points)''
|-
| <span style="font-size:400%;">20</span>
| '''[[Corri, uomo, corri|RUN MAN RUN]]''', [[Sergio Sollima]] (1968)
[[Tomas Milian]] runs for his life, this time not from a bounty hunter but for his honor, lots of gold and a promise. An adorable film but maybe the weakest of the three films Sollima made. But it has a scene in the snow!


Community vote score: (398 points)
[[File:Bluraylogo2.gif|40px|link=Mio nome è Nessuno, Il/BluRay]] [[File:Dvdlogo2.png|40px|link=Mio nome è Nessuno, Il/DVD]] [[File:Cdmusic.png|40px|link=Mio nome è Nessuno, Il/OST]]</div>
| [[File:Corriuomocorri.jpg|120px]]
<div class="col-lg-4 col-md-6 col-sm-12">[[File:Il mio nome e Nessuno ItPoster04 v2.jpg|class=img-fluid|link=Mio nome è Nessuno, Il]]</div></div>
|- /
|}


<div class="row" style="border-bottom:1px dotted gray;margin-bottom:10px;">
<div class="col-sm-12 col-md-6 col-lg-8" style="">
<span style="font-size:300%;border-bottom:1px dashed gray;">19</span>
'''[[Se sei vivo spara|DJANGO KILL, IF YOU LIVE, SHOOT!]]''', [[Giulio Questi]] (1967)<br />
Questi's very bizarre and only entry in the genre might not find too many friends but is a well-directed film with many memorable moments, as well as a great deal of elements found in exploitation cinema.


''Community vote score: (561 points)''


* '''Followed by these:'''
[[File:Bluraylogo2.gif|40px|link=Se sei vivo spara/BluRay]] [[File:Dvdlogo2.png|40px|link=Se sei vivo spara/DVD]] [[File:Cdmusic.png|40px|link=Se sei vivo spara/OST]]</div>
<div class="col-lg-4 col-md-6 col-sm-12">[[File:Se sei vivo spara FrPoster.jpg|class=img-fluid|link=Se sei vivo spara]]</div></div>
 
<div class="row" style="border-bottom:1px dotted gray;margin-bottom:10px;">
<div class="col-sm-12 col-md-6 col-lg-8" style="">
<span style="font-size:300%;border-bottom:1px dashed gray;">20</span>
'''[[Corri, uomo, corri|RUN MAN RUN]]''', [[Sergio Sollima]] (1968)<br />
[[Tomas Milian]] runs for his life, this time not from a bounty hunter but for his honor, lots of gold and a promise. An adorable film but maybe the weakest of the three films Sollima made. But it has a scene in the snow!


''Community vote score: (416 points)''


21. [[Se incontri Sartana prega per la tua morte|If You Meet Sartana, Pray for Your Death]] G. Parolini, 1968 ''(355 points)'';
[[File:Bluraylogo2.gif|40px|link=Corri, uomo, corri/BluRay]] [[File:Dvdlogo2.png|40px|link=Corri, uomo, corri/DVD]] [[File:Cdmusic.png|40px|link=Corri, uomo, corri/OST]]</div>
<div class="col-lg-4 col-md-6 col-sm-12">[[File:CorriUomoCorri Poster3.JPG|class=img-fluid|link=Corri, uomo, corri]]</div></div>


22. [[Blindman|Blindman]] F. Baldi, 1971 ''(325 points)'';


23. [[Sabata]] G. Parolini, 1969 ''(275 points)'';


24. [[10.000 dollari per un massacro|$10,000 Blood Money]] R. Guerrieri, 1967 ''(252 points)'';


25. [[Navajo Joe]] S. Corbucci, 1966 ''(247 points)'';
* '''Followed by these:'''


26. [[Mannaja]] S. Martino, 1977 ''(244 points)'';


27. [[E Dio disse a Caino|And God Said to Cain]] A. Margheriti, 1969 ''(234 points)'';


28. [[Tepepa]] G. Petroni, 1968 ''(215 points)'';
21. [[Se incontri Sartana prega per la tua morte|If You Meet Sartana,
Pray for Your Death]] G. Parolini, 1968 ''(390 points)'';


29. [[Nuvola di polvere... un grido di morte... arriva Sartana, Una|Light the Fuse ... Sartana is Coming]] G. Carnimeo, 1970 ''(205 points)'';
22. [[Blindman|Blindman]] F. Baldi, 1971 ''(370 points)'';


