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=='''The Stranger returns''' (Un Uomo, un cavallo, una pistola)==
{{StrangerReviews}}
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| [[Uomo, un cavallo, una pistola, Un|'''THE STRANGER RETURNS''']] (1967)
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| '''Cast''':


* Tony Anthony
'''The Stranger Returns''' (Un Uomo, un Cavallo, una Pistola) - [[Uomo, un cavallo, una pistola, Un|See Database Page]]


* Dan Vadis
<center><small> ''A fair sequel to A Stranger in Town, with Tony Anthony again as the down-and-out loner who cleans up a border town, this time using a four-barreled shotgun he received from the only sensible guy in town, a religious lunatic'' </small></center>
<center> ____________ </center>


* Daniele Vargas
Tony Anthony returns as ''the stranger'', the poor man's No Name, who wears a blanket because he cannot afford a poncho. The now classic opening scene has him riding through a desert landscape, protecting himself from the sun with a pink parasol and having conversations with his black horse, called Pussy. The scene is closer to the surreal world of Jodorowski's ''El Topo'' than to the first stranger movie, but things soon turn back to normal when the stranger finds a murdered postal inspector. He steals the man's identification papers (you never know) and rides into town, where a stagecoach is robbed (and all the passenger massacred) by a gang of eternally laughing crooks. The bandits were not after a strongbox, but after the stagecoach itself, that is entirely made of gold ...


* Marco Guglielmi
Thanks to a surreal opening scene, a more elaborate script and some examples of ultra-weird humor, many think this is a better movie than the first one. The stranger is again beaten up severely before the script allows him to make clean slate: he's kicked in the face, even dragged behind the coach, but finally cleans up the town by shooting every villain in sight, this time with a four-barreled shotgun he got from the only sensible (huh?) guy in town, a religious lunatic, who also has some firework to spare. Tony has a few more lines of dialogue and some are quite funny (when the lunatic tells him to buy himself a ticket to heaven, his laconic answer is: ''"What does it cost?"''). And there's also a hilarious scene involving Raf Baldassare, a chicken and that four-barreled shotgun. It's pretty tasteless but absolutely brilliant, and I won't spoil it by saying more about it.


* Jill Banner
The outlandish atmosphere and absurdist humor are preludes of what was to come in the two remaining Stranger movies, but compared to the first movie, this sequel is the more traditional and less original of the two (in spite of the parasol, the horse and the rolled cigarettes Tony never finishes). With only a handful of sets used and a few lines spoken, [[Dollaro tra i denti, Un|A Stranger in Town]] was as close to a minimalistic movie experience as the spaghetti western would ever get, and that's exactly what made it unique and fascinating. I called it ''a nightmarish vision of hell on earth''. The sequel is longer on plot, but shorter on atmosphere. This doesn't mean it's a bad spaghetti western, it's a good one, with lots of action, a good villain and Tony growing nicely into the role of this enigmatic (and fascinating) stranger, a down-an-out loner who acts on impulse rather than thinking his actions through and therefore runs into danger with every step he takes.


* Marina Berti
The villain is played Dan Vadis, a former member of the Mae West Muscle Man Revue, and also features the ravishing Jill Banner, then a notorious sex kitten, who had been Clint Eastwood's extramarital lover for a while and now was (or would soon become) Marlon Brando's girlfriend. Some think Brando had asked executive producer Allen Klein to give her a role, but some people involved in the movie think she was Dan Vadis' girlfriend at the time and had not yet met Brando. It's also possible that Clint had opened a few doors for her in Italy. Allegedly she was courted by nearly everybody on the set, and even instructed her bodyguards to keep actor Mario Novelli (the one who tries to rape her in the movie) away from her (*1).
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<center> [[File:Strangerreturns1.JPG|290px]] [[File:Strangergirlfriend.jpg|290px]] [[File:Strangerreturns2.JPG|290px]]</center>
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<center><big> ★★★☆☆ </big></center>
'''Note:'''
<small>
* (1) Marco Giusti, ''Dizionario del western all'italiana''. Note also that Vadis became a regular in Eastwood's movies shortly after.
** The Data Lounge, ''Marlon Brando and the Love of his life, Jill Banner''
** https://en.wikipedia.org/wiki/Personal_life_of_Clint_Eastwood


* Raf Baldassarre
'''Director:''' Luigi Vanzi - '''Cast:''' Tony Anthony, Marco Guglielmi, Dan Vadis, Daniele Vargas, Ettore Manni, Jill Banner, Raf Baldassarre, Mario Novelli, Silvana Bacci, Giuseppe Addobbati, Fortunato Arena, Luciana Antonelli - '''Music:''' Stelvio Cipriani
 
