Essential Top 20 Films: Difference between revisions

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These twenty films were voted by our community as the essential films of the genre. More information on our voting procedure and where to find those that didn't make the top 20 you'll find at the bottom of the page. For an introduction to the genre, please visit our '''[[Introduction]]'''.
These twenty films were voted by our community as the essential films of the genre. More information on our voting procedure, and where to find those that didn't make the top 20, you'll find at the bottom of the page. For an introduction to the genre, please visit our '''[[Introduction]]'''.


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[[Ennio Morricone]]'s theme is world-known, even to people unaware of its origins. This lengthy, but beautifully balanced western is held by most to be THE spaghetti western. The three-way show down between [[Clint Eastwood]], [[Lee Van Cleef]] and [[Eli Wallach]] is legendary.
[[Ennio Morricone]]'s theme is world-known, even to people unaware of its origins. This lengthy, but beautifully balanced western is held by most to be THE spaghetti western. The three-way show down between [[Clint Eastwood]], [[Lee Van Cleef]] and [[Eli Wallach]] is legendary.


Community vote score: (2.633 points)
Community vote score: (2.688 points)
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Made to be the spaghetti western to end all spaghetti westerns, Leone's opus is both a hommage to the American western and as through and through Italian as can be. He turned [[Henry Fonda]] into a badboy and let [[Ennio Morricone]] give themes to all the characters, played also by [[Charles Bronson]], the unforgettable [[Claudia Cardinale]] and [[Jason Robards]]. The harmonica is just as famous as the coyote howl of our No.1.
Made to be the spaghetti western to end all spaghetti westerns, Leone's opus is both a hommage to the American western and as through and through Italian as can be. He turned [[Henry Fonda]] into a badboy and let [[Ennio Morricone]] give themes to all the characters, played also by [[Charles Bronson]], the unforgettable [[Claudia Cardinale]] and [[Jason Robards]]. The harmonica is just as famous as the coyote howl of our No.1.


Community vote score: (2.264 points)
Community vote score: (2.314 points)
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[[Clint Eastwood]] returns as the man with no name, in one of the most exciting representatives of the genre and the map that cemented [[Sergio Leone]] as the king of spaghetti western. [[Ennio Morricone]]'s score is amazing, as are stars [[Klaus Kinski]] and [[Lee Van Cleef]].
[[Clint Eastwood]] returns as the man with no name, in one of the most exciting representatives of the genre and the map that cemented [[Sergio Leone]] as the king of spaghetti western. [[Ennio Morricone]]'s score is amazing, as are stars [[Klaus Kinski]] and [[Lee Van Cleef]].


Community vote score: (2.048 points)
Community vote score: (2.160 points)
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Its wintery setting, gloomy score (by [[Ennio Morricone]]), and the grim violence add to the atmosphere of this famous western by the "other" Sergio, starring [[Klaus Kinski]] as the villain and [[Jean-Louis Trintignant]] as the mute anti-hero.
Its wintery setting, gloomy score (by [[Ennio Morricone]]), and the grim violence add to the atmosphere of this famous western by the "other" Sergio, starring [[Klaus Kinski]] as the villain and [[Jean-Louis Trintignant]] as the mute anti-hero.


Community vote score: (1.752 points)
Community vote score: (1.780 points)
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This is where it all started, the movie that got the ball rolling. Leone's remake of Akira Kurosawa's '''Yojimbo''' put the then unknown TV actor [[Clint Eastwood]] on the map and established his style and the use of extraordinary music by [[Ennio Morricone]].
This is where it all started, the movie that got the ball rolling. Leone's remake of Akira Kurosawa's '''Yojimbo''' put the then unknown TV actor [[Clint Eastwood]] on the map and established his style and the use of extraordinary music by [[Ennio Morricone]].


Community vote score: (1.434 points)
Community vote score: (1.465 points)
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Violence is a trademark of the genre. Corbucci upped the anti with ears bitten off priests and citizens slaughtered with a machine gun, but the skilled pistolero with the army coat and the coffin are what makes this a cult favorite.
Violence is a trademark of the genre. Corbucci upped the anti with ears bitten off priests and citizens slaughtered with a machine gun, but the skilled pistolero with the army coat and the coffin are what makes this a cult favorite.