30. [[Pistola per Ringo, Una|A Pistol for Ringo]] D.Tessari, 1965 ''(197 points)'';
23. [[10.000 dollari per un massacro|$10,000 Blood Money]] R. Guerrieri, 1967 ''(354 points)'';


24. [[Tepepa]] G. Petroni, 1968 ''(350 points)'';


25. [[Navajo Joe]] S. Corbucci, 1966 ''(333 points)'';


31. [[Tempo di massacro|Massacre Time]] L. Fulci, 1966 ''(173 points)'';
26. [[E Dio disse a Caino|And God Said to Cain]] A. Margheriti, 1969 ''(312 points)'';


32. [[Dio perdona... Io no!|God Forgives, I Don't]] G. Colizzi, 1967 ''(161 points)'';
27. [[Sabata]] G. Parolini, 1969 ''(311 points)'';  


33. [[Bandidos]] M. Dallamano, 1967 ''(154 points)'';
28. [[Pistola per Ringo, Una|A Pistol for Ringo]] D.Tessari, 1965 ''(208 points)'';


34. [[Taglia è tua... l'uomo l'ammazzo io, La|El Puro]] E. Mulargia, 1969 ''(146 points)''
29. [[Mannaja]] S. Martino, 1977 ''(261 points)'';


35. [[Requiescant|Kill and Pray]] C. Lizzani, 1967 ''(140 points)'';
30. [[Bandidos]] M. Dallamano, 1967 ''(240 points)'';


36. [[Grande duello, Il|The Grand Duel]] G. Santi, 1972 ''(138 points)'';


37. [[California]] M. Lupo, 1977 ''(136 points)'';


38. [[Four of the Apocalypse]] L. Fulci, 1975 ''(130 points)'';
31. [[Dio perdona... Io no!|God Forgives, I Don't]] G. Colizzi, 1967 ''(229 points)'';


39. [[Mátalo|Matalo!]] C. Canevari, 1970 ''(130 points)'';
32. [[Tempo di massacro|Massacre Time]] L. Fulci, 1966 ''(223 points)'';


40. [[Quattro dell'Ave Maria, I|Ace High]] G. Colizzi, 1968 ''128 points)'';
33. [[Taglia è tua... l'uomo l'ammazzo io, La|El Puro]] E. Mulargia, 1969 ''(221 points)'';


34. [[Nuvola di polvere... un grido di morte... arriva Sartana, Una|Light the Fuse ... Sartana is Coming]] G. Carnimeo, 1970 ''(218 points)'';


35. [[California]] M. Lupo, 1977 ''(216 points)'';


41. [[Johnny Hamlet]] E.G. Castellari, 1968 ''(126 points)'';
36. [[Requiescant|Kill and Pray]] C. Lizzani, 1967 ''(214 points)'';


42. [[Continuavano a chiamarlo Trinità |Trinity is Still my Name]] E. B. Clucher, 1971 ''(120 points)'';
37. [[Pistolero dell'Ave Maria, Il|The Forgotten Pistolero]] F. Baldi, 1969 ''(190 points)'';


43. [[Precio de un hombre, El|The Bounty Killer]] E. Martà­n 66 ''(113 points)'';
38. [[Johnny Hamlet]] E.G. Castellari, 1968 ''(179 points)'';


44. [[Pistolero dell'Ave Maria, Il|The Forgotten Pistolero]] F. Baldi, 1969 ''(112 points)'';
39. [[Django il bastardo|Django the Bastard]] S. Garrone, 1969 ''(171 points)'';


45. [[Sentenza di morte|Death Sentence]] M. Lanfranchi, 1968 ''(111 points)'';
40. [[Joko invoca Dio... e muori|Vengeance]] A. Margheriti, 1968 ''(169 points)'';  


46. [[Specialisti, Gli|The Specialists]] S. Corbucci, 1970 ''(101 points)'';


47. [[Django il bastardo|Django the Bastard]] S. Garrone, 1969 ''(99 points)'';


48. [[Prega il morto e ammazza il vivo|Shoot the Living and Pray for the Dead]] G. Vari, 1971 ''(94 points)'';
41. [[Four of the Apocalypse]] L. Fulci, 1975 ''(164 points)'';


