Hombre llamado Noon, Un: Difference between revisions
From The Spaghetti Western Database
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'''Contents:''' | |||
*[[/DVD|Available DVDs]] | *[[/DVD|Available DVDs]] | ||
*[[/OST|Soundtrack]] | *[[/OST|Soundtrack]] | ||
* [[/Trailers&Clips|Trailers & Clips]] | *[[/Trailers&Clips|Trailers & Clips]] | ||
*[[The Man Called Noon (Film Review)|Film Review (Scherpschutter)]] | |||
*[[The Man Called Noon Review|Film Review]] | *[[The Man Called Noon Review|Film Review]] | ||
*[[Der Mann aus El Paso Review deutsch|Film Review (deutsch)]] | *[[Der Mann aus El Paso Review deutsch|Film Review (deutsch)]] | ||
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*[[The Man Called Noon DVD Rezension|DVD Review (DE)]] | *[[The Man Called Noon DVD Rezension|DVD Review (DE)]] | ||
*[http://www.spaghetti-western.net/forum/index.php/topic,1064.0 Forum Topic] | *[http://www.spaghetti-western.net/forum/index.php/topic,1064.0 Forum Topic] | ||
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'''Un hombre llamado Noon''' (Spain, Italy, U.K. 1973 / Director: Peter Collinson) | |||
*'''Runtime:''' 95 min | *'''Runtime:''' 95 min | ||
*'''Release Date:''' 11.8.1973 | *'''Release Date:''' 11.8.1973 | ||
== Also known as == | == Also known as == | ||
Lo chiamavano Mezzogiorno (Italy) | The Man Called Noon (U.S.A. / U.K.) | Der Mann aus el Paso (Germany) | El pistolero sin nombre (Spain) | Hævneren uden fortid (Denmark) | Mannen med guldkurlorna (Sweden) | Soz Shahlarin (Turkey) | Mies nimeltä Noon (Finland) | Pyromena colt (Greece) | Les colts au soleil (France) | Lo chiamavano Mezzogiorno (Italy) | The Man Called Noon (U.S.A. / U.K.) | Der Mann aus el Paso (Germany) | El pistolero sin nombre (Spain) | Hævneren uden fortid (Denmark) | Mannen med guldkurlorna (Sweden) | Soz Shahlarin (Turkey) | Mies nimeltä Noon (Finland) | Pyromena colt (Greece) | Les colts au soleil (France) | ||
== Cast and crew == | == Cast and crew == | ||
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*'''Composer:''' [[:Category: Luis Enríquez Bacalov|Luis Bacalov]] | *'''Composer:''' [[:Category: Luis Enríquez Bacalov|Luis Bacalov]] | ||
*'''Producer:''' Euan Lloyd | *'''Producer:''' Euan Lloyd | ||
==Synopsis== | ==Synopsis== | ||
A hired killer, Rubel Noon is shot in the head in an attempted assassination. Instead of being killed, he loses his memory. He meets and befriends outlaw R.B. Rimes (Boyd). Together, they try to piece together the clues and discover who shot him and just who he is. | A hired killer, Rubel Noon is shot in the head in an attempted assassination. Instead of being killed, he loses his memory. He meets and befriends outlaw R.B. Rimes (Boyd). Together, they try to piece together the clues and discover who shot him and just who he is. | ||
==Comment== | ==Comment== | ||
Revision as of 13:46, 16 August 2015
Contents:
Un hombre llamado Noon (Spain, Italy, U.K. 1973 / Director: Peter Collinson)
- Runtime: 95 min
- Release Date: 11.8.1973
Also known as
Lo chiamavano Mezzogiorno (Italy) | The Man Called Noon (U.S.A. / U.K.) | Der Mann aus el Paso (Germany) | El pistolero sin nombre (Spain) | Hævneren uden fortid (Denmark) | Mannen med guldkurlorna (Sweden) | Soz Shahlarin (Turkey) | Mies nimeltä Noon (Finland) | Pyromena colt (Greece) | Les colts au soleil (France)
Cast and crew
- Cast: Richard Crenna (Jonas Mandrin), Stephen Boyd (J.B. Rimes), Rosanna Schiaffino (Fan Dandridge), Farley Granger (Judge Niland), Patty Shepard (Peg Cullane), Ángel del Pozo (Ben Janish), Renato Rossini [as Howard Ross](Bayles), Aldo Sambrell (Kissling), José Jaspe (Henneker), Charlie Bravo (Lang), Ricardo Palacios (brakeman), Fernando Hilbeck (Mitt Ford), José Canalejas (Dave Cherry), Julián Ugarte (Christobal), Adolfo Thous (mute Mexican), Barta Barri (Mexican stablehand), Cesar Burner (Charlie), Bruce M. Fischer (brawling ranch hand), Manuel de Blas (cowboy)
- Story: Louis L'Amour
- Screenplay: Scott Finch, Antonio Recoder (as Tony Record)
- Cinematography: John Cabrera [Technicolor - Normal 1,85:1]
- Composer: Luis Bacalov
- Producer: Euan Lloyd
Synopsis
A hired killer, Rubel Noon is shot in the head in an attempted assassination. Instead of being killed, he loses his memory. He meets and befriends outlaw R.B. Rimes (Boyd). Together, they try to piece together the clues and discover who shot him and just who he is.
Comment
A totally failed attempt to turn a lame story about an amnesiac gunfighter into an arty looking western. Everything seems to be wrong in a film as explosive as a nap at noon.
by Stanton