Community vote score: (1.413 points)
Community vote score: (1.446 points)
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This is one of three spaghetti westerns of the third Sergio, pitting [[Lee Van Cleef]] against genre stalwart [[Tomas Milian]] in a cat and mouse hunt that ends as epic as could be, with one of the most remarkable opening credit theme songs ever recorded.
This is one of three spaghetti westerns of the third Sergio, pitting [[Lee Van Cleef]] against genre stalwart [[Tomas Milian]] in a cat and mouse hunt that ends as epic as could be, with one of the most remarkable opening credit theme songs ever recorded.


Community vote score: (1.283 points)
Community vote score: (1.288 points)
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Some films are not only famous, they are also cult favorites and draw a crowd of followers (even though it has yet to reach a wider audience on proper home video releases in the US and the UK). This is one, with [[Franco Nero]] in one of his greatest roles, an unforgettable soundtrack by [[Ennio Morricone]] and the late [[Jack Palance]] at a particular best.  
Some films are not only famous, they are also cult favorites and draw a crowd of followers (even though it has yet to reach a wider audience on proper home video releases in the US and the UK). This is one, with [[Franco Nero]] in one of his greatest roles, an unforgettable soundtrack by [[Ennio Morricone]] and the late [[Jack Palance]] at a particular best.  


Community vote score: (957 points)
Community vote score: (964 points)
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Gunslinger mentor and trainee, a very popular theme in the genre, here depicted by [[Lee Van Cleef]] and [[John Phillip Law]], with a beautifully haunting score by [[Ennio Morricone]].
Gunslinger mentor and trainee, a very popular theme in the genre, here depicted by [[Lee Van Cleef]] and [[John Phillip Law]], with a beautifully haunting score by [[Ennio Morricone]].


Community vote score: (904 points)
Community vote score: (906 points)
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This is Corbucci's second revolutionary tale next to The Mercenary, and it is somewhat of a modification of it, again starring [[Franco Nero]] but this time with [[Tomas Milian]] in the role of the peasant.
This is Corbucci's second revolutionary tale next to The Mercenary, and it is somewhat of a modification of it, again starring [[Franco Nero]] but this time with [[Tomas Milian]] in the role of the peasant.


Community vote score: (860 points)
Community vote score: (873 points)
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| '''[[Faccia a faccia|FACE TO FACE]]''', [[Sergio Sollima]] (1967)
| '''[[Faccia a faccia|FACE TO FACE]]''', [[Sergio Sollima]] (1967)
This is actually the second of his three westerns, and it is as much a metaphor of violence as it is a showcase for actors [[Tomas Milian]] and [[Gian Maria Volonte]] trying to top each other.
This is actually the second of his three westerns, and it is as much a metaphor of violence as it is a showcase for actors [[Tomas Milian]] and [[Gian Maria Volonte]] trying to top each other.
Community vote score: (813 points)
Community vote score: (859 points)
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Leone's own revolutionary western pits [[Rod Steiger]] and [[James Coburn]] against armored tanks and the Mexican army, in a very explosive film.
Leone's own revolutionary western pits [[Rod Steiger]] and [[James Coburn]] against armored tanks and the Mexican army, in a very explosive film.


Community vote score: (805 points)
Community vote score: (794 points)
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In another revolution-themed entry from the early years, [[Gian Maria Volonte]] as El Chuncho is played by a young American agent in order to kill a revolutionary leader. A great story of comraderie and betrayal, with brilliant acting and beautiful music.
In another revolution-themed entry from the early years, [[Gian Maria Volonte]] as El Chuncho is played by a young American agent in order to kill a revolutionary leader. A great story of comraderie and betrayal, with brilliant acting and beautiful music.


Community vote score: (705 points)
Community vote score: (720 points)
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In this revered classic, [[Lee Van Cleef]] takes on a young protege played by [[Giuliano Gemma]] but must face him in the end...
In this revered classic, [[Lee Van Cleef]] takes on a young protege played by [[Giuliano Gemma]] but must face him in the end...