49. [[Gli fumavano le Colt... lo chiamavano Camposanto|They Call Him Cemetery]] G. Carnimeo 71 ''(93 points)'';
42. [[Mátalo|Matalo!]] C. Canevari, 1970 ''(154 points)'';


50. [[Lo chiamavano Trinità|They Call Me Trinity]] E. Barboni 71 ''(91 points)'';
43. [[Quattro dell'Ave Maria, I|Ace High]] G. Colizzi, 1968 ''147 points)'';


50. [[Dollaro tra i denti, Un|A Stranger in Town]] L. Vanzi 67 ''(91 points)'';
44. [[Crudeli, I|The Hellbenders]] S. Corbucci 66 ''(146 points);


45. [[Arizona Colt]] M. Lupo 66 ''(145 points)'';


46. [[Grande duello, Il|The Grand Duel]] G. Santi, 1972 ''(144 points)'';


47. [[Prega il morto e ammazza il vivo|Shoot the Living and Pray for the Dead]] G. Vari, 1971 ''(144 points)'';


48. [[Precio de un hombre, El|The Bounty Killer]] E. Marti­n 66 ''(134 points)'';


49. [[Continuavano a chiamarlo Trinità |Trinity is Still my Name]] E. Barboni 71 ''(127 points)'';


50. [[Anda muchacho, spara!|Dead Men Ride]] A. Florio 71 ''(120 points)'';




Line 328: Line 300:


* About the points system: The top 20 films from each list were scored using the following formula: #1=25 points; #2=21 points; #3=19 points; #4= 17 points and then down to #20=1 point   
* About the points system: The top 20 films from each list were scored using the following formula: #1=25 points; #2=21 points; #3=19 points; #4= 17 points and then down to #20=1 point   
* The complete list (last update January 2015): http://forum.spaghetti-western.net/index.php/topic,190.msg172383.html#msg172383
* The complete list (last update February 2024): https://forum.spaghetti-western.net/t/vote-for-our-official-top-20/190/3261
* Compiled from meanwhile [http://www.spaghetti-western.net/forum/index.php/topic,190.0.html 153 Top-20-lists] (post yours!), this is a dynamically changing list of the most important Spaghetti Westerns as rated by our community.
* Compiled from [https://forum.spaghetti-western.net/t/vote-for-our-official-top-20/190 200 Top-20-lists] (post yours!), this is a dynamically changing list of the most important Spaghetti Westerns as rated by our community.
* Related: [http://www.amazon.com/gp/redirect.html?ie=UTF8&location=http%3A%2F%2Fwww.amazon.com%2Fgp%2Frichpub%2Flistmania%2Ffullview%2FRKQGTY21BOZOU%3Fie%3DUTF8%26lm%5Fbb%3D&tag=spaghetti-western-20&linkCode=ur2&camp=1789&creative=9325 This list on Amazon.com]
* Related: [https://www.youtube.com/playlist?list=PLC5A481ADA375621C This list on YouTube]
* Related: [http://www.youtube.com/view_play_list?p=C5A481ADA375621C This list on YouTube]
* Related: This list is also on [https://www.themoviedb.org/list/122898 TheMovieDB] and on [https://letterboxd.com/swdatabase/list/essential-top-20-spaghetti-westerns-official/ Letterboxd]
* Related: This list is also [http://www.icheckmovies.com/list/spaghetti+westerns on iCheckmovies.com]




[[Category:Articles]]
[[Category:Articles]]

Latest revision as of 17:18, 3 February 2024

These films were voted by our community as the essential films of the genre. More info on our voting procedure and where to find those that didn't make the top 50, you'll find at the bottom of the page. For an introduction to the genre, please visit our Introduction. For an "annotated" article, check out Scherpschutter's The Top 20 Essential Spaghetti Westerns, Part 1 and Part 2.

1 THE GOOD, THE BAD AND THE UGLY, Sergio Leone (1966)
Ennio Morricone's theme is world-known, even to people unaware of its origins. This lengthy, but beautifully balanced western is held by most to be THE spaghetti western. The three-way show down between Clint Eastwood, Lee Van Cleef and Eli Wallach is legendary.

