The Hero and the Grave: The Theme of Death in the Films of John Ford, Akira Kurosawa and Sergio Leone: Difference between revisions

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* Pages: 175
* Pages: 175


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* '''Order from: [https://www.amazon.de/-/en/Alireza-Vahdani-ebook/dp/B07GCSJ75B Amazon.de] | [https://www.amazon.co.uk/Hero-Grave-Theme-Kurosawa-Sergio-ebook/dp/B07GCSJ75B Amazon.co.uk] | [https://www.amazon.it/Hero-Grave-Theme-Kurosawa-Sergio/dp/1476664102 Amazon.it] | [https://www.amazon.fr/Hero-Grave-Theme-Kurosawa-Sergio/dp/1476664102 Amazon.fr] | [https://www.amazon.es/Hero-Grave-Kurosawa-Sergio-English-ebook/dp/B07GCSJ75B Amazon.es]'''


The theme of death is an essential component of film narrative, particularly in how it affects the hero. Filmmakers from different cultures and backgrounds have developed distinct yet archetypal perspectives on death and the protagonist's response. Focusing on Western and Japanese period genre films, the author examines the work of John Ford (1894-1973), Akira Kurosawa (1910-1998) and Sergio Leone (1929-1989) and finds similarities regarding death's impact on the hero's sense of morality.
The theme of death is an essential component of film narrative, particularly in how it affects the hero. Filmmakers from different cultures and backgrounds have developed distinct yet archetypal perspectives on death and the protagonist's response. Focusing on Western and Japanese period genre films, the author examines the work of John Ford (1894-1973), Akira Kurosawa (1910-1998) and Sergio Leone (1929-1989) and finds similarities regarding death's impact on the hero's sense of morality.

Revision as of 11:17, 18 December 2020

  • Author: Alireza Vahdani
  • Release date: July 20, 2018
  • Format: Paperback
  • ISBN: 978-1476664101
  • Publisher: McFarland & Company
  • Pages: 175

The theme of death is an essential component of film narrative, particularly in how it affects the hero. Filmmakers from different cultures and backgrounds have developed distinct yet archetypal perspectives on death and the protagonist's response. Focusing on Western and Japanese period genre films, the author examines the work of John Ford (1894-1973), Akira Kurosawa (1910-1998) and Sergio Leone (1929-1989) and finds similarities regarding death's impact on the hero's sense of morality.

About the author: Alireza Vahdani lives in Oxford, UK. He holds a M.A in Popular Cinema and, a B.A in Film Studies/ Communication, Media, and Culture from Oxford Brookes University. He is an Associate Lecturer in Film Studies at Oxford Brookes University. His research interests are Japanese period drama films, Italian popular cinema, classic American Westerns, and English linguistic.

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