Community vote score: (549 points)
Community vote score: (558 points)
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In its late phase, only few directors have managed to churn out quality films on decent budgets. Veteran director Castellari teamed up with icon [[Franco Nero]] in what is a very gloomy but gripping western tale.
In its late phase, only few directors have managed to churn out quality films on decent budgets. Veteran director Castellari teamed up with icon [[Franco Nero]] in what is a very gloomy but gripping western tale.


Community vote score: (510 points)
Community vote score: (524 points)
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The French director's singular endeavor into the genre is also one of the most revered. This sinister tale of revenge and death boasts with incredibly atmospheric scenes, great music and exceptional acting and directing. A small gem if you so will.
The French director's singular endeavor into the genre is also one of the most revered. This sinister tale of revenge and death boasts with incredibly atmospheric scenes, great music and exceptional acting and directing. A small gem if you so will.


Community vote score: (454 points)
Community vote score: (485 points)
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Questi's very bizarre and only entry in the genre might not find too many friends but is a well-directed film with many memorable moments, as well as a great deal of elements found in exploitation cinema.
Questi's very bizarre and only entry in the genre might not find too many friends but is a well-directed film with many memorable moments, as well as a great deal of elements found in exploitation cinema.


Community vote score: 402 points)
Community vote score: 394 points)
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Elegantly directed by Ducio Teassari this is one of the early classics and one of the early successes of the genre. Following the storyline of Homer's Odyssey Gemma (in his best role) returns after the civil war home to win back his wife and house.
Elegantly directed by Ducio Teassari this is one of the early classics and one of the early successes of the genre. Following the storyline of Homer's Odyssey Gemma (in his best role) returns after the civil war home to win back his wife and house.


Community vote score: (367 points)
Community vote score: (375 points)
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21. [[Se incontri Sartana prega per la tua morte|If You Meet Sartana, Pray for Your Death]] G. Parolini, 1968 ''(305 points)'';
21. [[Se incontri Sartana prega per la tua morte|If You Meet Sartana, Pray for Your Death]] G. Parolini, 1968 ''(307 points)'';


22. [[Blindman|Blindman]] F. Baldi, 1971 ''(286 points)'';
22. [[Blindman|Blindman]] F. Baldi, 1971 ''(285 points)'';


23. [[Sabata]] G. Parolini, 1969 ''(263 points)'';  
23. [[Sabata]] G. Parolini, 1969 ''(257 points)'';  


24. [[Navajo Joe]] S. Corbucci, 1966 ''(218 points)'';
24. [[Navajo Joe]] S. Corbucci, 1966 ''(225 points)'';


25. [[E Dio disse a Caino|And God Said to Cain]] A. Margheriti, 1969 ''(215 points)'';
25. [[E Dio disse a Caino|And God Said to Cain]] A. Margheriti, 1969 ''(222 points)'';


26. [[Mannaja]] S. Martino, 1977 ''(208 points)'';
26. [[Mannaja]] S. Martino, 1977 ''(215 points)'';


27. [[Nuvola di polvere... un grido di morte... arriva Sartana, Una|Light the Fuse ... Sartana is Coming]] G. Carnimeo, 1970 ''(194 points)'';
27. [[Nuvola di polvere... un grido di morte... arriva Sartana, Una|Light the Fuse ... Sartana is Coming]] G. Carnimeo, 1970 ''(196 points)'';


28. [[10.000 dollari per un massacro|$10,000 Blood Money]] R. Guerrieri, 1967 ''(176 points)'';
28. [[Tepepa]] G. Petroni, 1968 ''(189 points)'';


29. [[Tepepa]] G. Petroni, 1968 ''(173 points)'';
29. [[10.000 dollari per un massacro|$10,000 Blood Money]] R. Guerrieri, 1967 ''(184 points)'';