Community vote score: (3.900 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Il buono il brutto il cattivo ItPoster01 v2.jpg

2 ONCE UPON A TIME IN THE WEST, Sergio Leone (1968)
Made to be the spaghetti western to end all spaghetti westerns, Leone's opus is both a hommage to the American western and as through and through Italian as can be. He turned Henry Fonda into a badboy and let Ennio Morricone give themes to all the characters, played also by Charles Bronson, the unforgettable Claudia Cardinale and Jason Robards. The harmonica is just as famous as the coyote howl of our No.1.

Community vote score: (3.416 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
C'era una volta il West ItPoster03.jpg

3 FOR A FEW DOLLARS MORE, Sergio Leone (1965)
Clint Eastwood returns as the man with no name, in one of the most exciting representatives of the genre and the map that cemented Sergio Leone as the king of spaghetti western. Ennio Morricone's score is amazing, as are stars Klaus Kinski and Lee Van Cleef.

Community vote score: (3.314 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Per qualche dollaro in più ItPoster02.jpg

4 THE GREAT SILENCE, Sergio Corbucci (1968)
Its wintery setting, gloomy score (by Ennio Morricone), and the grim violence add to the atmosphere of this famous western by the "other" Sergio, starring Klaus Kinski as the villain and Jean-Louis Trintignant as the mute anti-hero.

Community vote score: (2.553 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Il grande silenzio ItPoster04.jpg

5 THE BIG GUNDOWN, Sergio Sollima (1966)
This is one of three spaghetti westerns of the third Sergio, pitting Lee Van Cleef against genre stalwart Tomas Milian in a cat and mouse hunt that ends as epic as could be, with one of the most remarkable opening credit theme songs ever recorded.

Community vote score: (2.191 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Bign itp2.jpg

6 DJANGO, Sergio Corbucci (1966)
Violence is a trademark of the genre. Corbucci upped the anti with ears bitten off priests and citizens slaughtered with a machine gun, but the skilled pistolero with the army coat and the coffin are what makes this a cult favorite.

Community vote score: (2.048 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Django HiRes2.jpg

7 A FISTFUL OF DOLLARS, Sergio Leone (1964)
This is where it all started, the movie that got the ball rolling. Leone's remake of Akira Kurosawa's Yojimbo put the then unknown TV actor Clint Eastwood on the map and established his style and the use of extraordinary music by Ennio Morricone.

Community vote score: (2045 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Per un pugno di dollari ItPoster04.jpg

8 THE MERCENARY, Sergio Corbucci (1968)
Some films are not only famous, they are also cult favorites and draw a crowd of followers. This is one, with Franco Nero in one of his greatest roles, an unforgettable soundtrack by Ennio Morricone and the late Jack Palance at a particular best.

Community vote score: (1.488 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Mercenario - Der Gefürchtete Poster.jpg

9 DEATH RIDES A HORSE, Giulio Petroni (1967)
Gunslinger mentor and trainee, a very popular theme in the genre, here depicted by Lee Van Cleef and John Phillip Law, with a beautifully haunting score by Ennio Morricone.

Community vote score: (1.338 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Da uomo a uomo ItPoster02.jpg

10 COMPANEROS, Sergio Corbucci (1970)
This is Corbucci's second revolutionary tale next to The Mercenary, and it is somewhat of a modification of it, again starring Franco Nero but this time with Tomas Milian in the role of the peasant.

Community vote score: (1.241 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Companeros ItPoster02.jpg

11 DUCK, YOU SUCKER!, Sergio Leone (1971)
Leone's own revolutionary western pits Rod Steiger and James Coburn against armored tanks and the Mexican army, in a very explosive film.

Community vote score: (1.216 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
GiuLaTesta Poster2x HQ.jpg

12 FACE TO FACE, Sergio Sollima (1967)
This is actually the second of his three westerns, and it is as much a metaphor of violence as it is a showcase for actors Tomas Milian and Gian Maria Volonte trying to top each other.

Community vote score: (1.160 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Faccia a faccia ItPoster03.jpg

13 A BULLET FOR THE GENERAL, Damiano Damiani (1966)
In another revolution-themed entry from the early years, Gian Maria Volonte as El Chuncho is played by a young American agent in order to kill a revolutionary leader. A great story of comraderie and betrayal, with brilliant acting and beautiful music.

Community vote score: (1.113 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
QuienSabe Poster.jpg

14 DAY OF ANGER, Tonino Valerii (1967)
In this revered classic, Lee Van Cleef takes on a young protege played by Giuliano Gemma but must face him in the end...