</small>
'''Music''':
* Stelvio Cipriani
 
'''Director''':
* Luigi Vanzi
|-
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'''[[The Stranger Returns Review|Review]] | [[Western-Jack - Review|German Review]]'''
 
[[Uomo, un cavallo, una pistola, Un|View Database page]]
 
Thanks to surreal opening scene, a more elaborate script and some examples of ultra-weird humour, this sequel to ''A Stranger in Town'' is thought by some to be a better movie than the first one. Tony Anthony returns as the down and out stranger , the poor man's No Name so to speak, who wears a blanket because he cannot afford a poncho. The film also features muscle man Dan Vadis, a veteran from the sword and sandal movies and former member of the Mae West Muscle Man Revue , and the ravishing  Jill Banner, then a notorious sex kitten, who would soon become Marlon Brando's girlfriend for a while. Allegedly she was courted by nearly everybody on the set, and even instructed her bodyguards to keep actor Mario Novelli (the one who tries to rape her in the movie) away from her. Yes, those Latin Lovers can be quite persistent.
 
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The opening scene has the Stranger riding through a desert landscape, protecting himself from the sun with a pink parasol, having conversations with his black horse, called ''Pussy''. This scene certainly is closer to the surreal world of Jodorowski's '''''El Topo''''' than to the first stranger movie, but things soon turn back to business as usual when the stranger finds a murdered postal inspector. He steals the identification papers of the dead man (you never know) and rides into town, where he witnesses how  the people of a stagecoach are massacred by a gang of eternally laughing crooks, called the Treasure of the Border, because of the massive bounty on their heads. It's not a strongbox the bandits are after, but the stagecoach itself, which is made of solid gold.


{{StrangerPages}}


Based on an original story by Tony Anthony himself, the script nearly copies the basic elements  of the first movie. There's the army, there's the border town, there's the loot, there's the sadistic villain, and there's the stranger. Once again our stranger is beaten up, kicked in the face, even dragged behind the coach, but finally cleans up the town by shooting every villain in sight, this time with a four-barreled shotgun he got from the only sensible guy in town, a religious lunatic, who also has some firework to spare. But, as said, this sequel adds a dose of humour to the ingredients. Tony has been given a few more lines of dialogue and some of them are quite funny. When Vadis sees a Mexican woman hanging up her laundry, he tries to undress her with his gun (no kidding). And then there's a hilarious scene involving Raf Baldassare,  a chicken and that four-barreled shotgun. It's pretty tasteless but absolutely brilliant, and I won't spoil it by saying more about it.
{{SimonSignature}}


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The outlandish atmosphere and absurdist humour are preludes of what was to come in the two remaining Stranger movies, but compared to its predecessor, ''The Stranger Returns'' seems the more traditional and less original movie of the two, in spite of the parasol, the horse and the rolled cigarettes Tony never finishes. With only a handful of sets used and a few lines spoken, the first movie was as close to a minimalistic movie experience as the spaghetti western would ever get, and that's exactly what made it unique and fascinating. I called it a nightmarish vision of hell on earth. This movie is longer on plot, but shorter on atmosphere. Director Luigi Vanzi's characteristic style from the first movie, with the lingering camera and sudden outbursts of violence, has been replaced by a more traditional spaghetti western style too. This doesn't mean that The Stranger returns is a bad spaghetti western. It's a good one, with a good villain and Tony nicely growing into the character. Stelvio Cipriani's score is also very nice, although I noticed a few Morricone echoes too many. Or was I dreaming? As a genre fan your ears sooner or later get morriconized, and as a result you start hearing echoes of the maestro everywhere.
'''Reviewed DVD''': The best release, so far, seems to be the '''Alfa Digital double feature'''. The best isn't very good in this case. Colours of this bootleg DVD have faded, there's a multitude of artifacts such as posterisation and macro blocking in backgrounds, and the image often looks zoomed (apparently to hide a TV logo), resulting in head & feet chopping. The DD 2.0 audio is loud and clear, but in one scene a character suddenly starts talking like Mickey Mouse. '''''Tony: we're all waiting for that Stranger Box !'''''
--By [[User:Scherpschutter|Scherpschutter]]
Page Design by [[User:Dicfish|dicfish]]
{{StrangerPages}}




[[Category:Reviews]]
[[Category:Reviews]]