30. [[Pistola per Ringo, Una|A Pistol for Ringo]] D.Tessari, 1965 ''(150 points)'';
30. [[Pistola per Ringo, Una|A Pistol for Ringo]] D.Tessari, 1965 ''(158 points)'';




31. [[Dio perdona... Io no!|God Forgives, I Don't]] G. Colizzi, 1967 ''(149 points)'';
31. [[Dio perdona... Io no!|God Forgives, I Don't]] G. Colizzi, 1967 ''(148 points)'';


32. [[Tempo di massacro|Massacre Time]] L. Fulci, 1966 ''(139 points)'';
32. [[Tempo di massacro|Massacre Time]] L. Fulci, 1966 ''(142 points)'';


33. [[Grande duello, Il|The Grand Duel]] G. Santi, 1972 ''(137 points)'';
33. [[Four of the Apocalypse]] L. Fulci, 1975 ''(137 points)'';


34. [[Four of the Apocalypse]] L. Fulci, 1975 ''(137 points)'';
34. [[Grande duello, Il|The Grand Duel]] G. Santi, 1972 ''(132 points)'';


35. [[Mátalo|Matalo!]] C. Canevari, 1970 ''(130 points)'';
35. [[Mátalo|Matalo!]] C. Canevari, 1970 ''(130 points)'';


36. [[Taglia è tua... l'uomo l'ammazzo io, La|El puro]] E. Mulargia, 1969 ''(121 points)'';
36. [[Johnny Hamlet]] E.G. Castellari, 1968 ''(127 points)'';


37. [[Quattro dell'Ave Maria, I|Ace High]] G. Colizzi, 1968 ''113 points)'';
37. [[Taglia è tua... l'uomo l'ammazzo io, La|El puro]] E. Mulargia, 1969 ''(125 points)''


38. [[Requiescant|Kill and Pray]] C. Lizzani, 1967 ''(109 points)'';
38. [[Bandidos]] M. Dallamano, 1967 ''(121 points)'';


39. [[Johnny Hamlet]] E.G. Castellari, 1968 ''(108 points)'';
39. [[Requiescant|Kill and Pray]] C. Lizzani, 1967 ''(115 points)'';


40. [[California]] M. Lupo, 1977 ''(107 points)'';
40. [[Quattro dell'Ave Maria, I|Ace High]] G. Colizzi, 1968 ''114 points)'';




41. [[Continuavano a chiamarlo Trinità |Trinity is Still my Name]] E. B. Clucher, 1971 ''(106 points)'';


42. [[Bandidos]] M. Dallamano, 1967 ''(100 points)'';
41. [[California]] M. Lupo, 1977 ''(110 points)'';
 
42. [[Continuavano a chiamarlo Trinità |Trinity is Still my Name]] E. B. Clucher, 1971 ''(102 points)'';


43. [[Pistolero dell'Ave Maria, Il|The Forgotten Pistolero]] F. Baldi, 1969 ''(99 points)'';
43. [[Pistolero dell'Ave Maria, Il|The Forgotten Pistolero]] F. Baldi, 1969 ''(99 points)'';


44. [[Django il bastardo|Django the Bastard]] S. Garrone, 1969 ''(97 points)'';
44. [[Desperados, Los|A Bullet for Sandoval]] J. Buchs, 1969 ''(96 points)'';


45. [[Specialisti, Gli|The Specialists]] S. Corbucci, 1970 ''(91 points)'';
45. [[Specialisti, Gli|The Specialists]] S. Corbucci, 1970 ''(86 points)'';


46. [[Desperados, Los|A Bullet for Sandoval]] J. Buchs, 1969 ''(89 points)'';
46. [[Django il bastardo|Django the Bastard]] S. Garrone, 1969 ''(86 points)'';


47. [[Joko invoca Dio... e muori|Vengeance]] A. Margheriti, 1968 ''(85 points)'';
47. [[Sentenza di morte|Death Sentence]] M. Lanfranchi, 1968 ''(85 points)'';


48. [[Dollaro tra i denti, Un|A Stranger in Town]] L. Vanzi, 1967 ''(84 points)'';
48. [[Joko invoca Dio... e muori|Vengeance]] A. Margheriti, 1968 ''(85 points)'';