Community vote score: (937 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
DayOfAnger USPoster1.jpg

15 CEMETERY WITHOUT CROSSES, Robert Hossein (1968)
The French director's endeavor into the genre is one of the most revered. This sinister tale of revenge and death boasts with incredibly atmospheric scenes, great music and exceptional acting and directing. A small gem if you so will.

Community vote score: (852 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Cimitero03 New.jpg

16 KEOMA, Enzo G. Castellari (1976)
In its late phase, only few directors have managed to churn out quality films on decent budgets. Veteran director Castellari teamed up with icon Franco Nero in what is a very gloomy but gripping western tale.

Community vote score: (849 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Keoma GermanPoster1.jpg

17 RETURN OF RINGO, Duccio Tessari (1965)
Elegantly directed by Ducio Tessari this is one of the early classics and one of the early successes of the genre. Following the storyline of Homer's Odyssey, Gemma (in his best role) returns home after the civil war to win back his wife and house.

Community vote score: (754 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Il ritorno di Ringo ItPoster03.jpg

18 MY NAME IS NOBODY, Sergio Leone/Tonino Valerii (1973)
As the genre turned into its self-parody phase, Leone conceived a self reflective western pitting the established Terence Hill against acting titan Henry Fonda. Controversial in it's mixture of comedy and deeper meaning about the decline of the west it was not the last SW, but nonetheless a fitting end for an already dying genre.

Community vote score: (745 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Il mio nome e Nessuno ItPoster04 v2.jpg

19 DJANGO KILL, IF YOU LIVE, SHOOT!, Giulio Questi (1967)
Questi's very bizarre and only entry in the genre might not find too many friends but is a well-directed film with many memorable moments, as well as a great deal of elements found in exploitation cinema.

Community vote score: (561 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
Se sei vivo spara FrPoster.jpg

20 RUN MAN RUN, Sergio Sollima (1968)
Tomas Milian runs for his life, this time not from a bounty hunter but for his honor, lots of gold and a promise. An adorable film but maybe the weakest of the three films Sollima made. But it has a scene in the snow!

Community vote score: (416 points)

Bluraylogo2.gif Dvdlogo2.png Cdmusic.png
CorriUomoCorri Poster3.JPG



  • Followed by these:


21. If You Meet Sartana, Pray for Your Death G. Parolini, 1968 (390 points);

22. Blindman F. Baldi, 1971 (370 points);

23. $10,000 Blood Money R. Guerrieri, 1967 (354 points);

24. Tepepa G. Petroni, 1968 (350 points);

25. Navajo Joe S. Corbucci, 1966 (333 points);

26. And God Said to Cain A. Margheriti, 1969 (312 points);

27. Sabata G. Parolini, 1969 (311 points);

28. A Pistol for Ringo D.Tessari, 1965 (208 points);

29. Mannaja S. Martino, 1977 (261 points);

30. Bandidos M. Dallamano, 1967 (240 points);


31. God Forgives, I Don't G. Colizzi, 1967 (229 points);

32. Massacre Time L. Fulci, 1966 (223 points);

33. El Puro E. Mulargia, 1969 (221 points);

34. Light the Fuse ... Sartana is Coming G. Carnimeo, 1970 (218 points);

35. California M. Lupo, 1977 (216 points);

36. Kill and Pray C. Lizzani, 1967 (214 points);

37. The Forgotten Pistolero F. Baldi, 1969 (190 points);

38. Johnny Hamlet E.G. Castellari, 1968 (179 points);

39. Django the Bastard S. Garrone, 1969 (171 points);

40. Vengeance A. Margheriti, 1968 (169 points);


41. Four of the Apocalypse L. Fulci, 1975 (164 points);

42. Matalo! C. Canevari, 1970 (154 points);

43. Ace High G. Colizzi, 1968 147 points);

44. The Hellbenders S. Corbucci 66 (146 points);

45. Arizona Colt M. Lupo 66 (145 points);

46. The Grand Duel G. Santi, 1972 (144 points);

47. Shoot the Living and Pray for the Dead G. Vari, 1971 (144 points);

48. The Bounty Killer E. Marti­n 66 (134 points);

49. Trinity is Still my Name E. Barboni 71 (127 points);

50. Dead Men Ride A. Florio 71 (120 points);


Information on this list:

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