Revision as of 23:04, 14 November 2018

SR-93.JPG


The Stranger Returns (Un Uomo, un Cavallo, una Pistola) - See Database Page

A fair sequel to A Stranger in Town, with Tony Anthony again as the down-and-out loner who cleans up a border town, this time using a four-barreled shotgun he received from the only sensible guy in town, a religious lunatic
____________

Tony Anthony returns as the stranger, the poor man's No Name, who wears a blanket because he cannot afford a poncho. The now classic opening scene has him riding through a desert landscape, protecting himself from the sun with a pink parasol and having conversations with his black horse, called Pussy. The scene is closer to the surreal world of Jodorowski's El Topo than to the first stranger movie, but things soon turn back to normal when the stranger finds a murdered postal inspector. He steals the man's identification papers (you never know) and rides into town, where a stagecoach is robbed (and all the passenger massacred) by a gang of eternally laughing crooks. The bandits were not after a strongbox, but after the stagecoach itself, that is entirely made of gold ...

Thanks to a surreal opening scene, a more elaborate script and some examples of ultra-weird humor, many think this is a better movie than the first one. The stranger is again beaten up severely before the script allows him to make clean slate: he's kicked in the face, even dragged behind the coach, but finally cleans up the town by shooting every villain in sight, this time with a four-barreled shotgun he got from the only sensible (huh?) guy in town, a religious lunatic, who also has some firework to spare. Tony has a few more lines of dialogue and some are quite funny (when the lunatic tells him to buy himself a ticket to heaven, his laconic answer is: "What does it cost?"). And there's also a hilarious scene involving Raf Baldassare, a chicken and that four-barreled shotgun. It's pretty tasteless but absolutely brilliant, and I won't spoil it by saying more about it.

The outlandish atmosphere and absurdist humor are preludes of what was to come in the two remaining Stranger movies, but compared to the first movie, this sequel is the more traditional and less original of the two (in spite of the parasol, the horse and the rolled cigarettes Tony never finishes). With only a handful of sets used and a few lines spoken, A Stranger in Town was as close to a minimalistic movie experience as the spaghetti western would ever get, and that's exactly what made it unique and fascinating. I called it a nightmarish vision of hell on earth. The sequel is longer on plot, but shorter on atmosphere. This doesn't mean it's a bad spaghetti western, it's a good one, with lots of action, a good villain and Tony growing nicely into the role of this enigmatic (and fascinating) stranger, a down-an-out loner who acts on impulse rather than thinking his actions through and therefore runs into danger with every step he takes.

The villain is played Dan Vadis, a former member of the Mae West Muscle Man Revue, and also features the ravishing Jill Banner, then a notorious sex kitten, who had been Clint Eastwood's extramarital lover for a while and now was (or would soon become) Marlon Brando's girlfriend. Some think Brando had asked executive producer Allen Klein to give her a role, but some people involved in the movie think she was Dan Vadis' girlfriend at the time and had not yet met Brando. It's also possible that Clint had opened a few doors for her in Italy. Allegedly she was courted by nearly everybody on the set, and even instructed her bodyguards to keep actor Mario Novelli (the one who tries to rape her in the movie) away from her (*1).


File:Strangerreturns1.JPG Strangergirlfriend.jpg File:Strangerreturns2.JPG

★★★☆☆

Note:

Director: Luigi Vanzi - Cast: Tony Anthony, Marco Guglielmi, Dan Vadis, Daniele Vargas, Ettore Manni, Jill Banner, Raf Baldassarre, Mario Novelli, Silvana Bacci, Giuseppe Addobbati, Fortunato Arena, Luciana Antonelli - Music: Stelvio Cipriani

StrangerNew.png
The STRANGER series:
  • A Stranger in Town (1966) with Tony Anthony as the Stranger, directed by Luigi Vanzi
  • The Stranger Returns (1967) with Tony Anthony as the Stranger, directed by Luigi Vanzi.
  • The Silent Stranger (1969) with Tony Anthony as the Stranger, directed by Luigi Vanzi.
  • Get Mean (1975) with Tony Anthony as the Stranger, directed by Ferdinando Baldi.
Simon Gelten
Simon Gelten is a long time contributor to the SWDb. "I'm not as old as Tom B. but I'm working on it. I hope to catch up with him by the end of the next decade.", he says. Simon saw all movies by Sergio Leone and several by Sergio Corbucci in cinema, most of the time in Eindhoven, the city where he was born. Currently, Simon is living in Turnhout, Belgium. Simon is active within the database as both Scherpschutter and his alter ego Tiratore Scelto.
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