49. [[Sentenza di morte|Death Sentence]] M. Lanfranchi, 1968 ''(82 points)'';
49. [[Yankee]] T. Brass 66 ''(83 points)'';


50. [[Prega il morto e ammazza il vivo|Shoot the Living and Pray for the Dead]] G. Vari, 1971 ''(82 points)'';
50. [[Prega il morto e ammazza il vivo|Shoot the Living and Pray for the Dead]] G. Vari, 1971 ''(82 points)'';




* The complete list (last update from New Year's Day 2012): http://www.spaghetti-western.net/forum/index.php/topic,190.msg135981.html#msg135981


'''Information on this list:'''
'''Information on this list:'''


* About the points system: The top 20 films from each list were scored using the following formula: #1=25 points; #2=21 points; #3=19 points; #4= 17 points and then down to #20=1 point 
* The complete list (last update September 2012): http://forum.spaghetti-western.net/index.php/topic,190.1980.html
* Compiled from meanwhile more than [http://www.spaghetti-western.net/forum/index.php/topic,190.0.html 100 user Top-20-lists] (post yours!), this is a dynamically changing list of the most important Spaghetti Westerns as rated by our community.
* Compiled from meanwhile more than [http://www.spaghetti-western.net/forum/index.php/topic,190.0.html 100 user Top-20-lists] (post yours!), this is a dynamically changing list of the most important Spaghetti Westerns as rated by our community.
* Related: [http://www.amazon.com/gp/redirect.html?ie=UTF8&location=http%3A%2F%2Fwww.amazon.com%2Fgp%2Frichpub%2Flistmania%2Ffullview%2FRKQGTY21BOZOU%3Fie%3DUTF8%26lm%5Fbb%3D&tag=spaghetti-western-20&linkCode=ur2&camp=1789&creative=9325 This list on Amazon.com]
* Related: [http://www.amazon.com/gp/redirect.html?ie=UTF8&location=http%3A%2F%2Fwww.amazon.com%2Fgp%2Frichpub%2Flistmania%2Ffullview%2FRKQGTY21BOZOU%3Fie%3DUTF8%26lm%5Fbb%3D&tag=spaghetti-western-20&linkCode=ur2&camp=1789&creative=9325 This list on Amazon.com]
* Related: [http://www.youtube.com/view_play_list?p=C5A481ADA375621C This list on YouTube]
* Related: [http://www.youtube.com/view_play_list?p=C5A481ADA375621C This list on YouTube]
* Related: This list is also [http://www.icheckmovies.com/list/spaghetti+westerns on iCheckmovies.com]
* Related: This list is also [http://www.icheckmovies.com/list/spaghetti+westerns on iCheckmovies.com]
* About the points system: The top 20 films from each list were scored using the following formula: #1=25 points; #2=21 points; #3=19 points; #4= 17 points and then down to #20=1 point (We also included those who didn't make it into the top 20 at the bottom of this page)
 


[[Category:Articles]]
[[Category:Articles]]

Revision as of 10:41, 30 September 2012

These twenty films were voted by our community as the essential films of the genre. More information on our voting procedure, and where to find those that didn't make the top 20, you'll find at the bottom of the page. For an introduction to the genre, please visit our Introduction.

1 THE GOOD, THE BAD AND THE UGLY, Sergio Leone (1966)

Ennio Morricone's theme is world-known, even to people unaware of its origins. This lengthy, but beautifully balanced western is held by most to be THE spaghetti western. The three-way show down between Clint Eastwood, Lee Van Cleef and Eli Wallach is legendary.

Community vote score: (2.688 points)

Buono.jpg
2 ONCE UPON A TIME IN THE WEST, Sergio Leone (1968)

Made to be the spaghetti western to end all spaghetti westerns, Leone's opus is both a hommage to the American western and as through and through Italian as can be. He turned Henry Fonda into a badboy and let Ennio Morricone give themes to all the characters, played also by Charles Bronson, the unforgettable Claudia Cardinale and Jason Robards. The harmonica is just as famous as the coyote howl of our No.1.

