User: Morgan: Difference between revisions

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* [[Django]]
* [[Django]]
* [[Faccia a faccia|Face to face]]
* [[Faccia a faccia|Face to face]]
* [[Taglia è tua... l'uomo l'ammazzo io, La|El Puro]]
* [[Giù la testa|Duck, You Sucker]]
* [[Giù la testa|Duck, You Sucker]]
* [[Resa dei conti, La|The Big Gundown]]
* [[Resa dei conti, La|The Big Gundown]]
* [[Vamos a matar, compañeros|Compañeros]]
* [[Vamos a matar, compañeros|Compañeros]]
* [[Tepepa]]
* [[Tepepa]]
* [[Une corde, un Colt|Cemetery Without Crosses]]
* [[Une corde, un Colt|Cemetery Without Crosses]]
* [[Taglia è tua... l'uomo l'ammazzo io, La|El Puro]]
* [[Precio de un hombre, El|The Bounty Killer]]
* [[Precio de un hombre, El|The Bounty Killer]]
* [[Quien Sabe|A Bullet for the General]]
* [[Quien Sabe|A Bullet for the General]]
Line 24: Line 24:


* [[Corri, uomo, corri|Run, Man, Run]]
* [[Corri, uomo, corri|Run, Man, Run]]
* [[Boot Hill|Boot Hill]]
* [[Sonora]]
* [[Sonora]]
* [[Dragão da Maldade contra o Santo Guerreiro, O|Antonio das Mortes]]
* [[Dragão da Maldade contra o Santo Guerreiro, O|Antonio das Mortes]]
* [[Lo voglio morto|I Want Him Dead ]]
* [[Lo voglio morto|I Want Him Dead ]]
* [[Buitres cavarán tu fosa, Los|And the Crows Will Dig Your Grave]]
* [[Buitres cavarán tu fosa, Los|And the Crows Will Dig Your Grave]]
* [[Boot Hill|Boot Hill]]
* [[Keoma]]
* [[Keoma]]
* [[10.000 dollari per un massacro|10.000 Dollars for a Massacre]]
* [[10.000 dollari per un massacro|10.000 Dollars for a Massacre]]

Revision as of 19:24, 23 March 2018

Here my favorite 50 SWDB films (not all of them strictly spag):

I watched Once Upon a Time in the West more than ten times when shown in the theatres in the late sixties and early seventies. For forty years I avoided the non-Leone spaghetti westerns, out of pietism. However, sometime in 2012 I started wondering; as Leone made five great films all by himself, maybe his other Italian film-maker colleagues achieved five decent films all of them together.

I ended up watching about 150 spags in the next 15 months, using the SWDB as a roadmap, everything from Greek tragedy to slapstick comedy. I found a number of perfectly good anti-oppressive films, and an even larger number of maybe not so perfect, even far from perfect, but perfectly amoral, bleak, noirish westerns, different from Leone’s films. This, I think, is where spaghetti western gets real interesting.

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