Community vote score: (2.314 points)

West8.jpg
3 FOR A FEW DOLLARS MORE, Sergio Leone (1965)

Clint Eastwood returns as the man with no name, in one of the most exciting representatives of the genre and the map that cemented Sergio Leone as the king of spaghetti western. Ennio Morricone's score is amazing, as are stars Klaus Kinski and Lee Van Cleef.

Community vote score: (2.160 points)

DollarsMore1.jpg
4 THE GREAT SILENCE, Sergio Corbucci (1968)

Its wintery setting, gloomy score (by Ennio Morricone), and the grim violence add to the atmosphere of this famous western by the "other" Sergio, starring Klaus Kinski as the villain and Jean-Louis Trintignant as the mute anti-hero.

Community vote score: (1.780 points)

Il Grande silenzio17885.gif
5 A FISTFUL OF DOLLARS, Sergio Leone (1964)

This is where it all started, the movie that got the ball rolling. Leone's remake of Akira Kurosawa's Yojimbo put the then unknown TV actor Clint Eastwood on the map and established his style and the use of extraordinary music by Ennio Morricone.

Community vote score: (1.465 points)

Fistful7.jpg
6 DJANGO, Sergio Corbucci (1966)

Violence is a trademark of the genre. Corbucci upped the anti with ears bitten off priests and citizens slaughtered with a machine gun, but the skilled pistolero with the army coat and the coffin are what makes this a cult favorite.

Community vote score: (1.446 points)

Django4.jpg
7 THE BIG GUNDOWN, Sergio Sollima (1966)

This is one of three spaghetti westerns of the third Sergio, pitting Lee Van Cleef against genre stalwart Tomas Milian in a cat and mouse hunt that ends as epic as could be, with one of the most remarkable opening credit theme songs ever recorded.

Community vote score: (1.288 points)

Bign itp2.jpg
8 THE MERCENARY, Sergio Corbucci (1968)

Some films are not only famous, they are also cult favorites and draw a crowd of followers (even though it has yet to reach a wider audience on proper home video releases in the US and the UK). This is one, with Franco Nero in one of his greatest roles, an unforgettable soundtrack by Ennio Morricone and the late Jack Palance at a particular best.

Community vote score: (964 points)

Il mercenew.jpg
9 DEATH RIDES A HORSE, Giulio Petroni (1967)

Gunslinger mentor and trainee, a very popular theme in the genre, here depicted by Lee Van Cleef and John Phillip Law, with a beautifully haunting score by Ennio Morricone.

Community vote score: (906 points)

DaUomoAUomo Poster3.jpg
10 COMPANEROS, Sergio Corbucci (1970)

This is Corbucci's second revolutionary tale next to The Mercenary, and it is somewhat of a modification of it, again starring Franco Nero but this time with Tomas Milian in the role of the peasant.

Community vote score: (873 points)

Companeros4 New.jpg
11 FACE TO FACE, Sergio Sollima (1967)

This is actually the second of his three westerns, and it is as much a metaphor of violence as it is a showcase for actors Tomas Milian and Gian Maria Volonte trying to top each other. Community vote score: (859 points)

Facciaafacciabq5X.jpg
12 DUCK, YOU SUCKER!, Sergio Leone (1971)

Leone's own revolutionary western pits Rod Steiger and James Coburn against armored tanks and the Mexican army, in a very explosive film.

Community vote score: (794 points)

GiuLaTesta Poster2x HQ.jpg
13 A BULLET FOR THE GENERAL, Damiano Damiani (1966)

In another revolution-themed entry from the early years, Gian Maria Volonte as El Chuncho is played by a young American agent in order to kill a revolutionary leader. A great story of comraderie and betrayal, with brilliant acting and beautiful music.

Community vote score: (720 points)

QuienSabe Poster.jpg
14 DAY OF ANGER, Tonino Valerii (1967)

In this revered classic, Lee Van Cleef takes on a young protege played by Giuliano Gemma but must face him in the end...

Community vote score: (558 points)

DayOfAnger USPoster1.jpg
15 KEOMA, Enzo G. Castellari (1976)

In its late phase, only few directors have managed to churn out quality films on decent budgets. Veteran director Castellari teamed up with icon Franco Nero in what is a very gloomy but gripping western tale.

Community vote score: (524 points)

Keoma GermanPoster1.jpg
16 MY NAME IS NOBODY, Sergio Leone/Tonino Valerii (1973)

As the genre turned into its self-parody phase, Leone conceived a self reflective western pitting the established Terence Hill against acting titan Henry Fonda. Controversial in it's mixture of comedy and deeper meaning about the decline of the west it was not the last SW, but nonetheless a fitting end for an already dying genre.

Community vote score: (495 points)

Il Mio nome è Nessuno18106.gif
17 CEMETERY WITHOUT CROSSES, Robert Hossein (1968)

The French director's singular endeavor into the genre is also one of the most revered. This sinister tale of revenge and death boasts with incredibly atmospheric scenes, great music and exceptional acting and directing. A small gem if you so will.

Community vote score: (485 points)

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18 DJANGO KILL, IF YOU LIVE, SHOOT!, Giulio Questi (1967)

Questi's very bizarre and only entry in the genre might not find too many friends but is a well-directed film with many memorable moments, as well as a great deal of elements found in exploitation cinema.

Community vote score: 394 points)

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19 RETURN OF RINGO, Duccio Tessari (1965)

Elegantly directed by Ducio Teassari this is one of the early classics and one of the early successes of the genre. Following the storyline of Homer's Odyssey Gemma (in his best role) returns after the civil war home to win back his wife and house.

Community vote score: (375 points)

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20 RUN MAN RUN, Sergio Sollima (1968)

Tomas Milian runs for his life, this time not from a bounty hunter but for his honor, lots of gold and a promise. An adorable film but maybe the weakest of the three films Sollima made. But it has a scene in the snow!

Community vote score: (363 points)

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  • Followed by these:


21. If You Meet Sartana, Pray for Your Death G. Parolini, 1968 (307 points);

22. Blindman F. Baldi, 1971 (285 points);

23. Sabata G. Parolini, 1969 (257 points);

24. Navajo Joe S. Corbucci, 1966 (225 points);

25. And God Said to Cain A. Margheriti, 1969 (222 points);

26. Mannaja S. Martino, 1977 (215 points);

27. Light the Fuse ... Sartana is Coming G. Carnimeo, 1970 (196 points);

28. Tepepa G. Petroni, 1968 (189 points);

29. $10,000 Blood Money R. Guerrieri, 1967 (184 points);

30. A Pistol for Ringo D.Tessari, 1965 (158 points);


31. God Forgives, I Don't G. Colizzi, 1967 (148 points);

32. Massacre Time L. Fulci, 1966 (142 points);

33. Four of the Apocalypse L. Fulci, 1975 (137 points);

34. The Grand Duel G. Santi, 1972 (132 points);

35. Matalo! C. Canevari, 1970 (130 points);

36. Johnny Hamlet E.G. Castellari, 1968 (127 points);

37. El puro E. Mulargia, 1969 (125 points)

38. Bandidos M. Dallamano, 1967 (121 points);

39. Kill and Pray C. Lizzani, 1967 (115 points);

40. Ace High G. Colizzi, 1968 114 points);


41. California M. Lupo, 1977 (110 points);

42. Trinity is Still my Name E. B. Clucher, 1971 (102 points);

43. The Forgotten Pistolero F. Baldi, 1969 (99 points);

44. A Bullet for Sandoval J. Buchs, 1969 (96 points);

45. The Specialists S. Corbucci, 1970 (86 points);

46. Django the Bastard S. Garrone, 1969 (86 points);

47. Death Sentence M. Lanfranchi, 1968 (85 points);

48. Vengeance A. Margheriti, 1968 (85 points);

49. Yankee T. Brass 66 (83 points);

50. Shoot the Living and Pray for the Dead G. Vari, 1971 (82 points);


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